Saturday Night Live

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swo17
Bloodthirsty Butcher
Joined: Tue Apr 15, 2008 2:25 pm
Location: SLC, UT

Re: Saturday Night Live

#226 Post by swo17 »

brundlefly wrote: Mon Mar 27, 2023 5:20 am Going for character over comedy
Yeah, even the show's basic premise requires the lead to tank her TV debut, and there are a lot of "funny" ways that could happen, but many of them would go against the idea that, y'know, her character is supposed to actually be good at this sort of thing. So they find another way
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swo17
Bloodthirsty Butcher
Joined: Tue Apr 15, 2008 2:25 pm
Location: SLC, UT

Re: Saturday Night Live

#227 Post by swo17 »

Just realizing you can generally find old skits that have been otherwise suppressed online by locating them within their whole episodes on Internet Archive. For instance, here (at 18:30) is Terry Sweeney as Nancy Reagan and here (at 15:00) are Vanessa Bayer and Amy Schumer as Delta flight attendants
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hearthesilence
Joined: Fri Mar 04, 2005 8:22 am
Location: NYC

Re: Saturday Night Live

#228 Post by hearthesilence »

I never understood why SNL insisted on maintaining the same insane schedule since the beginning, when it basically evolved out of a drug-fueled environment. They basically work all-night under a lot of deadline pressure and it seems to make it unnecessarily difficult (and quite frankly explains why so many of their sketches are thin, one-joke variations that aren't very refined either). It's something Dick Ebersol supposedly carried through during his years because he didn't want to mess with the show's "proven" structure. (With no comedy background, I think he simply decided to replicate what was done before as a secure fallback.) But plenty of people hated it and quit because of it, like Martin Short who said it "wasn't much of a life" - says a lot when he had already done plenty of sketch comedy work for television. Larry David even blew it off once to Ebersol's irritation:
Larry David wrote:I remember writing a couple of sketches, some news pieces. I was fortified for the first show. And at seven o’clock at night, maybe six o’clock I don’t know, it’s a Tuesday night and the next day is the first read-through.

And I press the button for the elevator, and the elevator doors open, and the executive producer — it was Dick Ebersol — and he said, ‘Where are you going?’ I said, ‘I’m going home, you know.’ He said, ‘You’re going home, really?’ I said, ‘Yeah, I wrote, I got two or three sketches in. Got two news pieces.’ And he said, ‘Well we don’t uh, we stay up all night on the night before the read-through.’ And I go, ‘Why? Why would you stay up all night?’

And he said, ‘Well, that’s how we do it.’ How you do what? I don’t understand. They’ve been there a month you know, six weeks. What is gonna be accomplished for the next what, eight, nine, ten hours to stay up all night? For what? And I said, ‘Well, you know, I did the work. So I’ll see you tomorrow.’ I left. Never got a sketch on.
Anyway, not surprisingly Adam Samberg gave an interview where he points to the schedule as the reason he left.
Adam Samberg wrote:Physically, it was taking a heavy toll on me and I got to a place where I was like I hadn’t slept in seven years basically. We were writing stuff for the live show Tuesday night all night, the table read Wednesday, then being told now come up with a digital short so write all Thursday, all Thursday night, don’t sleep, get up, shoot Friday, edit all night Friday night and into Saturday, so it’s basically like four days a week you’re not sleeping, for seven years. So I just kinda fell apart physically...

[Samberg consulted with his former co-stars like Amy Poehler when the time came to decide whether or not he would continue with the show. Part of the reason he was so nervous to leave was because not being on the show meant he’d no longer have such an instantaneous creative outlet.]

I was like, once I go, when I have an idea, I can’t just do it. The craziest thing about working there is once you get going, if you’re just in the shower and you have an idea that shit can be on television in three days, which is the most like intoxicating feeling.
beamish14
Joined: Fri May 18, 2018 7:07 pm

Re: Saturday Night Live

#229 Post by beamish14 »

Despite the huge volume of work that their staff produces, they still go with the boring, ultra-topical talk show format more than half the time because they’re more economical and Michaels pushes for them
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therewillbeblus
Joined: Tue Dec 22, 2015 7:40 pm

Re: Saturday Night Live

#230 Post by therewillbeblus »

Mixing up Adam Sandler and Andy Samberg's names is fair
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hearthesilence
Joined: Fri Mar 04, 2005 8:22 am
Location: NYC

Re: Saturday Night Live

#231 Post by hearthesilence »

Oops! (lol)
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Matt
Joined: Tue Nov 02, 2004 4:58 pm

Re: Saturday Night Live

#232 Post by Matt »

Teyana Taylor hosts this weekend. Promo parody of Waiting to Exhale
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Brian C
I hate to be That Pedantic Guy but...
Joined: Wed Sep 16, 2009 3:58 pm
Location: Northwest US

Re: Saturday Night Live

#233 Post by Brian C »

Not a strong showcase for her, unfortunately. Actual quality of the show aside, it’s often tough on hosts who don’t have a natural energy for live comedy. I think there was only one sketch that was built around her, she was mostly an awkward bit player for most of it.

Geese were great, though. I know their album has gotten a lot of critical acclaim, but they’ve got to be the least mainstream act to be on the show since…??? I can’t even guess.
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ryannichols7
Joined: Mon Jul 16, 2012 6:26 pm

Re: Saturday Night Live

#234 Post by ryannichols7 »

I don't watch SNL at all any more but my sister made sure I saw the One Battle After Another themed sketch, with shoutouts to both PTA and Bill Hader involved. I think it's hilarious, shame to hear the rest of the show was eh

as for Geese, you're right, aside from a good run of more indie acts showing up on SNL, there really haven't been any lately
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