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Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Mon Oct 30, 2017 2:25 pm
by mfunk9786
HitchcockLang wrote:I may be in the minority, but I miss the blue cover.
So do I. Reminds me of what happened with
Viridiana a few years back, but this is not close to as great as the pink version of that was, and that cover was changed wholesale to something more all-around boring.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Mon Oct 30, 2017 3:58 pm
by Graphist
Was the aqua color referring to the swimming pool? They could have toned it down, I think it was too saturated. But honestly, personally I don’t mind the grey monochromatic look.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Tue Oct 31, 2017 9:58 pm
by cdnchris
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Tue Oct 31, 2017 11:46 pm
by DRW.mov
I can’t even tell you how cool it is to see an Outfest logo on the back of a Criterion package.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Sat Nov 04, 2017 5:57 am
by cdnchris
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Sat Nov 04, 2017 3:42 pm
by KJones77
Wow Jabberwocky looking pretty plain on the inside.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Sun Nov 05, 2017 9:14 pm
by cdnchris
HitchcockLang wrote:I may be in the minority, but I miss the blue cover.
Missed this initially, but they do use a metallic ink that I guess adds a little something to it.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 7:57 pm
by swo17
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 8:07 pm
by zedz
I really like The Hero and An Actor's Revenge, but WTF Tom Jones?
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 8:13 pm
by perkizitore
zedz wrote:I really like The Hero and An Actor's Revenge, but WTF Tom Jones?
It is swimminghorses going analog!
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 8:18 pm
by KJones77
Wow The Silence of the Lambs has a seriously excellent cover.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 8:25 pm
by Apperson
Is there an incomplete painting in Tom Jones because that cover is inexplicable otherwise.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 8:51 pm
by movielocke
Silence of the Lambs is amazing.
The font of the title for Actor's Revenge kind of works but also kind of interferes with my eye's ability to parse between the title and the art. But a pretty striking idea/design, nonetheless.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 9:04 pm
by zedz
movielocke wrote:Silence of the Lambs is amazing.
The font of the title for Actor's Revenge kind of works but also kind of interferes with my eye's ability to parse between the title and the art. But a pretty striking idea/design, nonetheless.
It also cleverly evokes the film's spectacular CinemaScope framing.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 9:37 pm
by thatobscurecharm
Silence reminds me of artwork for the current revival of M. Butterfly

Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 9:51 pm
by Cinephrenic
Tom Jones cover is somewhat boring. Elevator to the Gallows could have used a upgrade. Rest is nice.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 9:54 pm
by aox
Agreed that Elevator could have used an artwork upgrade.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 10:05 pm
by Ashirg
It says The Hero cover is based on a poster designed by Satyajit Ray
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Wed Nov 15, 2017 11:36 pm
by criterionoop
I'm assuming this is the poster it was based off:

Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Thu Nov 16, 2017 1:04 am
by Gerald Christie
Am I the only one that hates the new artwork for SOTL? This is one of those films where the only option is the original poster. Much like The Breakfast Club or The Exorcist it's so iconic and perfectly captures the movie.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Thu Nov 16, 2017 1:12 am
by Luke M
Silence of the Lambs is an all-time great cover. I know we already saw it, but Night of the Living Dead cover is nice. I think the other covers are pretty decent. No bad covers this month.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Thu Nov 16, 2017 1:51 am
by Ribs
Night of the Living Dead is surely a digipak, right?
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Thu Nov 16, 2017 2:39 am
by Boosmahn
Ribs wrote:Night of the Living Dead is surely a digipak, right?
Both Night of the Living Dead and Silence of the Lambs will be.
Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Thu Nov 16, 2017 3:08 am
by Feego
Sorry, but I'm not a fan of the new
Silence of the Lambs or
Night of the Living Dead covers.
Dead is mostly ok, but the placement of the title on the left side behind the wacky C is triggering my OCD. Couldn't they have just shifted the zombie hands to the left side and placed the title on the right? And poor Judith O'Dea has been given the same unflattering face treatment that Candace Hilligoss received on the redux
Carnival of Souls cover. The font and clean white background with little blood spatters on
Silence make it look like a poster for the next season of
American Horror Story. Nothing about it evokes the look or feel of the movie for me.
Edit: Although, come to think of it, the
Silence cover does look mighty similar to my paperback copy of
Red Dragon:

Re: Criterion & Eclipse Cover Art & Packaging Babble-on Vol.
Posted: Thu Nov 16, 2017 10:05 am
by Bressonaire
Tom Jones cover is somewhat boring.
You're too kind. I'd say it's seriously ghastly. Is he chewing his knuckles? Is he looking at the same cover we're looking at? (No wonder his eyes are wide and he looks nonplussed.) Is he having a Voltaire moment, pondering the meaning of life? It certainly conveys nothing of the rollicking energy of the film. A terrible cover.