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Michael Kerpan wrote:Brad Stevens responded that he finds that setting sharpness to 0 helps "not enough to prevent the Blu-rays looking grainier than the standard discs".

The Fanciful Norwegian responds that the Baird 30-line televisor resolves even less grain than DVD, clearly it is the ideal format for these films

zedz wrote:As for the Mizoguchis: some of the films are from battered, compromised sources, and to be honest I would have been simply delighted with DVD transfers, but the BluRay is certainly an improvement on SD, if only because it's that much truer to the battered source. Maybe you're just seeing the shortcomings of that source more clearly, but that's simply part of the provenance of these movies, which we're lucky to have in any form, and in my opinion warts-and-all is always going to be better than soft-focus-and-hope-everybody-mistakes-the-warts-for-beauty-spots.

Agreed - plus the better reaction to a release like this (as Bill Morrison's Decasia or Wong Kar-Wai's Hua Yang De Nian Hua short demonstrate in a more extreme fashion) is surely not depression at how many of the flaws of the original negative are more apparent with the greater resolution, but to say that the Blu release acts as an even better demonstration of the vital importance of film preservation. In other words it a problem with the negative rather than the home video format.

(Though Decasia is also getting at another issue, one of accepting the flaws, marks, scratches and deteriorations as being new additions to the pre-existing material!)

The Fanciful Norwegian wrote:Jia didn't only shoot The World at 25fps, but also Unknown Pleasures (shot in SD 576i50) and Still Life (shot at 1080i50 with the Sony HVR-Z1, which was actually intended for television production and doesn't support 24p). I don't know what he's used for his subsequent features.

But, for the record, all 35mm prints of THE WORLD were screened globally at 24fps, so we went with 24fps on the MoC BD to recreate the theatrical experience, instead of making the BD 1080i 25fps to recreate TV screenings. This seems like a complete no-brainer in retrospect, but something which could easily go awry in Blu-ray/DVD production because the master was supplied at 25fps.

Schleinzer's MICHAEL and Sokurov's FAUST announced for Blu-ray release by AE!

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http://www.blu-ray.com/news/?id=8598" onclick="window.open(this.href);return false;

Woohoo for 1080p!

Two definite purchases here also.

Would have already bought Michael on DVD if my discount code had worked the other day.

Me three. Now I won't have to wait months for an indifferent Strand Releasing dump of Michael straight to standard def. And Cinema Guild has been teasing Faust in the U.S., but who knows when that will happen. Thanks A.I. for this double feature

Spoiler

of the damned!

Great news about Michael - I feared it would be DVD only - but the trailer for Faust is appalling. Hopefully the film's better.

Faust the film is simultaneously appalling and beautiful. That trailer is preposterous though.

I pity anyone who has to turn a Sokurov film into a trailer.

Forthcoming releases:
La Cérémonie (DVD only at the moment) [June 11th]
Corpo Celeste [DVD Only?) [June 25th]
Fallen Angels [July 9th] - The two amazon links each state DVD but I guess it's safe to assume one was meant to be Blu, and the price discrepancies back this up.
Faust (Blu-ray & DVD releases) [July 23rd]
Elles (Blu-ray & DVD releases) (August 23rd)

Just as I was away to purchase the Kino editions, AE announces their Fallen Angels Blu. Doesn't look like they're going to upgrade Happy Together though so I might as well get the Kino. I wonder if AE got the Blu-Ray rights to Tartan's Kar-Wai titles, like they seem to have with (at least some of) their Bergmans?

TMDaines wrote:Michael Blu-ray

Whoa, great news!

Calvin wrote:I wonder if AE got the Blu-Ray rights to Tartan's Kar-Wai titles, like they seem to have with (at least some of) their Bergmans?

Ingmars, surely?

Less pedantically facetiously, which of Tartan's Bergman titles has Artificial Eye picked up? The ones they announced were among the few that weren't in Tartan's famous box set.

Sawdust and Tinsel was a Tartan DVD release. I don't think any of the others on the Artificial Eye box set were.

RossyG wrote:Sawdust and Tinsel was a Tartan DVD release. I don't think any of the others on the Artificial Eye box set were.

Dreams was too, but like Sawdust and Tinsel only part of that massive (and prohibitively priced) Tartan set. It Rains On Our Love, A Ship Bound for India and So Close to Life are all making their on-disc debut in the UK.

MichaelB wrote:

Calvin wrote:I wonder if AE got the Blu-Ray rights to Tartan's Kar-Wai titles, like they seem to have with (at least some of) their Bergmans?

Ingmars, surely?

Sorry, I find Asian names very confusing (as in which is forename and which is surname)! Your question has already been answered but the AE "Classic Bergman Collection" is quite intriguing. Three of the titles weren't released by Tartan but what would make AE pursue Dreams and Sawdust and Tinsel? There isn't an immediate link between the included titles that jumps out at me. However, when I made my earlier comment I didn't realise that AE are releasing the set on DVD as well. Now I'm even more confused.

Calvin wrote:...what would make AE pursue Dreams and Sawdust and Tinsel? There isn't an immediate link between the included titles that jumps out at me.

I'm speculating but I imagine Dreams was attractive mainly because it was only previously available in the UK within the big Tartan box, so many potential buyers had to skip it. Sawdust and Tinsel did have a separate release but it was one of the last Bergmans Tartan issued (so perhaps fewer copies around) - and, at least when I was getting to know Bergman, it was regarded as one of his best films.

Perhaps AE bought up all the Tartan Bergman titles rather than those two specific ones. Perhaps some are deemed worthy of standalone releases and others will be put into box sets.

Pure guess, mind.

Chabrol's La Ceremonie is getting a BD release in late August.

I wrote guys at AE right after their announcement about their box set, asking whether they will be releasing anything except the films included there, and what they answered was that they "currently only have rights for those titles in the box set; with no plans to acquire any others at this point", so we should not expect any further Tartan films released by them.

My guess is that it may be that this is the same with Wongs, although would like to see "In the Mood for Love" on Blu some day.

Just when I was wondering if I'd ever get to see The Hunter (the 2011 Australian film), I find out that Artificial Eye are giving it a UK cinema release on 6 July.

Marvellous release, but it has been postponed another week ](*,)

Sally Potter's Orlando and The Tango Lesson are both receiving Blu-ray upgrades August 6th.