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Posted: Tue Aug 22, 2006 11:49 pm
by zedz
franco wrote:The list is
here.
I am very jealous and would be grateful if VIFF could get 1/3 of these. Didn't know Kiarostami has a new movie coming out. What a surprise!
The Kiarostami is sweet enough, but pretty minor: a collection of his (lovely) still images accompanied by Vivaldi, poetry readings and occasional video / contemplative narration inserts. It's along the lines of
10 on 10, but with much less meat on its bones.
Posted: Thu Aug 24, 2006 9:24 pm
by franco
So our opening film is indeed
Volver.
Here are some excerpts from the
media release:
VIFF wrote:OPENING GALA AND SPECIAL EVENTS
Time figures large in this year's special events and in the festival films in general. A sensation at Cannes, Pedro Almodóvar's VOLVER is a return in more than one sense of the word for the Spanish auteur. The director revisits his birthplace of La Mancha to tell a story about mortality and memory, with three generations of strong women (shared winners of Best Actress at Cannes, Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo, Yohana Cobo and Chus Lampreave), each struggling in different ways with the past; whether it's a ghost who won't leave, or men who, too often, do. This is something of a departure for Almodóvar; sex takes a back seat to death, and there's nary a transsexual in sight, but VOLVER is an instant classic, shot through with quicksilver bolts of humour and passion. VOLVER will be released this Fall in Canada by Mongrel Media.
Posted: Sat Sep 02, 2006 6:27 am
by franco
The teaser guide came out today. Frankly I haven't been so excited in a long time, as many films on my wishlist appear in the line-up:
The Host
Climates
I Don't Want to Sleep Alone
Offside
Still Life
Old Joy
Shortbus
Iraq in Fragments
My Scary Girl
The King and the Clown
The Fountain
Volver
Requiem
A Soap
And these are just coming from the teaser guide.
Posted: Sun Sep 03, 2006 7:47 pm
by yoshimori
Many many more incredible offerings
here.
2 x Tsai Ming-liang, 2 x Jia Zhangke, Glawogger, Bellocchio, Miike's Big Bang Love, Costa, Karmakar, Weerasethakul, Rivette's Out 1, Broomfield, Kore'eda, etc etc etc
Maybe I should go to Vancouver instead of New York!
Posted: Mon Sep 04, 2006 12:51 am
by franco
Thanks for the link yoshimori! I didn't know they had the guide available online as well.
I wonder if Tony Rayns did the East Asia programming this year. It's very likely, as I don't see the new Kim Ki-Duk movie here.
Posted: Thu Sep 07, 2006 5:26 am
by Grimfarrow
Wonder? Tony Rayns has been programming that for ages!
Posted: Thu Sep 07, 2006 5:30 am
by franco
That's what I thought. A friend from Vancity Theatre said that he heard that Tony Rayns didn't program this year. My mistake for taking rumors into consideration.
Posted: Fri Sep 08, 2006 5:51 pm
by Grimfarrow
franco wrote:That's what I thought. A friend from Vancity Theatre said that he heard that Tony Rayns didn't program this year. My mistake for taking rumors into consideration.
This is his last year.
Posted: Tue Sep 12, 2006 5:40 am
by soma
franco wrote:The Host
Caught this at the Melbourne International Film Festival in July (along with
Offside and
Iraq In Fragments from that list).
Hands-down one of the best films of the year. Looks like there's a thread on this, will resurrect it now...
Posted: Sun Sep 24, 2006 8:44 am
by Grimfarrow
I went to the Toronto Film Festival, and all I got were t-shirts!
But one was pretty funny:
VOTE FOR PEDRO (PEDRO COSTA, THAT IS)
Given to me by the always-wonderful Mark Peranson.
Posted: Mon Sep 25, 2006 7:02 pm
by nredding2
Very Good
Belle toujours
Black Book
Catch a Fire
Cœurs
Four Minutes
I Don't Want to Sleep Alone
Kabul Express
Mon Colonel
Takva - A Man's Fear of God
Taxidermia
The Bet Collector
The Host
The Island
The Optimists
This is England
To Get to Heaven First You Have to Die
Woman on the Beach
Good
A Few Days Later…
Brand upon the Brain!
Fantasma
Fido
Lights in the Dusk
Mercy
No Place Like Home
Sheitan
Summer '04
The Magic Flute
The Prisoner or How I Planned to Kill Tony Blair
Thicker Than Water
Volver
Fair
August Days
Big Bang Love,Juvenile A
Everything's Gone Green
Kinshasha Palace
Love and Other Disasters
Paris,Je T'aime
Princess
The Book of Revelation
The Bothersome Man
The Killer Within
The Last Winter
Poor
Macbeth
Quelques Jours en Septembre
The Bug Master
The Wind that Shakes the Barley
Posted: Mon Sep 25, 2006 7:36 pm
by toiletduck!
nredding2 wrote:Very Good
Taxidermia
Can you elaborate on this one at all? It's piqued my curiosity and is in competition at the Chicago Film Festival, but I unfortunately will not be able to catch it.
-Toilet Dcuk
Posted: Mon Sep 25, 2006 10:01 pm
by Doctor Sunshine
Before the fest I'd kept hearing that this was the 2nd biggest/most important film festival in the world and afterwards a couple people said it'd ascended to 1st place, yet, here it gets no love. But it looked, and was, from my experience, a lot weaker than last year. Anyway, I'm going to make a list too.
Excellent
Lights in the Dusk
Volver
The U.S. vs. John Lennon
Rescue Dawn
Woman on the Beach
I Don't Want to Sleep Alone
Away From Her
Coeurs
Flandres
Time
When the Levees Broke
The Missing Star
Ghosts of Cite Soleil
Quite Good
The Lives of Others
Brand Upon the Brain!
