Posted: Thu Apr 13, 2006 5:59 pm
I've been hoping for years that they'll get The Tarnished Angels from Universal.
Forgive me for contradicting the Solons at TIME OUT, but I thoroughly agree that Domicile Conjugal is far more disturbing then the 400 Blows. Yes, it does work on several levels, and may go over people's heads, but it is an uncommonly incisive (and funny and sad and sentimental) portrait of "happily ever after".ellipsis7 wrote:Just to remind ourselves of the TIME OUT review
...{Negative review follows}
It probably wont be issued by Criterion.maxbelmont wrote:Has anyone heard anymore news about a Criterion release of Cronenberg's Crash? I believe this was one of the more important releases of the 90's and arguably his best film up to his 2005 A History of Violence.
I think it's a good idea to go ahead and compile these into one boxset (a la the Hitchcock and Great Adaptations sets), but I wonder if this provides Criterion an excuse to release only two new titles in July...?Dubbed the greatest actor of the twentieth century, Sir Laurence Olivier, the classically trained and majestically handsome English theater veteran and one-time co-director of London's Old Vic, first transplanted his passion for Shakespeare to the big screen in the 1940s, and in so doing, allowed Elizabethan verse to break free of its stage-bound origins. Olivier directed only five films in his sixty-year career, yet his three Shakespeare adaptations, presented here together on DVD for the first time, are still widely considered the definitive film adaptations: his thrilling directorial debut, Henry V, stunned 1944 audiences with its vivid Technicolor and full-throttle battle scenes; Hamlet, which won the Academy Awards for Best Picture and Actor, in 1948, brought to stunning life literature's greatest protagonist; and his legendary Richard III, thought by many to feature Olivier's most magnetic performance. Faithful to the playwright's words yet open to the visual potentials of the cinema, these works transcend both screen and stage with timeless passion. Criterion is proud to present this unprecedented filmmaking legacy.
FilmFanSea wrote:July releases thus far: Yi Yi and Koko: A Gorilla that Talks
I sense a pattern here. The next announcement may be ...
Loulou (Pialat)?
Nana (Renoir)?
a single-disc release of French Cancan?
a film starring French actress Miou-Miou?
I try to stay in my corner of the room and smile and look pretty, but damned if these two comments didn't have me laughing so hard that my kitty cats came into the room to see what the commotion was. (They can't read so they remain clueless.) And to think that I've almost been tempted to join the conversation in Criterion In 2006. Yikes.cinephrenic wrote:I would say it's a April fools joke, but it's the 13th.
Don't forget Jo Jo Dancer, Your Life Is CallingFilmFanSea wrote:July releases thus far: Yi Yi and Koko: A Gorilla that Talks
I sense a pattern here. The next announcement may be ...
Loulou (Pialat)?
Nana (Renoir)?
a single-disc release of French Cancan?
a film starring French actress Miou-Miou?
Also in the forthcoming RepetitionRepetory Boxset:justeleblanc wrote:Don't forget Jo Jo Dancer, Your Life Is CallingFilmFanSea wrote:July releases thus far: Yi Yi and Koko: A Gorilla that Talks
I sense a pattern here. The next announcement may be ...
Loulou (Pialat)?
Nana (Renoir)?
a single-disc release of French Cancan?
a film starring French actress Miou-Miou?
How do you do. If this be the case, thanks for the tip, for I would be inclined to embrace this one. I'm fond of Van Sant's work (not the Van Sant who makes films for Williams and Connery, but the other one), and haven't been able to see this film yet.hamsterburger wrote:Anyway, the title that I heard was being released is Mala Noche, by Gus Van Sant. Can't really say who gave the word. But its someone affiliated with the director and they have been working on the release for a few months. New 35MM prints have been struck from the original 16mm source and its apparently shaping up to be a good release.
Thanks for the info. I hope the situation doesn't become too complicated for Criterion to eventually bring it out. I saw Madadayo for the first time a few years ago, and would surely want to see a decent transfer of it. And the DVDBeaver's take on the current releases sure isn't encouraging. Every single time I've now watched the Criterion Ran I've been in want to continue straight to Madadayo. Perhaps someday I can.Schkura wrote:I have hit a brick wall looking for the current rights-holder. The rights were previously owned by WinStar Media, and WinStar was bought out by Wellspring. However, I don't see it listed as one of Wellspring's current holdings.
I don't understand why there is even a problem over this-- I saw ELEPHANT in the cinema @ 1/1.37. This less exaggerated ratio is far better suited to the verite-esque nature of the film, which seems to be happening in realtime before your very eyes, than widescreen which calls more attention to itself by forcing the eyes to wander horizontally thereby potentially breaking the spell.davidhare wrote:Yes - you're too recently arrived here to be aware of previous discussion, but mention of Mala Noche has been going on for years, and unfortunately the PLexifilm standoff is still going on.
At least it's still in circulation, and I just wish Gus could get it off the ground with any DVD company! While we're at it how about non-R1 Academy ratio version DVDs of Elephant and Last Days. (excepting the French ones of course)
Indeed, there is a strong connection I feel to exist between them, as if by watching these two films, in particular, I could experience a Kurosawan micro-retrospective of a sort.ByMarkClark.com wrote:>>Every single time I've now watched the Criterion Ran I've been in want to continue straight to Madadayo. <<
Skipping over DREAMS and RHAPSODY IN AUGUST?
Great news from Criterion's site.Out of the Shadows
No mere revival, Rialto Pictures' theatrical release of Criterion favorite Jean-Pierre Melville's long-unseen treasure Army of Shadows next week is nothing less than the film's U.S. premiere. In a New Republic Online piece, Stanley Kauffmann gives the lowdown on this nearly forgotten drama about the French Resistance, originally released in 1969, with Jean-Pierre Cassel, Simone Signoret, and Lino Ventura. An essential piece of cinema is finally coming to a theater near us.
Old news, but good news.gigimonagas wrote:Great news from Criterion's site.Out of the Shadows
No mere revival, Rialto Pictures' theatrical release of Criterion favorite Jean-Pierre Melville's long-unseen treasure Army of Shadows next week is nothing less than the film's U.S. premiere. In a New Republic Online piece, Stanley Kauffmann gives the lowdown on this nearly forgotten drama about the French Resistance, originally released in 1969, with Jean-Pierre Cassel, Simone Signoret, and Lino Ventura. An essential piece of cinema is finally coming to a theater near us.