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Posted: Thu Oct 13, 2005 8:40 pm
by filmfan
Just picked up this biography...it looks like a good one..."The Lost One...A Life of Peter Lorre" by Stephen Youngkin (613 pages, University Press of Kentucky)
There appears to have been alot of research done on this book, with some great early photos and what appears to be a well annotated Stage Screen and Radio.
At least there is SOMETHING being written about him out there, chronicling his life and career...especially about the pre-"M" and "M" early years in Germany.
Posted: Thu Oct 13, 2005 11:23 pm
by tryavna
filmfan wrote:Just picked up this biography...it looks like a good one..."The Lost One...A Life of Peter Lorre" by Stephen Youngkin (613 pages, University Press of Kentucky)
There appears to have been alot of research done on this book, with some great early photos and what appears to be a well annotated Stage Screen and Radio.
At least there is SOMETHING being written about him out there, chronicling his life and career...especially about the pre-"M" and "M" early years in Germany.
I hope it contains some of the better Lorre anecdotes, which can be a riot. My favorite is (perhaps an apocryphal) one that Vincent Price was fond of telling: He and Lorre supposedly attended a showing of Bela Lugosi's body before Lugosi's funeral, and of course, Lugosi asked to be buried in his full Dracula costume (with cape). At one point, Lorre leaned over to Price and whispered, "Do you think we should drive a stake through his heart just in case?"
It's too good a story not to be true!
Posted: Tue Oct 18, 2005 10:22 pm
by filmfan
tryavna,
It is FULL of anecdotes !
He was quite the, what they used say, raconteur in addition to generating lots of interesting stories themselves. This is probably why is was so tight with Bogart and others like him, who wouldn't suffer fools as part of their close-knit group, but enjoyed poking LOTS of fun at the hypocrisy of their profession as well as Life itself.
It is always a pleasure to read, and re-read biographies about these people from this special film era. It was a special time.
Posted: Sun Oct 23, 2005 11:24 pm
by David Ehrenstein
I've see Der Verlorene too, and like The Night of the Hunter it's a superb one-off by a great actor. Lorre, it must never be forgotten, got his star in German theater of the Weimar era. He was an incredibly cultured and sophisticated man. Sad that Hollywood was only interested in a 10th of his talent. Sad too that this film, made on his return to Germany after the war, did so poorly. But I'm sure that's because of its message, whihc views the murderousness of the Nazi era as not an aberration, but part of the national character.
Posted: Mon Oct 24, 2005 2:35 pm
by filmfan
David Ehrenstein wrote:I've see Der Verlorene too, and like The Night of the Hunter it's a superb one-off by a great actor.
David, Is this available on dvd anywhere, in, "ahem", any form ?
Posted: Mon Oct 24, 2005 7:46 pm
by David Ehrenstein
Not that I know of, alas.
Posted: Tue Oct 25, 2005 1:10 pm
by filmfan
David Ehrenstein wrote:I've see Der Verlorene too, and like The Night of the Hunter it's a superb one-off by a great actor. Lorre, it must never be forgotten, got his star in German theater of the Weimar era. He was an incredibly cultured and sophisticated man. Sad that Hollywood was only interested in a 10th of his talent. Sad too that this film, made on his return to Germany after the war, did so poorly. But I'm sure that's because of its message, whihc views the murderousness of the Nazi era as not an aberration, but part of the national character.
According to the book, Lorre boiled down his craft to others as a job of "making faces". But his career reveals this to be a little more than just that.
Posted: Tue Oct 25, 2005 3:52 pm
by David Ehrenstein
According to the book, Lorre boiled down his craft to others as a job of "making faces". But his career reveals this to be a little more than just that.
I don't see this at all --particularly in his own film.
Posted: Wed Oct 26, 2005 5:27 pm
by filmfan
It was his self-deprecating nature...another characteristic from this multi-fasceted personality.
Posted: Thu May 04, 2006 8:12 am
by Lino
From DVDdrive-in:
Peter Lorre Fans Rejoice!
In what promises to be "the first wave" of further classic "Mr. Moto" DVD collections, Fox Home Video will release the MR. MOTO COLLECTION: VOLUME 1. The four-disc set will include Peter Lorre starring in MR. MOTO TAKES A CHANCE, MYSTERIOUS MR. MOTO, THANK YOU MR. MOTO and THINK FAST MR. MOTO. The set will retail for $59.98 and be released on August 1.
Posted: Thu May 04, 2006 8:25 am
by HerrSchreck
Any update from Warner giving a release date of MAD LOVE?
Posted: Thu May 04, 2006 11:50 am
by Antoine Doinel
I love Peter Lorre. I can't believe I'm the first one mentioning it, but of course,
Casablanca.