The Host
The Pervert's Guide to Cinema
The Beales of Grey Gardens
...So Goes the Nation
This Filthy World
Fun
Big Bang Love, Juvenile A
Building a Broken Mouse Trap
Pan's Labyrinth
Velvet Goldmine (1998)
S&Man
Sheitan
Fair
Requiem
Le Voyage en Armenie
Primo Levi's Journey
Severance
Paris, Je taime
Mediocre
All the Boys Love Mandy Lane
Let's Get Lost (1988)
Exiled
Tedious
For Your Consideration
Fay Grim
Election
Election 2
The Bugmaster
The Banquet
Embarrassing
Slumming
Quelques Jour en Septembre
Renaissance
The Fountain
Falkenberg Farewell
My favourties were Rescue Dawn and Ghosts of Cite Soleil but nothing really stood out as much as last year. I wish we'd booed The Fountain like in Cannes but, as a Canadian, the most I could muster was not joining the polite applause. We suck. I went to the John Waters-John Cameron Mitchell talk, which was good, but I'd heard all of Waters' stories before from the DVD commentaries, yet, somehow, all of the stories became fresh and hillarious again in Jeff Garland's This Filthy World. The 4-hour When the Levee's Broke played without an intermission, Spike Lee came out beforehand and mumbled, "No intermission?... Well, if you gotta go, you got to go" and then he left. Overall, still enjoyed the festival very much.
Posted: Mon Sep 25, 2006 10:13 pm
by Poncho Punch
Man, how good is Tales Of The Rat Fink gonna be? Ann-Margret, John Goodman, Rat Fink?
Posted: Tue Sep 26, 2006 1:24 am
by Gropius
Is there some cumulative discount on tickets that allows you to see so many films, or do you save up especially for the festival period?
Posted: Tue Sep 26, 2006 1:42 am
by che-etienne
Excellent:
Rescue Dawn**
Shame*
The Caiman
Still Life**
I Don't Want to Sleep Alone*
Roads of Kiarostami (short)
Coeurs*
Strike*
A Gravekeeper's Tale
The Optimists
Hana
The Host
Exiled (the perfect way to end the show on a bang)
A Sunday in Kigali
The Top of His Head (part of the Peter Mettler retrospec.)
Woman on the Beach
Good:
Half Moon
Times and Winds
A Cry in the Dark
Wavelengths 2 (the shorts series, which included Roads of Kiarostami)
Mon Colonel
Fair-Poor:
Bugmaster
Le Voyage en Armenie
L'Intouchable
** - best of fest * - runner-up
Posted: Tue Sep 26, 2006 2:59 am
by Doctor Sunshine
Gropius wrote:Is there some cumulative discount on tickets that allows you to see so many films, or do you save up especially for the festival period?
I bought a festival pass which gives you free reign on anything you can get into. Seeing as many as I--and nredding2--did it averages about 12, 13 bucks a film. Also, you save a lot of money not having time to eat (or sleep).
Posted: Tue Sep 26, 2006 3:05 am
by franco
Doctor Sunshine, how did you manage to miss Climates, Still Life, and Syndromes and a Century?
Posted: Tue Sep 26, 2006 3:20 am
by Gropius
Doctor Sunshine wrote:I bought a festival pass which gives you free reign on anything you can get into. Seeing as many as I--and nredding2--did it averages about 12, 13 bucks a film. Also, you save a lot of money not having time to eat (or sleep).
There is nothing to compare to that offer in Rip-Off Britain: all tickets at the London Film Festival are 8.50 GBP (i.e. 16.15 USD, 18.02 CAD). That said, I doubt there are more than 10 films on its schedule that I would be interested in seeing anyway.
Posted: Tue Sep 26, 2006 3:25 am
by John Cope
Where the hell is Colossal Youth on any of these lists?
Posted: Tue Sep 26, 2006 3:33 am
by Doctor Sunshine
franco wrote:Doctor Sunshine, how did you manage to miss Climates, Still Life, and Syndromes and a Century?
I played it safe this year and stuck mainly with directors I know. I didn't care for
Distance, so I skipped the
Climates; I liked
Unknown Pleasures and
The World okay but not enough to make
Still Life stand out; and I'm unfamiliar with Apichatpong Weerasethakul. You takes your chances either way, I guess... damned Glawgogger...
Posted: Tue Sep 26, 2006 3:35 am
by franco
John Cope wrote:Where the hell is Colossal Youth on any of these lists?
I give you my word that I will see it in my city.
Thanks for the explanation Dr. Sunshine. I shall skip Glawgogger then... since I never saw his docs...
Posted: Tue Sep 26, 2006 3:42 am
by Doctor Sunshine
John Cope wrote:Where the hell is Colossal Youth on any of these lists?
For what it's worth I had it as a backup... but I never could've got up for 8:45am show.
franco wrote:Thanks for the explanation Dr. Sunshine. I shall skip Glawgogger then... since I never saw his docs...
I'd still recommend
Working Man's Death as a big, visually impressive and interesting documentary but he sucks at narrative.
Posted: Tue Sep 26, 2006 4:08 am
by Grimfarrow
I'm surprised so many people here bought into Herzog's disingenuous rah-rah ending.
Posted: Tue Sep 26, 2006 7:38 pm
by che-etienne
I'm not surprised so many people at the screening I was at seemed to think it was disingenuous, and a hollywood sell-out... but in my opinion that ending was the only logical conclusion to the film epecially given the nature of Dieter Dengler and Herzog's own comments about what he wanted this film to 'describe' if you will.
Frankly, I think too many people just saw that as a happy ending on a Herzog film....