Here's the trailer:
I Think I Love My Wife (Chris Rock, 2007)
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Actually, that's just how it happened. Seriously.Matt wrote:I'm sure this is not the way it happened, but I like to think that Chris Rock and Louis C.K. were sitting around watching Rohmer films and said, "you know, I think we could do this one better, especially if we get that foxy chick from 'Firefly.'"
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From the NY Times:
[quote]
Just for Laughs: Newer Than New Wave
By TERRENCE RAFFERTY
Published: March 11, 2007
FOR five decades the brilliant French filmmaker Eric Rohmer, now 86, has been writing and directing quiet, pensive, rigorously unemphatic comedies about the baffled relations between men and women. Because his pictures are (at least superficially) so similar, and because they tend to be pretty much action free, it's not always easy to remember which is which.
“Claire's Kneeâ€
[quote]
Just for Laughs: Newer Than New Wave
By TERRENCE RAFFERTY
Published: March 11, 2007
FOR five decades the brilliant French filmmaker Eric Rohmer, now 86, has been writing and directing quiet, pensive, rigorously unemphatic comedies about the baffled relations between men and women. Because his pictures are (at least superficially) so similar, and because they tend to be pretty much action free, it's not always easy to remember which is which.
“Claire's Kneeâ€
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I know it's a minor point, but in that Times piece, Rafferty incorrectly names Gina Torres as Rock's object of desire....Torres plays the wife, and the always-hot Kerry Washington plays Chloe/Nikki.
If it was the other way around, you'd have to really suspend your disbelief that Rock might think about cheating on Kerry Washington with Gina Torres.
(That was my sole problem with Rohmer's original, since I find Zouzou one of the most unappealing women ever in a Rohmer film.)
If it was the other way around, you'd have to really suspend your disbelief that Rock might think about cheating on Kerry Washington with Gina Torres.
(That was my sole problem with Rohmer's original, since I find Zouzou one of the most unappealing women ever in a Rohmer film.)
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