Re: 656-657 Jubal and 3:10 to Yuma
Posted: Thu Apr 25, 2013 4:35 am
I'd hate to see them package them together for that very reason. Jubal is no extra.
Fair enough, but the assumption people are making here is that Jubal was released standalone for monetary reasons, while some would argue that as a film it deserves its own place/spine (which if I recall debates about the Kubricks correctly wasn't necessarily the case with Killer's Kiss).mfunk9786 wrote:Still, just to play devil's advocate, they set a precedent with a release like The Killing, where they could have easily soaked buyers with another $30 release to get Killer's Kiss because of Kubrick's name recognition, but included it as a bonus feature to add value to the overall release. In fact, there were even a couple of bonus features specific to Killer's Kiss on the disc. I realize it's a hair short of usual feature film length, but it's still a precedent that I think most people expect to see repeated and are surprised when it isn't. Lonesome is another case where other films by the director were thrown onto a feature-packed Blu-ray... even if one can afford to buy both 3:10 to Yuma and Jubal if they really want both, it's just disappointing to see Criterion diverge from that sort of recent history of feature-rich, value-rich releases.
Which is possibly the most stupid argument you could make. Like a Criterion spine number means absolutely anything.vsski wrote:Fair enough, but the assumption people are making here is that Jubal was released standalone for monetary reasons, while some would argue that as a film it deserves its own place/spine (which if I recall debates about the Kubricks correctly wasn't necessarily the case with Killer's Kiss).
This is me being really childish in regards to your excellent points, but even in terms of a director's career Jubal is not a footnote like Killer's Kiss is. I suppose a more accurate point of comparison would be the Kiarostami films where major works were listed as extras with no additional supplements. Though even then it strikes me as a case where there was some technical or critical flaw with those films which lead them to being extras where that is not the case with Daves. In this case I feel it is closest to what happened with the Mishima releases.mfunk9786 wrote:Still, just to play devil's advocate, they set a precedent with a release like The Killing, where they could have easily soaked buyers with another $30 release to get Killer's Kiss because of Kubrick's name recognition, but included it as a bonus feature to add value to the overall release. In fact, there were even a couple of bonus features specific to Killer's Kiss on the disc. I realize it's a hair short of usual feature film length, but it's still a precedent that I think most people expect to see repeated and are surprised when it isn't. Lonesome is another case where other films by the director were thrown onto a feature-packed Blu-ray... even if one can afford to buy both 3:10 to Yuma and Jubal if they really want both, it's just disappointing to see Criterion diverge from that sort of recent history of feature-rich, value-rich releases.
It's abundantly clear from your many postings here regarding prices that all you care about is to get the most movies and supplements for the cheapest prices - and if that's all you care about good for you.TMDaines wrote:Which is possibly the most stupid argument you could make. Like a Criterion spine number means absolutely anything.vsski wrote:Fair enough, but the assumption people are making here is that Jubal was released standalone for monetary reasons, while some would argue that as a film it deserves its own place/spine (which if I recall debates about the Kubricks correctly wasn't necessarily the case with Killer's Kiss).
Mate, you know nothing about me. Stop pretending you do. Considering I volunteer in my free time at two different cinemas to keep them open, I'm more than happy to spend time and money on the things I love. I happily pay for Edition Filmmuseum's releases, even though they're rather pricey compared to the competition as they consistently pack them full of curiosities. I'd just prefer to spend my time and money wisely, and hold people to higher standards.vsski wrote:It's abundantly clear from your many postings here regarding prices that all you care about is to get the most movies and supplements for the cheapest prices - and if that's all you care about good for you.TMDaines wrote:Which is possibly the most stupid argument you could make. Like a Criterion spine number means absolutely anything.vsski wrote:Fair enough, but the assumption people are making here is that Jubal was released standalone for monetary reasons, while some would argue that as a film it deserves its own place/spine (which if I recall debates about the Kubricks correctly wasn't necessarily the case with Killer's Kiss).
