Re: Joker (Todd Phillips, 2019)
Posted: Mon Sep 23, 2019 7:50 pm
the Guardian wrote:Joaquin Phoenix, you are well known for your lenient stance on crime, but suppose for a second that your house was ransacked by thugs, your family was tied up in the basement with socks in their mouths, you try to open the door but there's too much blood on the knob....
mfunk9786 wrote: Mon Sep 23, 2019 7:50 pm Joaquin Phoenix walks away from an interview after being asked a stupid question
Uhhh, everything okay there, indiewire commentator?Indiewire Commentator wrote : Everything in my life leading up to watching “Joker” has inspired me to become violent and bordeline insane. It doesn’t need movies for that. Human beings are nasty by nature and without the leviathan of the modern state blood would be flowing in rivers. On the other hand the modern state has often failed to protect you, just look
at Mexico. If a guy dresses up as Joker and starts to shoot around again, it won’t tell you much about movies, but more about how in-sane America is now.
Maybe “Joker” is overrated, but states and people are even more overrated
Great stuff—I’m gonna pitch all of it.quim_font wrote: Mon Sep 23, 2019 7:44 pm Have to wonder what the next "impart current social issue onto existing IP" film is going to be: Captain America going though a contemptuous divorce? Wonder Woman running to be the first woman U.S. president? Spider-man drowning under student debt?
It should be noted that this was not an officially circulated "This is going to happen" sort of deal. It's entirely precautionary based on online posting through articles and comments. The FBI has had zero reports of possible attacks and is not aware of any advocacy for it. The article also goes on to say that the Aurora shootings Joker connection was debunked.domino harvey wrote: Tue Sep 24, 2019 9:37 pm This is ridiculous— they probably fell for a 4Chan post or something. Why would incels shoot up a theatre showing a movie that they allegedly will love?
Nietzsche wasn't a Nihilist either.quim_font wrote: Tue Sep 24, 2019 11:58 pm Camus explicitly stated, in The Rebel and in others, that his entire life’s work was devoted to countering nihilism, not embracing it.
Sadly a lot more people are going to see movies like this than to actual read or even learn the names of the writers you mentionedNasir007 wrote: Wed Sep 25, 2019 12:49 am Maybe I really am that dumb and read it all wrong lol. The point is some of those works are very provocative and lead you to question (and perhaps reject) basic concepts of civilization and society. You would think people would fond find those works more troubling than a superhero movie.
For sure. I read it in a single night in one sitting with no breaks (which is how I think it is best read) and I was I think 19 and even then I thought I read it too late. I should have read it when I was 15 or so and the it would have been even more potent with even greater capacity for mischief. Not to say it ruined me but I certainly found the worldview expressed fascinating. It did lead me to ordering scotch and soda for 6 months straight after that.colinr0380 wrote: Wed Sep 25, 2019 5:19 am I guess we don't need to go as far back as all that - wasn't Catcher In The Rye about the same kind of moral panic of a book that might connect with the 'wrong sort' of people, or the masses in general? Presumably a lot of that came about less from the content of the work but for concerns as to how it was 'going' to get used in the 'wrong hands' too?
What question do you have specifically about the budget?domino harvey wrote: Mon Sep 23, 2019 7:55 pmthe Guardian wrote:Joaquin Phoenix, you are well known for your lenient stance on crime, but suppose for a second that your house was ransacked by thugs, your family was tied up in the basement with socks in their mouths, you try to open the door but there's too much blood on the knob....
Didn't a bunch of fascist assholes burn down the theater of/at the premier of Renoir's The Rules of the Game in 1939? Or, is that just folklore?Nasir007 wrote: Tue Sep 24, 2019 11:45 pm Hate to be that person but I am appalled at the overreaction to this. I keep saying the same thing over and over again - it is just a movie.
There have been immensely more potent provocations in art. Movies far more disturbing or inciting.
Nasir007 wrote: Tue Sep 24, 2019 11:45 pm Hate to be that person but I am appalled at the overreaction to this. I keep saying the same thing over and over again - it is just a movie.
Nasir007, how would you square these two sentiments?Nasir007 wrote: Tue Aug 20, 2019 7:49 pm With Tarantino his violence is gleeful. Taratino thinks it is cool and badass. And he shows it to us that way. His point IS entertainment. Therein lies the difference. The audience does not burst into cheers and whoops in Cache when the kid beheads the chicken. In this film they do. There should be atleast some, the barest responsibility when showing violence. Especially from a respected film-maker. Tarantino wants none of that. He wants to show us what he enjoys. And what he enjoys on the evidence of this film is ugly and revolting.
I have no idea whether they were fascists, but yes, when the film premiered at two Paris theaters, there were reports, at the more upscale of the two, of people smashing their seats in protest and throwing burning newspaper around the theater. This seems to support what Renoir wrote in his memoir that the audience "recognized themselves" in the film. And "people who commit suicide do not care to do it in front of witnesses."aox wrote: Wed Sep 25, 2019 1:24 pmDidn't a bunch of fascist assholes burn down the theater of/at the premier of Renoir's The Rules of the Game in 1939? Or, is that just folklore?Nasir007 wrote: Tue Sep 24, 2019 11:45 pm Hate to be that person but I am appalled at the overreaction to this. I keep saying the same thing over and over again - it is just a movie.
There have been immensely more potent provocations in art. Movies far more disturbing or inciting.