Re: Criterion and Sony
Posted: Tue Feb 10, 2009 12:06 am
Bill Forsyth's "Housekeeping" (1987) is a MUST ACQUIRE for Criterion. It's an absolutely brilliant work that never had a chance at the box office.
We did have home video rights at one point, but they expired over a decade ago.Gregory wrote:What about The Working Class Goes to Heaven?
I can confirm that HUSBANDS is coming from Sony rather than Criterion.Jeff wrote:That makes sense, though I have heard that Husbands was slated for the next wave of Martini Movies, which I believe are already in production.
Dottie is owned by Zeitgeist.Jeff wrote:Safe
Audio commentary by Director Todd Haynes with guest Steven Soderbergh
Audio commentary by professor Julie Grossman
New video interview with actress Julianne Moore
Haynes 1993 short film Dottie Gets Spanked
Original featurette on "multiple chemical sensitivity"
Theatrical trailer
We've restored CRIME AND PUNISHMENT, THE FACE BEHIND THE MASK (which is amazing) and ISLAND OF DOOMED MEN. I can't speak about timelines, but as Mike S. has already mentioned, there should be a Lorre box from Sony eventually. THE FACE BEHIND THE MASK and ISLAND OF DOOMED MEN are often considered noirs (a stretch in both cases, but nevermind) so a Lorre box is not the only packaging opportunity.david hare wrote:Jared. what word (if any) on Sternberg's Crime and Punishment and/or the three title Lorre set?
Sony doesn't own these.A Scandal in Paris
Sleep my Love
But we do own these.Sirk's Shockproof [...] Sternberg's The Kings Steps Out
Haha. Just to be clear, my member name gives away my identity (Jared Sapolin). I'm comfortable with everything I've divulged and happy that so many cinephiles here know so much about Sony's library.domino harvey wrote:Also, jaredsap, please don't ever post from work, because I think this board wants to keep you around as an inside man for as long as possible
The Drugstore Cowboy and Good Will Hunting discs feature Van Sant commentaries.knives wrote:I doubt To Die For would get a commentary. I don't think a Van Sant film ever has had one.
UA (MGM) hasn't had any rights to FEDORA in many years. Someone online claimed the rights reverted to the original producers/financiers.Gregory wrote:I think it is UA, so that's probably why I was thinking about it in relation to Sony, but that deal ended, so I guess Fox would be the one distributing it? Criterion should get hold of it somehow.Jeff wrote:Fedora... I've never heard Sony mentioned as a possible rights-holder. My best guesses are United Artists, the producer, or some random German bank. Gregory, do you have a source for this?
Also, an HD transfer of Five Easy Pieces has already been made and aired on HDNet Movies. That may suggest Sony has plans already, unless they'd just toss Criterion the transfer.Jeff wrote:Five Easy Pieces and The King of Marvin Gardens
Arguments For: Current DVDs have no supplements. Criterion released Five Easy Pieces on laserdisc. No Rafelson in the collection.
Arguments Against: Sony's DVDs are still in print. They may be especially reluctant to let go of Five Easy Pieces, which has some name recognition with mainstream consumers. Criterion's laserdisc didn't have supplements.
I'd be happy to see this film in ANY widescreen release. Even the LD is pan & scan, and given the 2.35:1 ratio and Sayles's visual scheme of switching between characters during tracking shots, the p&s version is nearly impossible to watch.Jeff wrote:City of Hope
Arguments For: Of all of Sony's John Sayles films, this one seems most likely, as it remains unreleased.
Arguments Against: Criterion hasn't shown Sayles any love thus far. He has a previous relationship with Sony.
And Disc two of Criterions My Own Private Idaho features a very lengthy audio track with Van Sant and Todd Haynes that is basically a commentary that ran longer than the film and someone just couldn't bring themselves to cut it down...Jeff wrote:The Drugstore Cowboy and Good Will Hunting discs feature Van Sant commentaries.knives wrote:I doubt To Die For would get a commentary. I don't think a Van Sant film ever has had one.
I can confirm that HUSBANDS is coming from Sony rather than Criterion.[/quote]Jeff wrote:That makes sense, though I have heard that Husbands was slated for the next wave of Martini Movies, which I believe are already in production.
Wouldn't they just use the Polanski and Deneuve commentary from the laserdisc (one of the first I ever bought, when I became a member of the Criterion Laserdisc Club)?Jeff wrote:Repulsion
Audio commentary by director Roman Polanski
Yeah, I was referring to the existing laserdisc commentary. I didn't realize that Deneuve was on there. Criterion has commentaries ready for Repulsion, The Fisher King, The Prince of Tides, Jason and the Argonauts, Taxi Driver, Here Comes Mr. Jordan, and likely several other Sony properties that I am forgetting.Matt wrote: Wouldn't they just use the Polanski and Deneuve commentary from the laserdisc (one of the first I ever bought, when I became a member of the Criterion Laserdisc Club)?
Ha! That's right. But I think you can bet they're going to stay far fucking away from Prince of Tides this time around.Jeff wrote:The Prince of Tides
Well, I can say we do own and have restored Visconti's SANDRA...david hare wrote:To very kind Jaredsap and Mike Schlesinger, when can we hope to see this?
Mike Schlesinger said that he would like to do that for Losey's centenary. He reiterated yesterday at HTF that nothing official has been decided yet. I imagine the Criterion deal has reshuffled the deck.HarryLong wrote:Sony is definitely planning on giving THESE ARE THE DAMNED a release, according to an interview I read online.
I wish they would too. My wish list would look a lot different than my predictions list (though I would still buy almost everything that I predicted). Of course releasing obscurities doesn't generally pay the bills.Perkins Cobb wrote:As usual, I wish Criterion would raid the studio vaults for obscurities instead of putting effort into the mostly rehashes on Jeff's last list.
David, I respectfully agree and disagree. From a certain vantage point, the film is a hopeless melange of stylized attitudes and posturing: the sociopolitical commentary about the dangers of playing God, the Frank Tashlin-meets-Terence Fisher Rock n' Roll, the wannabe Wild One stuff, the very (IMO) Bunuelian black-and-white photography itself. All of it, essentially, leads to not very much.david hare wrote:If it were just me I would be putting the Losey Damned very low on the list. I watched it again recently from a TCM anamorphic scope copy and its one of those middle period Losey's that - well - time has not been kind to. There are a host of problems with it - the sheer archness of most of the cast, not to mention Shirley Anne Field's far too toffy voice (as sister/biker moll to Ollie Reed fer chrissake), and even the children are too "Stagey" (as Losey himself admits in the Ian Cameron book.) The actual SciFi centre of the story plays well for the atmosphere but the movie overall comes undone with the overwhelming archness of the production, not least elements like the absolutely dreadful bikers' rock and Roll number "Black Leather, Black Leather, Go go GO". Lawdy. Id substitute any of the Columbia Quines or Siegels for this junk.
Dog my cats, I want that.Jeff wrote:The Spanish Prisoner
Audio commentary by director David Mamet with Ricky Jay
New video interviews with actors Steve Martin, Campbell Scott, and Rebecca Pidgeon
Arthur Train's original short story The Spanish Prisoner read by Steve Martin
Original Featurette: The Spanish Prisoner: A History of the Confidence Game
Theatrical trailer