Stanley Kubrick Collection
- Jeff
- Joined: Wed Nov 03, 2004 1:49 am
- Location: Denver, CO
If you guys want to discuss this, do it over here.Gigi M. wrote:I know this is the wrong thread, but this might be the end of HD-DVD.
They are the exact same discs repackaged in keepcases.bluesea wrote:Has it been confirmed whether or not Barry Lyndon and Lolita are indeed remastered, or just repackaged?
-
Romat
- Joined: Thu Oct 11, 2007 8:50 pm
- Location: Cambridge, MA
Some stores in the Boston area, actually got more Kubrick boxsets in at the end of last week. I saw 2 sets in a Best Buy ($69.99) on Friday. And
Newbury Comics (they didn't know what boxset I was talking about last Tuesday) has had at least 2 sets on display since Sunday ($59.99).
All of them still have the mismatched Shining cover.
Newbury Comics (they didn't know what boxset I was talking about last Tuesday) has had at least 2 sets on display since Sunday ($59.99).
All of them still have the mismatched Shining cover.
- denti alligator
- Joined: Thu Nov 04, 2004 1:36 am
- Location: "born in heaven, raised in hell"
I received four out of the five HD DVDs from Warner. 2001 is still missing,and apparently is on back order (!), with an estimated ship date of 30 days!! I might just cancel and order from amazon.
I watched Full Metal Jacket tonight. HD transfer is very good. I'd give it a B/B+. Some scenes looked no better than an upconverted SD DVD, but that's still pretty good. Mostly it was strong: pronounced colors, excellent detail, and sharp.
As for the AR. I thought it looked fantastic at 1.78:1. There wasn't a single scene that seemed too tightly framed. There are close-ups in which the top of Joker's helmet is cropped, or the top of Gomer's head (to give two examples), and these felt just right. The clips in academy ratio that appeared in the documentary felt too open. I'm perfectly happy with this film in 16x9.
I'll report on the others as I view them.
I watched Full Metal Jacket tonight. HD transfer is very good. I'd give it a B/B+. Some scenes looked no better than an upconverted SD DVD, but that's still pretty good. Mostly it was strong: pronounced colors, excellent detail, and sharp.
As for the AR. I thought it looked fantastic at 1.78:1. There wasn't a single scene that seemed too tightly framed. There are close-ups in which the top of Joker's helmet is cropped, or the top of Gomer's head (to give two examples), and these felt just right. The clips in academy ratio that appeared in the documentary felt too open. I'm perfectly happy with this film in 16x9.
I'll report on the others as I view them.
- manicsounds
- Joined: Wed Nov 03, 2004 2:58 am
- Location: Tokyo, Japan
- Person
- Joined: Sat May 19, 2007 7:00 pm
I caved in and ordered the SD box from CD-WOW. It arrived today and I have watched most of the video extras, save FMJ and am currently watching EWS, which looks stunning. The extras are better than I expected, overall. I have yet to listen to any of the commentaries.
What I want to ask is, at 01:30:16 to 01:30:19, when Bill comes home, as he turns towards the hall doorway, we see, on his back, a large eye, an Illuminati symbol, from what I have understood from the late, great Robert Anton Wilson. Seems a weird cinematic trick for the likes of Kubrick. Any thoughts?
What I want to ask is, at 01:30:16 to 01:30:19, when Bill comes home, as he turns towards the hall doorway, we see, on his back, a large eye, an Illuminati symbol, from what I have understood from the late, great Robert Anton Wilson. Seems a weird cinematic trick for the likes of Kubrick. Any thoughts?
- Belmondo
- Joined: Thu Feb 08, 2007 1:19 pm
- Location: Cape Cod
-
yoshimori
- Joined: Wed Nov 03, 2004 6:03 am
- Location: LA CA
Person wrote:What I want to ask is, at 01:30:16 to 01:30:19, when Bill comes home, as he turns towards the hall doorway, we see, on his back, a large eye, an Illuminati symbol, from what I have understood from the late, great Robert Anton Wilson. Seems a weird cinematic trick for the likes of Kubrick. Any thoughts?
Wow! You guys must've got the special secret theme-and-content insider printing of Eyes Wide Shut. Someone, probably one of the people who want us all to keep talking about nothing but cover art, has digitally erased that Illuminati symbol from my disc.Belmondo wrote:I am confident that the "large eye" is Kubrick telling us to focus on what he is trying to say by way of theme and content, and that twenty odd pages on aspect ratios, cover art, and the condition of the box, is probably just about enough.
- Darth Lavender
- Joined: Sun Aug 13, 2006 6:24 pm
With DVDBeaver having made a mistake about the Clockwork Orange aspect ratio, is there any chance that Eyes Wide Shut (the HD) is also at the more acceptable 1.66:1?
I know I definitely saw it listed like that on Amazon for pre-order, but you know how inaccurate those details can be.
EDIT: Nevermind, I checked the pixels from one of the SD DVD screenshots, and it's definitely 1.777777777777777777777:1
I'll leave this post here, though, just in case anyone else has the same question.
