Re: Twilight Time
Posted: Thu Nov 07, 2013 11:56 pm
Turns out it was Born Yesterday (1950).
Clue 2: Joe Eszterhas comes again.
Clue # 2: Born Yesterday's author Garson Kanin sold the rights of the play to Columbia for a then unheard of $1 million dollars. Joe Eszterhas repeated the feat years later by selling the script to Basic Instinct (1992) for a then unheard of 3 million dollars. Hence Joe Eszterhas comes again.

Makes sensedomino harvey wrote:Clue 2: Joe Eszterhas comes again.
Clue # 2: Born Yesterday's author Garson Kanin sold the rights of the play to Columbia for a then unheard of $1 million dollars. Joe Eszterhas repeated the feat years later by selling the script to Basic Instinct (1992) for a then unheard of 3 million dollars. Hence Joe Eszterhas comes again.
Uh... What? I'm seriously completely and utterly lost on what this even means and how that clue is supposed to equal Born Yesterday.domino harvey wrote:Clue 2: Joe Eszterhas comes again.
Clue # 2: Born Yesterday's author Garson Kanin sold the rights of the play to Columbia for a then unheard of $1 million dollars. Joe Eszterhas repeated the feat years later by selling the script to Basic Instinct (1992) for a then unheard of 3 million dollars. Hence Joe Eszterhas comes again.
Twilight Time wrote:We are often asked which titles are getting low in stock, so as we have pre-orders for 3 new titles coming on Nov 20th, as well as a signed-copy promotion for MINDWARP, here is a new low-stock list for any of you looking to pick up some back catalogue:
On Blu-ray - AS GOOD AS IT GETS, BYE BYE BIRDIE, THOSE MAGNIFICENT MEN IN THEIR FLYING MACHINES, ENEMY MINE, LEAVE HER TO HEAVEN, BELL, BOOK, & CANDLE, THE DRIVER - and on DVD - STAGECOACH.

Just biting my tongue....Clue 2: Joe Eszterhas comes again.
Clue # 2: Born Yesterday's author Garson Kanin sold the rights of the play to Columbia for a then unheard of $1 million dollars. Joe Eszterhas repeated the feat years later by selling the script to Basic Instinct (1992) for a then unheard of 3 million dollars. Hence Joe Eszterhas comes again.
Clue #1: The Method, an Italian muse, Spaghetti sauce, it all comes out in the wash.
Clue #2: Poor Marni Nixon… he “walked the line.”
Clue #3: Richard Brooks directed “too.”
Clue #4: Franciosa, Forsythe, Parks. Who’s on first? Or is it second?
Clue # 5: Chinatown has a two-fold connection. Even if once removed.
Clue #6: The Lady Vanishes for Billie Burke.
Clue #7: The producer was going to direct till Garland or "Red" intervened.
Wake me up when one of the answers is The Asthenic Syndrome. The clue for that would be "Strangers on a train? Or in the night?"pointless wrote:Third guessing game:Clue #1: The Method, an Italian muse, Spaghetti sauce, it all comes out in the wash.
Clue #2: Poor Marni Nixon… he “walked the line.”
Clue #3: Richard Brooks directed “too.”
Clue #4: Franciosa, Forsythe, Parks. Who’s on first? Or is it second?
Clue # 5: Chinatown has a two-fold connection. Even if once removed.
Clue #6: The Lady Vanishes for Billie Burke.
Clue #7: The producer was going to direct till Garland or "Red" intervened.
Has anything ever been as awful as these fucking clues, like ever? Does whoever wrote them post here so we can vote them worst member of the year? Jesus Christpointless wrote:Third guessing game:Clue #1: The Method, an Italian muse, Spaghetti sauce, it all comes out in the wash.
Clue #2: Poor Marni Nixon… he “walked the line.”
Clue #3: Richard Brooks directed “too.”
Clue #4: Franciosa, Forsythe, Parks. Who’s on first? Or is it second?
Clue # 5: Chinatown has a two-fold connection. Even if once removed.
Clue #6: The Lady Vanishes for Billie Burke.
Clue #7: The producer was going to direct till Garland or "Red" intervened.
Colour appears to be a little better; still censored though.matrixschmatrix wrote:I was considering importing the French release of this the other day and doing a bunch of research on it- I think I read that the UK blu is inferior PQ to the most recent French one. At any rate, I'll wait around until this comes out to pull the trigger on anything.
I was referring to this release, but in reading further (here) it sounds as though it's actually the same master as the British release. I should have taken notes when I was looking into this, but at any rate any release with halfway decent PQ and the Lime Green extras will easily be worth the $40 to me.EddieLarkin wrote:Colour appears to be a little better; still censored though.matrixschmatrix wrote:I was considering importing the French release of this the other day and doing a bunch of research on it- I think I read that the UK blu is inferior PQ to the most recent French one. At any rate, I'll wait around until this comes out to pull the trigger on anything.
MGM may not have been willing to license Wild at Heart when Criterion made the deal for the batch of titles they did license.matrixschmatrix wrote: I wonder if Criterion explicitly passed on this- I thought it was a better movie than, say, Something Wild, but then Criterion could hardly be bothered with that one, so perhaps it's not the best comparison.