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I think Kiss Me Deadly is the result of not being able to decide whether they liked the life magazine look or the pulp novel look better. Could have came out worse though.

Zazie looks more like Zazie dans Bluffington.

That's a shame- I much prefer the one large screencap style they used on Basil Dearden and Naruse, and I was kind of hoping they would stick to it indefinitely.

Great to finally see Kiss Me Deadly in the collection but what the hell is going on with this month`s covers? The Kiss Me Deadly and Zazie covers are ugly as hell, especially the black background on the wacky C.
The other Malle cover is gorgeous.

Kiss Me Deadly really works, I think. I don't even mind the little box around the Wacky C, though I wished it had been style into more of a ribbon shape. Here's a couple of lurid detective novels in the same style.


People on Sunday is great, and Insignificance is fine too, though I wish they had used the iconic key art:


I'll agree with whoever said last week that Black Moon could be vastly improved by a black border, and poor Zazie does look awfully homely. The book cover would have been wonderful if they could get the rights.


The Makioka Sisters is just absurdly pathetic and awful, and seems to indicate Criterion's overall approach to the release.

I think The Makioka Sisters may be the worst post-Wacky C era cover art. I have a special disdain for the laziness of The Spy Who Came In From the Cold, and The Great Dictator is pretty inexplicable, but this is the first one that I swear someone at Criterion pulled out of a forgotten swimminghorses thread.

Alphonse Doinel wrote:I think Kiss Me Deadly is the result of not being able to decide whether they liked the life magazine look or the pulp novel look better. Could have came out worse though.

I immediately thought of Life Magazine when I saw that cover. I love the luridness of those covers that Jeff just posted, but the Kiss Me Deadly cover just doesn't capture that. Perhaps if they had copied the photo as a painting in the style of those old covers. Criterion seems to have a really bad grasp of pulp imagery. From the Fuller covers to this, they just don't seem to know what to do with them. Too bad they couldn't give us something along the lines of Blast of Silence, or even something as simple and effective as The Killers.

That said, I actually kinda like the Zazie cover. I've never seen the film, but the cover is rather striking and piques my interest. The Makioka Sisters is terrible. Black Moon is OK, but unmemorable. I hate the avocado color on the Eclipse set. Insignificance and People on Sunday are fantastic.

For KMD I think the design would have worked better if it had been an illustration rather than a still, it looks like a quick cut-and-paste job. Although if they did do an illustration it might have come out like the Fullers, so maybe this is the lesser of two evils.

domino harvey wrote:Insignificance is the best cover in yearsss

Word. pure awesomeness.

I like Kiss Me Deadly....but I like pulpy old stuff a lot too, so it's right up my alley. I think it'll look great in person. People on Sunday is also an A. Not sure on the Malle's, and Makioka Sisters is awful. I dig the off beat Eclipse colors too....so 4 out of 7 ain't bad, considering 1 is one of the best covers they've ever done!

Tribe wrote:

Finch wrote:Yes, the Kiss Me Deadly cover would have been better without the black background on the wacky C and the film's title on the Red.

I agree...that black square with the wacky C does indeed ruin what is otherwise a quite nice noirish cover.

Pretty sure that's copying the exact format of the old ballantine, Gold Key, and other smaller press paperbacks, where the price or series title would have been in that black spot on the top.

Murdoch wrote:For KMD I think the design would have worked better if it had been an illustration rather than a still, it looks like a quick cut-and-paste job. Although if they did do an illustration it might have come out like the Fullers, so maybe this is the lesser of two evils.

I like the cover as is, but I do agree with you on this. I sort of wish they'd stuck closer to the All Tomorrow's Parties poster:

Jeff wrote:Kiss Me Deadly really works, I think. I don't even mind the little box around the Wacky C, though I wished it had been style into more of a ribbon shape. Here's a couple of lurid detective novels in the same style.

That's exactly what I was thinking of in terms of layout. I know my dad has boxes of these from the 50s and I knew exactly what the black bar was when I saw it as I've seen it a hundred times before on his collection of old detective and sci fi novels.

People on Sunday is lovely of course but it looks remarkably like the cover to an album (from the past few years?) that I can't place and it's going to bug me forever unless I remember it.

Makioka makes me think of an hourglass, with the sands from the eye part of that girl's face slowly sifting through the fissure as offering to the gods that live inside of the snow volcano below. Is this description in any way accurate? I haven't seen the film.

I'm more or less with domino on Insignificance.

domino harvey wrote:Omgggg can never unsee Alfred E now

Blargh.

you bastard. you go to hell. you go to hell and you die.

Post of the year.

A bit of me just broke then. gah

You know where this can go!

Also, why shy away from the iconic smile still from the film? It worked well here:



And while this handbill's a little busy, at least it gives a sense of the fun of the film

Really, I just miss the fake covers thread.

Murdoch wrote:Post of the year.

Seconded. I'll risk more backlash and say that it's a better fitting cover than what we're getting.

swo17 wrote:

This is what I was thinking of...

One really great aspect of the Kiss Me Deadly cover is it highlights the lead's toxic treatment of women in the film

Zazie looks like a gorilla in the cover.

matrixschmatrix wrote: I like the cover as is, but I do agree with you on this. I sort of wish they'd stuck closer to the All Tomorrow's Parties poster:

Under other circumstances, I wouldn't have minded something along the lines of the ATP poster...but, to be honest, I'm getting rather sick with CC's use of comix style for covers. At this point, it's become over-used (notwithstanding that I tend to be a fan of all the comix artists who have covers so far) and more often that style of art is very difficult to capture the sense and theme of a movie.

swo17 wrote:People on Sunday is lovely of course but it looks remarkably like the cover to an album (from the past few years?) that I can't place and it's going to bug me forever unless I remember it.

Either a Smiths album cover or a Belle & Sebastian album cover?