Nightbitch (Marielle Heller, 2024)

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domino harvey
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Joined: Wed Jan 11, 2006 6:42 pm

Nightbitch (Marielle Heller, 2024)

#1 Post by domino harvey »

Amy Adams is producing and starring in Marielle Heller’s next film, Nightbitch, about a suburban mom who thinks she’s turning into a dog. And they say there are no new ideas!
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soundchaser
Leave Her to Beaver
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Re: New Films in Production, v.2

#2 Post by soundchaser »

Amy Adams and Marielle Heller is one of those combinations that feels so obvious once it’s written like that. Count me in!
Last edited by soundchaser on Tue Jun 28, 2022 3:44 am, edited 1 time in total.
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PfR73
Joined: Sun Mar 27, 2005 10:07 pm

Re: New Films in Production, v.2

#3 Post by PfR73 »

domino harvey wrote: Tue Jun 28, 2022 2:26 am Amy Adams is producing and starring in Marielle Heller’s next film, Nightbitch, about a suburban mom who thinks she’s turning into a dog. And they say there are no new ideas!
(Italicized by me for emphasis).
I can't tell if you're being sarcastic or not at the end, because as intriguing as this combination is, my first thought was "didn't Marianna Palka already make this movie?"
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brundlefly
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Re: New Films in Production, v.2

#4 Post by brundlefly »

The first association that came to mind was "The Curse," the housewife werewolf issue from Alan Moore's "American Gothic" arc in Swamp Thing.
Spoiler
Which had its own lame double entendre. Werewolves/menstruation.

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brundlefly
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Re: Trailers for Upcoming Films

#5 Post by brundlefly »

domino harvey wrote: Tue Jun 28, 2022 2:26 am Amy Adams is producing and starring in Marielle Heller’s next film, Nightbitch, about a suburban mom who thinks she’s turning into a dog. And they say there are no new ideas!
Trailer (NSFW).
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domino harvey
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Re: Trailers for Upcoming Films

#6 Post by domino harvey »

Well… there goes another would-be Oscar hopeful
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soundchaser
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Re: Trailers for Upcoming Films

#7 Post by soundchaser »

Maybe it’s just the way the trailer’s cut, but this feels confused about its tone. I can’t see any of the comedy (?) landing.
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Matt
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Re: Trailers for Upcoming Films

#8 Post by Matt »

I think it’s a misleading trailer. I trust Marielle Heller to capably balance humor and drama, but this feels disingenuously cut to look like a relatable overwhelmed mommy comedy. It feels similar to the way Tully was positioned.
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domino harvey
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Re: Nightbitch (Marielle Heller, 2024)

#9 Post by domino harvey »

This movie contains a montage set to Weird Al’s “Dare to be Stupid,” in case anyone is entertaining that this is still an Oscar player
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The Narrator Returns
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Re: Nightbitch (Marielle Heller, 2024)

#10 Post by The Narrator Returns »

But the reactions are a lot better than the trailer would suggest, making it four out of four Marielle Heller movies (five out of five if you count What the Constitution Means to Me) to far exceed the promise of their logline and marketing.
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mfunk9786
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Re: Nightbitch (Marielle Heller, 2024)

#11 Post by mfunk9786 »

According to the Joanna Newsom fan community (who I keep up with when there's a new album on the horizon, especially), the song "Divers" (which is 7+ minutes long) plays in its entirety during this film. It's the same song that was packaged with some 35mm reels back when Paul Thomas Anderson shot the video for it, the title track of her 2015 album.
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therewillbeblus
Joined: Tue Dec 22, 2015 7:40 pm

Re: Nightbitch (Marielle Heller, 2024)

#12 Post by therewillbeblus »

There are a couple of funny moments, but this film was doomed to find a tone from its inception, and unfortunately its horribly-conceived didacticism and metaphor gratingly overshadow most elements to praise (I share the film's politics and perspective, it just makes its point every five seconds ad nauseam). I've enjoyed all of Heller's work up until now, but this quickly moves from quirkily intriguing to downright terrible and never lets up from there - a 90 minute flick that feels twice its length. Amy Adams is wasted, as her sporadically-effortful performance only gets the chance to impress you a fraction of the time - otherwise, it's impossible to rise above the rote material her character has to work with; a hackneyed product lazily posturing at originality, a brand of weird that's almost completely washed out by its affixed blandness. And there is zero reason for this movie to exist when Tully already does.
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