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I like to think that Saul's state's evidence included some reference to the awful Kettlemans, bilking people out of their tax money. And it's interesting that BCS never got around to explaining how Hector Salamanca went from that posh nursing home in BCS to that awful shack in the middle of nowhere where we meet him in BB.

Right, though just like with Jimmy, Kim’s legal consequence doesn’t matter to the show or her compared to her compromised but infinitely meaningful existential catharsis with him. I loved how, in contrast to the final omniscient shot capturing Walt’s death to close out BB (signifying his isolation from all, and the detachment from a god no longer interested in dignifying him with attention, retracting into the heavens), the final shot of Jimmy is seen from Kim’s subjective POV. He and she both get the catharses they crave, the love from one another, and while it’s tragic that it’s compromised, we can relate because all intimate catharses are compromised to some degree, against the friction of uncontrollable variables from life experience.

The screen fades to black, and the show ends, only because of one of these obstacles, manifesting as a physical wall. The barrier obstructs Kim’s view of her love as she keeps moving, as she inevitably must, signifying a loss that’s inevitable for us all with those we love as we move at different speeds and in different spaces, and are arrested by the uncompromising variable of time. It’s so incredibly moving that Jimmy’s life gets to end from Kim’s perspective, providing his humanity with full dignity and worth from the only vessel that matters. It’s been a worthwhile life, not only a dehumanized vehicle of cancer that would define his legacy without this harmonious connection. That still may be his legacy in the eyes of the macro and mezzo spaces around him, but all that matters is his legacy with her, and hers with him.

It’s also heartening to get this show during a time of incessant dehumanization in those macro and mezzo levels in social stratospheres, a reminder that we are more than the worst things we’ve ever done in the eyes of at least one person, if we’re lucky, and that this carries invaluable weight to the value of our lives.

Yeah there's a lot of stuff that didnt get illustrated. Like how Saul wound up getting the Lady Liberty inflatable from the Kettlemans, but them having the inflatable could have just been a way of letting us know that the Kettlemans do go down for their tax scam soon enough, well before the events of BB. We also don't see him purchasing the vet's black book, we just know it happens since it appears in the Wine and Roses opener. Hector simply got taken out of the home by Tuco when he was released, probably preferring the shack. He cant advise Tuco on running the empire from the nursing home after all.

All in all, I think I do prefer it slightly to BrBa, mostly for the strength of Season 5 - which is so tightly-written and harrowing in the second half - and most of Season 6 -- which closes out with a sort of 4-episode "epilogue" which almost wouldn't be necessary if we didn't already have the Gene scenes, but regardless I find it a very satisfying conclusion (Nippy is perhaps the best "scam"/heist episode of all). What matters is that Jimmy finally took responsibility for his actions and confessed to them, which is the moment the entire series was more or less leading up to.