I know I definitely saw it listed like that on Amazon for pre-order, but you know how inaccurate those details can be.
EDIT: Nevermind, I checked the pixels from one of the SD DVD screenshots, and it's definitely 1.777777777777777777777:1
I'll leave this post here, though, just in case anyone else has the same question.
- Svevan
- Joined: Mon Nov 22, 2004 11:49 pm
- Location: Portland, OR
Popped in my old SK Collection disc to verify: um, weird. It looks like a technical error, where the camera is reflecting light onto the film from another source. In fact it may not even be an eye but a lamp (perhaps the lamp on the table in front of Cruise?).Person wrote:What I want to ask is, at 01:30:16 to 01:30:19, when Bill comes home, as he turns towards the hall doorway, we see, on his back, a large eye, an Illuminati symbol, from what I have understood from the late, great Robert Anton Wilson. Seems a weird cinematic trick for the likes of Kubrick. Any thoughts?
Unless you're pulling my leg.
edit: it's the lamp, it's obscured by Cruise's torso at the same time the "eye" disappears. Hope you weren't joking about the whole thing and didn't just waste my time at 5:30 in the morning.
- denti alligator
- Joined: Thu Nov 04, 2004 1:36 am
- Location: "born in heaven, raised in hell"
Watched the HD of The Shining last night. Picture is superior to Full Metal Jacket. Much more detail. Sharpness ideal. Colors looked great, but I still can't figure out why the tennis ball is pink (in the documentaries on the disc, clips of this scene show that it is indeed yellow). I'd give the PQ an A-/A.
As for the AR. Looked perfect to me. No helicopter shadow--that's a plus. Nothing looked too tightly framed. No issues with this one at all. 1.78:1 seems to work very well.
Next up Clockwork Orange and EWS.
I agree with David that Warner should have made FMJ, The Shining, and EWS 2 or 3-disc sets with both open matte and matted versions. As is, however, so far I'm not at all unhappy with FMJ and The Shining. Having never seen EWS open matte (since I never viewed the DVD version of the film--last time I saw it was in the theaters on opening night), I doubt I'll be disappointed by the 16x9 presentation.
As for the AR. Looked perfect to me. No helicopter shadow--that's a plus. Nothing looked too tightly framed. No issues with this one at all. 1.78:1 seems to work very well.
Next up Clockwork Orange and EWS.
I agree with David that Warner should have made FMJ, The Shining, and EWS 2 or 3-disc sets with both open matte and matted versions. As is, however, so far I'm not at all unhappy with FMJ and The Shining. Having never seen EWS open matte (since I never viewed the DVD version of the film--last time I saw it was in the theaters on opening night), I doubt I'll be disappointed by the 16x9 presentation.
- Person
- Joined: Sat May 19, 2007 7:00 pm
Oh, it's definitely there. It is actually more visable in this new transfer. It seems to pan from left to right in a matter of two seconds as Bill walks towards the door. Try cracking up the brightness if you are having trouble seeing it.yoshimori wrote:Someone, probably one of the people who want us all to keep talking about nothing but cover art, has digitally erased that Illuminati symbol from my disc.
Geez, Svevan! All I did was point out an anomalous image that confused me in the past, that came back to me when watching again recently. It looks like an eye to me and it is plain to see that magickal symbols proliferate this film. I am not an Illuminati conspiracy theorist, but it is a subject that intrigues me and a lot of weird facts have entered the public domain in the Internet Age, ie. Bohemian Grove.Svevan wrote:Unless you're pulling my leg.
edit: it's the lamp, it's obscured by Cruise's torso at the same time the "eye" disappears. Hope you weren't joking about the whole thing and didn't just waste my time at 5:30 in the morning.
Also, if you were surfing the Net at 5am, that's your doing, not mine!
- Highway 61
- Joined: Mon Nov 08, 2004 8:40 pm
- Darth Lavender
- Joined: Sun Aug 13, 2006 6:24 pm
Had a quick look at the Eyes Wide Shut HDDVD.
The new framing looks absolutely fine to my eyes. Even the opening shot with Kidman (which, at first glance on DVDBeaver, looked atrocious). We lose the (perhaps intentional) 'stage' quality mentioned earlier, but in the widescreen composition there's a real sense of voyeurism, looking at Kidmen through between those two pillar things.
Other than that; perhaps I would kind of prefer the unique 1.37:1 framing, just because I kind of like that frame. It gives a certain 'classic' quality to any film (although I'd say the same about many films; Schindler's List, Picnic at Hanging Rock (which looked great in 4:3 VHS,) etc.) But, in terms of individual shot-composition, I don't see much evidence to say the 1.37 is how it should be.
We see head-room from time to time, anyway, in the 1.78:1 (part of the shot of Cruise and the corpse (not the part shown in Beaver's caps) still shows a goodly amount of head-room in the 1.78:1, presumably, this is a scene were Kubrick wanted it.)
