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Re: 59 Father (Apa)
Posted: Mon Aug 08, 2011 11:57 am
by MichaelB
Yes, I think it's the same basic transfer, though Second Run have - as ever - cleaned up the subtitles so they read more idiomatically.
Re: 59 Father (Apa)
Posted: Tue Aug 16, 2011 1:44 am
by jbeall
DVDBeaver raves.
Considering this is the SD format - the image quality is... magnificent.
Re: 59 Father (Apa)
Posted: Tue Aug 16, 2011 9:37 am
by Bikey
Full details of our release are now up at the
Second Run DVD website.
Re: 59 Father (Apa)
Posted: Wed Aug 17, 2011 3:53 pm
by RossyG
DVDBeaver: "The flat 2.0 channel Hungarian-language audio sometimes appears less in-sync but it is a trivial complaint as you work through the film and it becomes barely noticeable."
Do they mean the DVD is slightly at fault or is the out-of-synch sound a result of looping? :-k
Re: 59 Father (Apa)
Posted: Wed Aug 17, 2011 4:01 pm
by knives
The dialogue is mostly voice over so I don't see how he could have even noticed such a thing.
Re: 59 Father (Apa)
Posted: Fri Aug 26, 2011 12:58 pm
by Bikey
A great review from Michael Ewins at his splendid
E-Film blog
Re: 59 Father (Apa)
Posted: Tue Aug 30, 2011 9:14 am
by Bikey
A new interview with István Szabó at
The Arts Desk
Re: 59 Father (Apa)
Posted: Wed Sep 07, 2011 10:17 am
by Bikey
A great 5-star review from
Subtitledonline
Re: 59 Father (Apa)
Posted: Mon Sep 12, 2011 8:52 am
by Bikey
A wonderful appreciation by Michael Brooke in the latest
Sight & Sound
Re: 59 Father (Apa)
Posted: Mon Sep 12, 2011 6:56 pm
by MichaelB
The Digital Fix:
Father arrives onto UK DVD with arguably Second Run’s finest black and white presentation to date. Despite housing only the 85-minute feature itself, a dual-layered disc has been utilised and the transfer is practically flawless.
Re: 59 Father (Apa)
Posted: Mon Sep 19, 2011 8:59 am
by Bikey
A 4-star review in the current
Time Out
Re: 59 Father (Apa)
Posted: Mon Nov 14, 2011 1:26 am
by jbeall
Finally watched this earlier today, and I thought it was very impressive. The film screams for psychoanalytic readings from a variety of perspectives, but why go there? I especially like the sinister possibilities of the narrator's idolatry, as depicted in the marchers carrying signs of Stalin (interesting overlap with Makavejev's W.R...) and the alternative possibility suggested by his childhood friend who's a bit more blasé about his noble father's not-so-noble emigration to Germany.
Finally, this film has a couple of obvious moments, but given the subject matter, it's to Szabo's credit that Apa is nowhere near as heavy-handed as it could have been. The move from the individual story to its larger social implications is treated as occurring within the narrator's consciousness, which is at the same time part and parcel of his transition to adulthood, especially as he entertains the prospect of becoming a father himself.