Posted: Fri May 23, 2008 5:49 pm
For Rossellini fans/completists
Yeah, I saw that announcement, too, and actually thought about picking it up on my coming holidays in Italy; so has anyone seen "Amore di mezzo secolo"? From the description I read somewhere it sounded somewhat similar to "L'amore in citta" (which I quite liked), but I would like to know more. The inclusion of a Rossellini episode is intriguing in any case.Don Lope de Aguirre wrote:For Rossellini fans/completists
I'm speculating, but Rossellini left many of his films in a rights mess - he cared about his art, but left the financial and business end in a tangle, sometimes selling the same rights to different parties simultaneously etc... Anyone who would give him money would be entertained...myrnaloyisdope wrote:Why isn't Europa '51 available on DVD? It's my favorite Rossellini film, as well as being one of the few he made with Ingrid Bergman. A great film with a big star should equal a DVD release right? So why has Europa been neglected for so long?
Note the ending of the French version was shown, but only on DVD, and it 'differs from this restoration'... This print is 'one of two colour restorations undertaken of the film'... Implies that this version does best justice to the film, but indeed a DVD release could do with including the French ending as an extra...India, Mother Land)
Director: Roberto Rossellini
Year: 1958
Runtime: 85 minutes
Country: Italy/France
Screening Times:
November 6, 2006 6:30 PM
Screens at Jackman Hall
"INDIA MATRI BHUMI is the creation of the world" (Jean-Luc Godard). In the long tradition of European directors depicting India (e.g. Malle, Renoir, Duras, Corneau), Rossellini presents a very personal, idiosyncratic view of the country with which he fell in love. (He criticized Malle's India films for being too negative, one-sided, not compassionate.) Divided into four sections, the film begins in Bombay before moving into the countryside, offering an episodic portrait of the country through the stories of emblematic figures, including animals: a mahout (elephant driver) whose amazing charges labour in the Karapur jungle and then, in one of the sequences cited by many as one of Rossellini's most sublime, take a ritual bath in a river to cool off; a young engineer on a dam project; an old man and a tiger; and - most memorably - a pet performing monkey whose master dies during a heat wave. After its triumphant premiere at Cannes, the film fell into disrepair, its vivid colours fading to such a point that Rossellini reportedly preferred having the film shown in black-and-white. This is one of two colour restorations undertaken of the film. "One of the prodigious achievements of the century" (Andrew Sarris). "A profound and moving experience" (Peter Brunette).
Please note that we will also show on DVD the concluding moments of the French version of this film, which differs from this restoration and which Tag Gallagher considers essential to our understanding of Rossellini's purpose.
... the colour images mostly look like that....they let the color stock deteriorate and then didn't compensate properly, resulting in a red-tinted image that looks like an old slide.
Well, since this was part of the Rossellini series James Quandt organized, I'm quite certain that it was in fact the Italian restoration, which is the more easily accessible one and the one that MoMA showed as well. As I said, the French version is green-tinted, so it isn't ideal either, but the images have considerably more depth and saturation than the ones in the Italian version, although I know there's still some debate about this.Note the ending of the French version was shown, but only on DVD, and it 'differs from this restoration'... This print is 'one of two colour restorations undertaken of the film'... Implies that this version does best justice to the film, but indeed a DVD release could do with including the French ending as an extra...
Please elaborate! I saw this last year and thought it was a decent enough documentary, but nothing special, and far more time-locked than other Rossellinis of the period, so I'd love to hear what I missed.ptmd wrote:Some people, myself included, consider this to be Rossellini's masterpiece.

Yes, I've seen it. I bought the Italian dvd and the film is nice but poor. Nothing to be compared with Amore in città, that is a masterpiece collection of short films. The film is in color, it had troubles with censorship. I saw it 2 weeks ago and I can't remember too much, so imagine how it is. The Rosselllini story is nice, may be the best with the last one, that is very a La ronde.Tommaso wrote: so has anyone seen "Amore di mezzo secolo"? From the description I read somewhere it sounded somewhat similar to "L'amore in citta" (which I quite liked), but I would like to know more. The inclusion of a Rossellini episode is intriguing in any case.
Well, I bought and watched it last year and probably remember even less about it than you. I found it completely conventional, with mediocre acting and would certainly not recommend it to anyone who isn't a die-hard Rossellini completist. I think his episode was the best, but still rather unengaging.rohmerin wrote:. I bought the Italian dvd and the film is nice but poor. Nothing to be compared with Amore in città, that is a masterpiece collection of short films. The film is in color, it had troubles with censorship. I saw it 2 weeks ago and I can't remember too much, so imagine how it is. The Rosselllini story is nice, may be the best with the last one, that is very a La ronde.
Nice; if this has ever been mentioned here, I have forgotten all about it. Does it have English subs?rohmerin wrote:On the oppossite, the RHV box with the two Fascist propaganda films and Desiderio is VERY interesting, specially Un pilota ritorna, where you can find all the Rossellini's resources he'd show later.
My DVD review:Tommaso wrote:Yeah, I saw that announcement, too, and actually thought about picking it up on my coming holidays in Italy; so has anyone seen "Amore di mezzo secolo"? From the description I read somewhere it sounded somewhat similar to "L'amore in citta" (which I quite liked), but I would like to know more. The inclusion of a Rossellini episode is intriguing in any case.Don Lope de Aguirre wrote:For Rossellini fans/completists