M is really his ultimate role.
Has anyone seen Huston's
In This Our Life? From IMDB:
A modern source includes Humphrey Bogart, 'Mary Astor' , Sydney Greenstreet, Peter Lorre, Ward Bond, Barton MacLane and Elisha Cook Jr. as patrons of the Southside Tavern, where director John Huston's famous actor/father Walter Huston was a bartender in a cameo role. There were only 6 other men at the bar, none of whom remotely looked like any of these actors. And there were no women in the tavern except for Bette Davis. These actors were just not in the film.
Posted: Sat May 06, 2006 8:16 am
by barnyard078
I just watched th 1934 version of
The Man Who Knew Too Much and I thought he was great in it. I don't think I've seen a bad Peter Lorre performance, granting that I haven't seen a large amount of his roles. I've seen
Casablanca,
M, and I'm going to watch
Secret Agent within the next few days. Plus, when the
Maltese Falcon SE comes out this year, I will finally see that.
Mysterypez wrote:Lorre is a fave of mine as well. Harvard Film Archive ran a mini- retrospective of his films earlier the year.... i think... would have loved to had made that. I was first exposed to him in the Mr. Moto films. (Hello DVD Box Set anyone? anyone?). I loved Charlie Chan but Mr. Moto was smarter...less Budha... more funny.
Box set coming in August. From DavisDVD:
Due on August 1st from 20th Century Fox is
The Mr. Moto Collection vol. 1, a four-disc set with the films Mr. Moto Takes a Chance, Mysterious Mr. Moto, Thank You Mr. Moto and Think Fast, Mr. Moto. Retail is $59.98.
Posted: Sat May 06, 2006 8:20 am
by Lino
Anyone interested in Peter Lorre needs to check out his 60's AIP output. He's priceless in those flicks. The Raven is a gem!
Der Verlorene / The Lost One (Peter Lorre, 1951)
Posted: Tue Aug 21, 2007 6:50 pm
by mingus
Great News: Finally Peter Lorre's Masterpiece Der Verlorene / The Lost One is coming in R2 as a 2disc SE in November from Arthaus. What a great surprise. I really didn't expect it anymore that soon. =D>
Posted: Sat Aug 25, 2007 4:56 am
by bergelson
Any chance for English subtitles?
Posted: Fri Sep 07, 2007 10:57 am
by mingus
bergelson wrote:Any chance for English subtitles?
Possibly, but no confirmed details as of yet. I'll report back if i hear something new.
Special Feature: Making Of Documentary: Peter Lorre - Das doppelte Gesicht (Harun Farocki, 1984) 59min.
Peter Lorre - Das doppelte Gesicht
Der Verlorene (Arthaus Premium)
2 DVDs
Erscheinungstermin: 30.11.2007
Verfügbarkeit: Artikel noch nicht erschienen, voraussichtlicher Liefertermin ist der 30.11.2007.
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Detailinformationen
BRD, 1951, FSK16
(freigegeben ab 16 Jahren)
Bestellnummer: 7224344
Drama, s / w, 93 Min.
Regie: Peter Lorre
Darsteller: Peter Lorre, Karl John, Helmuth Rudolph, Renate Mannhardt, Johanna Hofer
Filmmusik: Willy Schmidt-Gentner
Sprache: Deutsch
Bild: 4:3
Specials: Neu produziertes Making of, Doku "Peter Lorre Das doppelte Gesicht" (1984) von Harun Farocki
Zum Inhalt des Films
Dr. Karl Rothe entwickelt in den letzten Kriegsjahren ein bedeutsames Impfserum. Seine Verlobte leitet die Forschungsergebnisse heimlich an ihren Vater in Schweden weiter. Als sie Rothe den Verrat beichtet und er zudem erfahren muss, dass sie ein Verhältnis mit seinem Assistenten Hoesch hat, kommt es zu einer Kurzschlusshandlung. Im Affekt tötet Rothe die Frau, die er liebt. Doch der Vorfall wird vertuscht. Rothes Forschungen sind dem Nazistaat wichtiger, als Rothes Wunsch nach Sühne. Nur Rothe kann mit der Schuld nicht leben.
Pressestimmen
Lexikon des Int. Films: "Ein Arzt wird 1943 wegen kriegswichtiger Forschungsarbeiten von der Gestapo daran gehindert, den Totschlag an seiner Braut zu sühnen, den er im Affekt beging. Ein atmosphärisch sehr dicht und quälend eindringlich gestalteter, hervorragend gespielter Film, der in der deutschen Nachkriegsproduktion seinesgleichen sucht und lange Zeit verkannt blieb."
Posted: Thu Jan 10, 2008 11:26 am
by Gofter