Worst DVD covers... ever!
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Cinesimilitude
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- HerrSchreck
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- HerrSchreck
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- Kirkinson
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That would make only very slightly less sense than the real thing. (It's for Ilya Khrzhanovsky's 4.)SncDthMnky wrote:is that for children of men? maybe they thought a translated title sounded too gay and decided to throw a boob on it just for balance?
- Steven H
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- Multi-Region
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Crossfire (R-2UK): it's Jane Greer, yes... or no?

They really picked the worst cover art imaginable...
(Source: more worst dvd covers.)

They really picked the worst cover art imaginable...
(Source: more worst dvd covers.)
- domino harvey
- Dot Com Dom
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- domino harvey
- Dot Com Dom
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- Matt
- Joined: Tue Nov 02, 2004 4:58 pm
I dunno, I kinda like that cover. It's bold and complex... [a] masterpiece.Steven H wrote:When I think of bad covers, I think of this:
[Muriel]
Jeez. If the only pull quote you can find is one you have to hack up and mangle with ellipses and brackets, maybe it's just best to forgo a quote entirely.
- colinr0380
- Joined: Mon Nov 08, 2004 8:30 pm
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Very true - the original quote could have meant anything. "Bold and complex, but muddled and incomprehensible....any other film compared to this would be [a] masterpiece!"Matt wrote:Jeez. If the only pull quote you can find is one you have to hack up and mangle with ellipses and brackets, maybe it's just best to forgo a quote entirely.
(Not making a statement about the quality of the film, just backing up Matt's statement on the usefulness of mangled quotes!)
- skuhn8
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Yeah, but it's hard to pass up praise from such a source as [the] Seattle Weekly.Matt wrote:I dunno, I kinda like that cover. It's bold and complex... [a] masterpiece.Steven H wrote:When I think of bad covers, I think of this:
[Muriel]
Jeez. If the only pull quote you can find is one you have to hack up and mangle with ellipses and brackets, maybe it's just best to forgo a quote entirely.
- Steven H
- Joined: Tue Nov 02, 2004 7:30 pm
- Location: NC
There you go.Elliot Stein wrote:A vampish young clotheshorse in Marienbad, Delphine Seyrig is almost unrecognizable in Resnais's bold and complex third feature, Muriel (1963), as a dowdy middle-aged widow attempting to revive an old love affair and incapable of living in the present. The double-stranded narrative (screenplay by poet and novelist Jean Cayrol) also involves her stepson, a veteran of the Algerian war tormented by his participation in the torture and death of a young Arab girl and obsessed with atonement. The director's masterpiece, Muriel is one of the rare French films to concern itself with the war crimes associated with the Algerian conflict. The setting is Boulogne, a town mostly destroyed during World War II and rebuilt in an ugly modern style. Resnais's camera leapfrogs brilliantly: Day and night shots of the same locations are alternated, evoking a ravaged city where everything and everyone seems in a state of flux.
- domino harvey
- Dot Com Dom
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- King of Kong
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Cinesimilitude
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- King of Kong
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