hearthesilence wrote:The 1991 cut off date is a tiny bit frustrating. Husbands and Wives from 1992 is one of his better films and feels like a more logical cut off given how it's the last one he made with Mia Farrow.
As Domino says, the nineteen films from 1971-91 are all part of the same catalogue. MGM acquired both the United Artists (1971-80) and Orion (1981-91) libraries, so they can all be licensed as a job lot. (Even
Annie Hall and
Manhattan, which are already out on BD in the UK, but MGM allowed Arrow to include them as box-set exclusives.)
But throwing anything else into the mix would be contractually much fiddlier - it's a shame that
Take the Money and Run isn't included at the other end, for instance, but that's also got a different rightsholder.
Calvin wrote:I'd asked Twilight Time about this issue before (whether it was contractually mandated or just out of respect for the filmmaker and could be disregarded a la Arrow's inclusion of Thief's theatrical cut) and they didn't answer so I'm pleased to see Arrow confirm this via Michael. There have been a few interviews on his recent films, but presumably he has less control over their home video release.
I can't speak for the later Woody Allen films, but he famously had an incredibly generous contract with UA and Orion (who were effectively the same people, since Arthur Krim and colleagues left UA to form Orion) that allowed him huge control over the distribution of the 1971-91 titles. And he's famously vetoed any video extras bar theatrical trailers.
In fact, we weren't at all sure whether he'd be happy sanctioning the book (over which he also had contractually mandated personal approval), but now it's had the go-ahead, volumes two and three are being produced in parallel to the same formula.
Calvin wrote:I wonder if Arrow could 'correct' the rooftop scene in Annie Hall by restoring the original burned-in subtitles? Or, at the very least, not having them in yellow.
I'll make sure the disc's producer is aware of this.