Re: Monte Hellman
Posted: Sat Jul 06, 2013 8:19 pm
Cockfighter is being released on Blu-Ray in Japan on October 9th.
Hellman's consistency is the largely unpredictable nature of his films which is why I generally find them more interesting than the usual formulaic genre B-movies released in the 60s/70s. That said, I think THE SHOOTING and TWO-LANE BLACKTOP are his best. COCKFIGHTER is still quite strong as is CHINA 9, LIBERTY 37; the presence of Warren Oats elevates these films significantly, so I would rank them as on-par with RIDE IN THE WHIRLWIND (which I would place just a notch below SHOOTING and BLACKTOP). After these films, things get sketchier. The appeal of IGUANA is how bonkers it is; the unpredictability somewhat offsets the film's weaknesses. His TRAPPED ASHES segment, STANLEY'S GIRLFRIEND, has fun putting the character of a young Stanley Kubrick into a ghost story even though the results are unremarkable. Hellman's most recent effort, ROAD TO NOWHERE, feels like a David Lynch exercise by way of Richard Linklater. The film is willfully vague and seeks to set a new bar for "slow cinema" - it's audacious, but tough to sit through.criterion10 wrote:Recently made my way through Criterion's Hellman releases. Planning to check out both Cockfighter and China 9, Liberty 37 now. Any other recommendations? Hellman's filmography as a whole seems pretty inconsistent and uneven, so I'm just trying gauge what to expect from films released before or after these.
As always it's subjective. I saw it at least two or three times and had quite the opposite reaction. Rather than Lynch I thought there was more of an oblique European influence. It seemed to me more smoothly pleasurable than overtly challenging to sit through. Well worth the time.Roger Ryan wrote:Hellman's most recent effort, ROAD TO NOWHERE, feels like a David Lynch exercise by way of Richard Linklater. The film is willfully vague and seeks to set a new bar for "slow cinema" - it's audacious, but tough to sit through.