Incidentally, I remember similar complaints (on another forum) when The Godfather was released on DVD, cropped to 1.78:1 and as it turns out Gordon Willis has said that he actually composed the film to work equally well in 4:3 or 1.85:1, so it seems entirely possible that this is really what Kubrick meant about wanting his films 4:3 on VHS
As for the HDDVD itself; It is, indeed, one of the weaker HD DVDs I own. In the positives; some colors really do 'pop,' I'm amazed, for instance, by the total absence of bleeding in the scenes with an orange/yellow Kidman standing in front of those bright blue windows. And I noticed one scene, right away, that uses very obvious rear-projection (or front-projection,) which I had never noticed on the DVD. Also, being blown up to fill a 16:9 screen, this (and the anamorphic DVD) probably shows a lot more of the pictures weaknesses than the old 4:3 DVD did (of course, since those weaknesses are intentional, I don't complain.) There is plenty of grain, but it ends up looking a little like digital noise. That could just be a consequence of downconverting to 720p
Sadly, the "Unfinished Kubrick" doc is only 20 minutes long (although I haven't watched it yet.)
All in all, I'm happy with my purchase, because I know that Eyes Wide Shut is a movie I'll get a lot of viewing out of. (It ties with 2001 and The Shining for my favourite Kubrick. Not necessarily best, but favourite.)
However, for those with only a lukewarm interest in the movie, I strongly recommend staying with the old DVD.
The new framing looks absolutely fine to my eyes. Even the opening shot with Kidman (which, at first glance on DVDBeaver, looked atrocious). We lose the (perhaps intentional) 'stage' quality mentioned earlier, but in the widescreen composition there's a real sense of voyeurism, looking at Kidmen through between those two pillar things.
Other than that; perhaps I would kind of prefer the unique 1.37:1 framing, just because I kind of like that frame. It gives a certain 'classic' quality to any film (although I'd say the same about many films; Schindler's List, Picnic at Hanging Rock (which looked great in 4:3 VHS,) etc.) But, in terms of individual shot-composition, I don't see much evidence to say the 1.37 is how it should be.
We see head-room from time to time, anyway, in the 1.78:1 (part of the shot of Cruise and the corpse (not the part shown in Beaver's caps) still shows a goodly amount of head-room in the 1.78:1, presumably, this is a scene were Kubrick wanted it.)
Incidentally, I remember similar complaints (on another forum) when The Godfather was released on DVD, cropped to 1.78:1 and as it turns out Gordon Willis has said that he actually composed the film to work equally well in 4:3 or 1.85:1, so it seems entirely possible that this is really what Kubrick meant about wanting his films 4:3 on VHS
As for the HDDVD itself; It is, indeed, one of the weaker HD DVDs I own. In the positives; some colors really do 'pop,' I'm amazed, for instance, by the total absence of bleeding in the scenes with an orange/yellow Kidman standing in front of those bright blue windows. And I noticed one scene, right away, that uses very obvious rear-projection (or front-projection,) which I had never noticed on the DVD. Also, being blown up to fill a 16:9 screen, this (and the anamorphic DVD) probably shows a lot more of the pictures weaknesses than the old 4:3 DVD did (of course, since those weaknesses are intentional, I don't complain.) There is plenty of grain, but it ends up looking a little like digital noise. That could just be a consequence of downconverting to 720p
Sadly, the "Unfinished Kubrick" doc is only 20 minutes long (although I haven't watched it yet.)
All in all, I'm happy with my purchase, because I know that Eyes Wide Shut is a movie I'll get a lot of viewing out of. (It ties with 2001 and The Shining for my favourite Kubrick. Not necessarily best, but favourite.)
However, for those with only a lukewarm interest in the movie, I strongly recommend staying with the old DVD.
-
patrick
- Joined: Sun Mar 11, 2007 4:15 pm
- Location: Philadelphia
Perhaps this belongs in the HD-DVD vs. Blu-Ray thread, but it's really fascinating seeing people's take on various HD discs' transfers, it seems some people want that "pop" even if it's an inaccurate presentation of the film. I'm not saying that that's the case, but it's certainly fascinating/horrifying to see the debate storming around, say, the Blu-Ray edition of Bram Stoker's Dracula.
- manicsounds
- Joined: Wed Nov 03, 2004 2:58 am
- Location: Tokyo, Japan
Seems most people that got the boxset have the wrong coverart for he Shining. Any word on Warner sending out the uniform coverart or not?
Last edited by manicsounds on Tue Dec 11, 2007 5:12 am, edited 1 time in total.
- The Elegant Dandy Fop
- Joined: Thu Dec 09, 2004 7:25 am
- Location: Los Angeles, CA
I noticed this too.manicsounds wrote:Seems most people that got the boxset have the wrong coverart for he Shining. Any word on Warner sending out the uniform coverart or not?
All the covers in the box set have a certain set scheme except this one. What's it suppose to look like?
The big giveaway of this is the fact the spines in the box don't match.
- denti alligator
- Joined: Thu Nov 04, 2004 1:36 am
- Location: "born in heaven, raised in hell"
- Antoine Doinel
- Joined: Sat Mar 04, 2006 5:22 pm
- Location: Montreal, Quebec
- Contact:
- manicsounds
- Joined: Wed Nov 03, 2004 2:58 am
- Location: Tokyo, Japan