Re: Paramount Catalog Titles on Blu
Posted: Tue Jun 13, 2023 9:22 pm
I think the overall tone of the project was changed, and Weir rewrote it to his satisfaction. Still, a remarkable “what if?”
I just revisited this and liked it a lot more than when it came out. Murphy is one of the most reliable actors, but he's kind-of on autopilot here in maybe his worst and thinnest role to date. It's McAdams who elevates this into greatness via a pleasurable catharsis not found in set pieces but the comfort-food of surrogate human behavior. She gives an organic performance through a character who reacts -both large and small- how a person actually might if placed into her situation. Reminds me of Mary Elizabeth Winstead in 10 Cloverfield Lane, only not nearly as good or inventive as that masterpiece (plus everything here falls into well-trodden and tiresome charades once off the plane, while Trachtenberg soars after his heroine escapes into a third act), but Craven is just churning out a tight B-thriller based on a meshed confinement/nick-of-time gimmick. He knows how to craft suspense well, but without the right lead passengers would nod off on his flightbeamish14 wrote: Wed Jan 18, 2023 11:32 pmDarkImbecile wrote: Wed Jan 18, 2023 11:17 pmRed Eye is a movie I remember thinking was quite fun at the time but maybe haven’t thought about once in the almost two decades since; kind of curious to see what I’d think now, especially given how much I like the leadsThe Narrator Returns wrote: Wed Jan 18, 2023 11:01 pm Also a 4K of The Core on March 14th and a 4K of Red Eye on March 21st.
I saw it for the first time in years not too long ago. I still really enjoy the first third or so and Cillian Murphy’s performance. Craven managed some effective scares within the limitations imposed by its PG-13 rating
Oldman as Truman? Or the Ed Harris/formerly Dennis Hopper character?beamish14 wrote: Tue Jun 13, 2023 5:10 pm
I would love to see footage from the test shoot that Andrew Niccol undertook with Gary Oldman. It displeased Paramount so much that they removed him and hired Peter Weir to direct the film

Nice - I hope this trend of going back to vintage movie posters (or at least a good approximation of them) will continue. I've never been a fan of the way reissues over the past 15 years have stylized the artwork, it just makes them really dated in the wrong way - a studio-era classic shouldn't have a cover that looks like it was Photoshopped yesterday.yoloswegmaster wrote: Tue Dec 12, 2023 5:38 pm 4K re-release for The Man Who Shot Liberty Valance coming in March, though it's not being presented as a part of the Paramount Presents line for whatever reason.
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MifuneFan on the other forum shared caps of the restoration as it played on The Film Foundation’s website. Colors are warmer and more saturated but look good. No Ritrovata botch job visible even though they were involved. Do you have any info about the restoration and why it was so complicated?tenia wrote: Tue Feb 20, 2024 5:12 pm It's an awful artwork, modern-generic template. Whatever though, I'm just curious to finally see this new restoration, which seems to have had a complicated story.
And restored mono. I’m especially happy about that, the mixes on the prior discs sounded way too cleandwk wrote: Fri Feb 23, 2024 3:44 pm I think the Blu-ray has some new special feature(s), but that doesn't necessarily mean that they will use the new transfer.
yoloswegmaster wrote: Mon Jun 24, 2024 3:09 pm A listing has been found for a 4K release of Bringing Out the Dead. Release date is Sepetember 17.

therewillbeblus wrote: Mon Jun 24, 2024 3:12 pmyoloswegmaster wrote: Mon Jun 24, 2024 3:09 pm A listing has been found for a 4K release of Bringing Out the Dead. Release date is Sepetember 17.![]()
NEW Bonus Content:
FILMMAKER FOCUS – MARTIN SCORSESE ON BRINGING OUT THE DEAD
Visionary filmmaker Martin Scorsese shares stories behind the production, touching on casting, shooting in New York City, and the music and art that inspired his approach.
A RUMINATION ON SALVATION – NICOLAS CAGE ON BRINGING OUT THE DEAD
Academy Award® winner* Nicolas Cage relates tales of wild nights in New York City, his cerebral approach to his character, and his time with Scorsese prior to shooting.
CEMETERY STREETS – SCREENWRITER PAUL SCHRADER ON BRINGING OUT THE DEAD
Legendary screenwriter Paul Schrader talks about adapting author Joe Connelly’s novel, how traveling with real paramedics informed his writing, and his creative partnership with Scorsese.
CITY OF GHOSTS – CINEMATOGRAPHER ROBERT RICHARDSON ON BRINGING OUT THE DEAD
Frequent Scorsese collaborator and Academy Award® winning ** cinematographer Robert Richardson opens up about shooting Bringing Out the Dead and how the film personally resonated with him.
ON SET WITH PATRICIA ARQUETTE
Actress Patricia Arquette reflects on working with Nicolas Cage, the creative openness of director Martin Scorsese, and how her own background allowed for a personal understanding of her character.
ON SET WITH JOHN GOODMAN
Actor John Goodman talks about the intensity of portraying a paramedic, working with Nicolas Cage, and the honor of appearing in a Martin Scorsese film.
ON SET WITH VING RHAMES
Actor Ving Rhames shares how Martin Scorsese’s New York City differs from his personal experience and how his character relates to Nicolas Cage’s character.
ON SET WITH TOM SIZEMORE
Actor Tom Sizemore celebrates the opportunity to appear in Bringing Out the Dead and reflects on how life is full of surprises.
ON SET WITH MARC ANTHONY
Actor Marc Anthony shares how he turned witnessing real-life hardship on the streets of New York City into an unforgettable performance.
Legacy Bonus Content
EXCLUSIVE CAST AND CREW INTERVIEWS
THEATRICAL TRAILERS
