Community
Posted: Mon Oct 04, 2010 1:44 am
So this was broached a bit in the running "Who's That Girl In Domino Harvey's Avatar?" thread, but now that I'm completely caught up on Community through last week's episode, I have to speak up. I wasn't expecting much when I got the set for cheap. I liked McHale from the Soup and had heard good things about the show, but I really wasn't expecting much. But this is the first legitimate heir to Arrested Development's comedic crown, and perhaps even surpasses that benchmark as well.
I make such a bold claim for several reasons. Most importantly for a comedy, the show is funny. But much of its most successful jokes come from a willingness to embrace esoterica. The show follows in the tradition of some of the best esoteric comedians of recent times, such as Scharpling and Wurster or the original UCB, taking huge leaps of faith and assuming the audience will be in on the references. Taking these risks results in a not always even track record, but the highs are higher than the lows are low. Also, if the second season so far is any indication, the show has now abandoned openness for new viewers and shut down into the complete insularity mode under which Arrested Development found its greatest success (post-season one as well). The premiere was so wonderfully convoluted and self-reflexive that it's remarkable the show still bothered with what sets it apart from even the aforementioned reference point of AD, which is the series' emotional (without being maudlin) humanism towards its characters.
Unlike the rotten, irredeemable characters of It's Always Sunny or the faux sincerity of AD, the characters of Community are constantly redeemed in spite of their actions, and this actually allows for the show to get away with some pretty brutal and mean-spirited jabs without the viewer feeling bad by association. It's a brilliant gambit and makes the shock jokes work because of that safety net the viewer knows is waiting-- this doesn't "water it down" the bluer material, it makes it enjoyable. I'd like to spend every week with these misfits, but as funny as Charlie and Frank and the rest of the Gang can be, I grow very tired of their misanthropy. Apologies to the newest comedic trends, but misanthropy without some redemption is dehumanizing at best, and more often than not simply tiresome. AD suffers from the emotional aloofness too, but sidestepped the bigger issue by including intentionally half-assed emotive elements in the mix. It was less than sincere or convincing, but it was good enough. But Community goes for the gold.
And the show's willingness to go balls-out for a gag has resulted in some of the weirdest (Britta getting whipped with a switch by an elderly black woman in a wheelchair) and funniest (the astonishing conclusion to the pool rivalry, which should remain unspoiled for the sake of humanity) moments I've ever encountered in a TV show. And the new season shows no sign of stopping, as the details have started to really make the show. It's one thing to take a cheap shot at the ShitMyDadSays Twitter account, but to actually keep it updated with entries funnier than the target is genius.
The writing is admittedly the key, but the show also has a great cast that quickly overcomes any initial character hesitations present in the premise of the series-- every actor is key to the show and they all go forward with fearlessness. I guess it took people longer to be swept away than me, but I was completely won over to the series as early as the second episode, which smartly addresses so much of what I detest about the artifice of protest and convenient college liberality that I wished I had written it first. And it only gets better from there.
Also, it's totally going to get canceled this year.
I make such a bold claim for several reasons. Most importantly for a comedy, the show is funny. But much of its most successful jokes come from a willingness to embrace esoterica. The show follows in the tradition of some of the best esoteric comedians of recent times, such as Scharpling and Wurster or the original UCB, taking huge leaps of faith and assuming the audience will be in on the references. Taking these risks results in a not always even track record, but the highs are higher than the lows are low. Also, if the second season so far is any indication, the show has now abandoned openness for new viewers and shut down into the complete insularity mode under which Arrested Development found its greatest success (post-season one as well). The premiere was so wonderfully convoluted and self-reflexive that it's remarkable the show still bothered with what sets it apart from even the aforementioned reference point of AD, which is the series' emotional (without being maudlin) humanism towards its characters.
Unlike the rotten, irredeemable characters of It's Always Sunny or the faux sincerity of AD, the characters of Community are constantly redeemed in spite of their actions, and this actually allows for the show to get away with some pretty brutal and mean-spirited jabs without the viewer feeling bad by association. It's a brilliant gambit and makes the shock jokes work because of that safety net the viewer knows is waiting-- this doesn't "water it down" the bluer material, it makes it enjoyable. I'd like to spend every week with these misfits, but as funny as Charlie and Frank and the rest of the Gang can be, I grow very tired of their misanthropy. Apologies to the newest comedic trends, but misanthropy without some redemption is dehumanizing at best, and more often than not simply tiresome. AD suffers from the emotional aloofness too, but sidestepped the bigger issue by including intentionally half-assed emotive elements in the mix. It was less than sincere or convincing, but it was good enough. But Community goes for the gold.
And the show's willingness to go balls-out for a gag has resulted in some of the weirdest (Britta getting whipped with a switch by an elderly black woman in a wheelchair) and funniest (the astonishing conclusion to the pool rivalry, which should remain unspoiled for the sake of humanity) moments I've ever encountered in a TV show. And the new season shows no sign of stopping, as the details have started to really make the show. It's one thing to take a cheap shot at the ShitMyDadSays Twitter account, but to actually keep it updated with entries funnier than the target is genius.
The writing is admittedly the key, but the show also has a great cast that quickly overcomes any initial character hesitations present in the premise of the series-- every actor is key to the show and they all go forward with fearlessness. I guess it took people longer to be swept away than me, but I was completely won over to the series as early as the second episode, which smartly addresses so much of what I detest about the artifice of protest and convenient college liberality that I wished I had written it first. And it only gets better from there.
Also, it's totally going to get canceled this year.