I never pretended to know anything about you personally, that's your interpretation. I do know, however, that you have voiced on this board on numerous occasions your displeasure about especially the pricing of a given release, and imo opinion in a very accusatory tone, without knowing the specific economics of a given label or release simply based on what you believe the standard should be. And in several instances I recall it was about a release you seemingly didn't care about in the first place.TMDaines wrote:Mate, you know nothing about me. Stop pretending you do. Considering I volunteer in my free time at two different cinemas to keep them open, I'm more than happy to spend time and money on the things I love. I happily pay for Edition Filmmuseum's releases, even though they're rather pricey compared to the competition as they consistently pack them full of curiosities. I'd just prefer to spend my time and money wisely, and hold people to higher standards.
I've no interest in this release, but it's pretty clear it isn't one of Criterion's best. If it was TT, I'm sure we'd see it as an absolute miracle but Criterion have held themselves to higher standards over the years - which is probably the reason why you are proud to own them and like collecting them, no?
Correction: $15! What a bargain!vsski wrote: and I'm happy to pay $20 for it during the next B&N sales.
You make it seem like I don't take all take into account before commenting - I do. Here I was just suggesting that it would be silly not to release a pair of films together because of something not getting a spine number. I would hate to think that Criterion have not given us a bonus film from time to time because someone might have got upset that a personal favourite of theirs was merely acting as a B-side. The examples mfunk gives of why these releases fall short in comparison are sound.vsski wrote:I never pretended to know anything about you personally, that's your interpretation. I do know, however, that you have voiced on this board on numerous occasions your displeasure about especially the pricing of a given release, and imo opinion in a very accusatory tone, without knowing the specific economics of a given label or release simply based on what you believe the standard should be...
You have a strange way of showing this given the tone and style of your remarks. But let's stop the infighting on this thread - feel free to continue this on another more appropriate thread or PM me if you like.TMDaines wrote:You make it seem like I don't take all take into account before commenting - I do.
Yeah, i'm not sure how we got from "3:10 to Yuma has two short interviews yet got the higher price point...what a rip off" to "Jubal isn't worthy of a spine #!" The latter is something no one actually said...it was merely suggested that 3:10 should EITHER have ALSO been a $29.95 title OR they could have packaged the two together as they have with other things at times. That's not to disparage Jubal, but a desire for some consistency and a bit of head scratching over why they are charge so much for 3:10.vsski wrote:You have a strange way of showing this given the tone and style of your remarks. But let's stop the infighting on this thread - feel free to continue this on another more appropriate thread or PM me if you like.TMDaines wrote:You make it seem like I don't take all take into account before commenting - I do.
I already mentioned that I think mfunk has a very valid argument and in the end if they had put Jubal as an extra to 3:10 to Yuma I would have gladly bought it as well. My argument is that both 3:10 and Jubal are major entries into Delmer Daves' career while Killer's Kiss doesn't hold the same position in Kubrick's.
But the pricing of Jubal is very much in line with CC's other bare bones BDs that are released as standalone discs, so the real argument that people have made here is whether 3:10 deserves the higher price point given the scarcity of the extras on that disc - and that I think is an extremely valid point that I can't disagree with.
That really is a missed opportunity as all 3 titles are available on DVD, but Cowboy is the one in the wrong aspect ratio. Issuing that on Blu in the correct AR would have been greatly appreciated.Props55 wrote: Let me further muddy the water and and express the opinion that an opportunity was missed in not also licensing COWBOY and issuing a three title Daves/Ford go west at Columbia at a price point cominsurate with the lack of available extras.
By "comical lack of attention" do you mean the lack of quality on the actual disc with regards to extras and presentation values? Or do you mean a general disinterest in the release by outlets online?domino harvey wrote:Given the comical lack of attention paid to these releases by Criterion, is it possible that they were part of a package deal with Sony ("We'll let you license X titles but you gotta take these as part of the arrangement") and Criterion got stuck with films it had little interest in working on? Because I cannot for the life of me explain away Jubal's treatment without involving conspiracy theories