Posted: Thu Jan 10, 2008 10:53 pm
Hey Guys...Page 10 of current issue. Let's hear it for the guys. Maybe next issue they'll talk more in detail about the superb releases of MoC. It gets better each month. Jerry
SITE SPECIFICS: DVD BEAVER & MASTERS OF CINEMA
Community Service The passion of the collector knows no bounds. So it's not surprising to find that websites catering to avid DVD collectors constitute some of the most spirited precincts of online film culture. Out of a handful of essential outposts, two sites stand out: DVD Beaver and Master of Cinema.
Besides offering a comprehensive release calendar, DVDBeaver specializes in meticulously technical disc reviews, including side-by-side comparisons of alternate editions of the same film. Navigate through the site's hyperactive and kaleidoscopic layout—no doubt a reflection of owner Gary Tooze's exuberant writing style—and you'll find a large archive filled to the brim with frame grabs, detailed listings of supplements, and other information, all organized and evaluated to direct you to the best quality product available.
Launched in 2001, Masters of Cinema is run by an eclectic group hailing from the U.S., Canada and England: Jan Bielawski, Doug Cummings, R. Dixon Smith, Trond S. Tronsen, and Nick Wrigley. So which masters tie this collective together? Many celebrated auteurs, but from the beginning it seems there was one sanctified quartet: Ozu, Bresson, Tarkovsky, and Dreyer. Check out the eminently useful worldwide DVD release calendar posted on the sharply designed home page and explore four years' worth of DVD of the Year readers' polls. Since 2004, the site's team has collaborated with the British DVD company Eureka to produce a Masters of Cinema curated collection, notable for the sterling care taken with each disc and the inclusion of top-notch book-length liner notes.
Communities of dedicated amateurs link and sustain DVDBeaver and Masters of Cinema as valuable resources for anyone with access to a multi-region DVD player. It's an increasingly familiar figure who enters these virtual gathering places: the domestic cinephile, constantly struggling with the ever-present pitfalls and temptations of technophilia, consumer fetishism, and a withdrawal from public space.—Paul Fileri
