
To Catch a Thief - Special Collector's Edition
-
marty
- godardslave
- Joined: Tue Nov 02, 2004 8:44 pm
- Location: Confusing and open ended = high art.
- Antoine Doinel
- Joined: Sat Mar 04, 2006 5:22 pm
- Location: Montreal, Quebec
- Contact:
I concur. I bought it in a dump bin at WalMart for $5. Grace Kelly might be nice to look at but whatever tanning solution Grant is wearing is appalling.marty wrote:I mistakenly purchased this DVD never having seen it before. This must be Hitchcock's worst film, by far. I think it was just an excuse for a holiday down to the South of France.
- denti alligator
- Joined: Thu Nov 04, 2004 1:36 am
- Location: "born in heaven, raised in hell"
- Via_Chicago
- Joined: Fri Aug 11, 2006 4:03 pm
- Antoine Doinel
- Joined: Sat Mar 04, 2006 5:22 pm
- Location: Montreal, Quebec
- Contact:
-
Harvey Domino
- Joined: Tue Jan 23, 2007 10:18 am
- Contact:
You guys are crazy! I love this film -- no, it's not suspenseful or romantic, etc. but I think it's really charming, and quite funny. I can think of at least 15 Hitchcock films that I like less... but then my favorite Hitch has always been The Trouble With Harry, so my opinion may not be considered valid.
- Poncho Punch
- Joined: Tue Nov 02, 2004 6:07 pm
- Location: the emerald empire
- manicsounds
- Joined: Wed Nov 03, 2004 2:58 am
- Location: Tokyo, Japan
-
evillights
- Joined: Mon Nov 15, 2004 6:47 pm
- Location: U.S.
- Contact:
'To Catch a Thief' may not be in the absolutely top tier of Hitchcock, but it's still an absolutely brilliant film. Some thoughts I wrote recently on my blog-thing:
==
A tourist vision of France, "movie France," because 'To Catch a Thief' (1955) is what it looks like when Alfred Hitchcock goes on vacation. After all, shooting in Europe, you get to "write off" your expenses.
If this is taking a break, then once upon a time Monsieur Hulot really did tear the cosmos in two.
One page of the account-book reads: John Robie (Cary Grant): "former cat burglar of Paris before the war" > The New York Herald Tribune = Art ("And I'm Dead") Buchwald <= Gina Lollobrigida.
"Parles anglais!" (barks the dubbed Charles Vanel) —
Danielle (Brigitte Auber) works for her father. Her rival, "Frances" (aren't they all! / Grace Kelly) works for her mother, as a sexual proxy. She screams to Cary Grant (shortly after the fireworks burst in one of Hitch's best scenes) — "You stole mother's jewels!" For Grant, Kelly's sex is a mystery (see the shadow-cowl'd face while the ice around her neck glistens); he is the Celibate, the Thief who steals the jewels for no effective gain, generative or psychosexual. He is "apart," alone. He takes to the roofs (so adeptly), he squats in the chimney-crannies, this American who moved to France, who became a thief, who became a Resistance fighter (for the sake of his own freedom, consequently, as much as the country's), who became a vintner and a flower-harvester... all while playing the bon français with such sartorial panache.
"Slap!" — To watch the funeral scene is to peer into the core of the 'To Catch a Thief'-mechanism: a Hitch-wound* biography of the man who went by "Cary Grant."
* 'Rear Window' (1954) — See A.H. at the mantle in the composer's apartment.
==
A tourist vision of France, "movie France," because 'To Catch a Thief' (1955) is what it looks like when Alfred Hitchcock goes on vacation. After all, shooting in Europe, you get to "write off" your expenses.
If this is taking a break, then once upon a time Monsieur Hulot really did tear the cosmos in two.
One page of the account-book reads: John Robie (Cary Grant): "former cat burglar of Paris before the war" > The New York Herald Tribune = Art ("And I'm Dead") Buchwald <= Gina Lollobrigida.
"Parles anglais!" (barks the dubbed Charles Vanel) —
Danielle (Brigitte Auber) works for her father. Her rival, "Frances" (aren't they all! / Grace Kelly) works for her mother, as a sexual proxy. She screams to Cary Grant (shortly after the fireworks burst in one of Hitch's best scenes) — "You stole mother's jewels!" For Grant, Kelly's sex is a mystery (see the shadow-cowl'd face while the ice around her neck glistens); he is the Celibate, the Thief who steals the jewels for no effective gain, generative or psychosexual. He is "apart," alone. He takes to the roofs (so adeptly), he squats in the chimney-crannies, this American who moved to France, who became a thief, who became a Resistance fighter (for the sake of his own freedom, consequently, as much as the country's), who became a vintner and a flower-harvester... all while playing the bon français with such sartorial panache.
"Slap!" — To watch the funeral scene is to peer into the core of the 'To Catch a Thief'-mechanism: a Hitch-wound* biography of the man who went by "Cary Grant."
* 'Rear Window' (1954) — See A.H. at the mantle in the composer's apartment.
-
ByMarkClark.com
- Joined: Thu Apr 14, 2005 7:59 pm
- Location: Columbus, OH
- Contact:
- Joe Buck
- Joined: Mon Dec 05, 2005 10:59 pm
- Location: New York
Hmm...not much new, but I thought the extras on the first release were pretty good.....for Paramount. I'm waiting to see how the print looks. The last release was a disgrace. It was so wretched looking. It had no business being released on DVD like that. Let's hope that "Digitally Restored" means it will be up to snuff this time.manicsounds wrote:Anamorphic Widescreen Presentation, digitally restored
English DD2.0 Stereo
Commentary by Peter Bogdanovich and Laurent Bouzereau
Theatrical Trailer
Writing and Casting ‘To Catch A Thief'
Alfred Hitchcock and ‘To Catch A Thief': An Appreciation
Edith Head: The Paramount Years
- lord_clyde
- Joined: Thu Dec 23, 2004 8:22 am
- Location: Ogden, UT
- Polybius
- Joined: Thu Nov 04, 2004 2:57 am
- Location: Rollin' down Highway 41
Oh, good Lord...manicsounds wrote:Commentary by Peter Bogdanovich
Glad to see some good, honest hate for this crummy excuse for a romance.
Well put, sir.denti alligator wrote: Grace Kelly ... I don't know. She's no Ingrid Bergman.
A classic example of how a woman can be gorgeous and yet generate zero erotic appeal.
- Ashirg
- Joined: Wed Nov 03, 2004 1:10 pm
- Location: Atlanta
DVD Movie Guide:
...the visuals for the 2007 DVD presented a radically improved transfer. The 2002 disc suffered from many problems, with prominent edge enhancement and lots of source flaws standing as the most significant. The 2007 transfer looked considerably better. Honestly, it was a night and day difference, as the new disc made the old one seem unwatchable.
- starmanof51
- Joined: Fri Nov 05, 2004 7:28 am
- Location: Seattleish
- Contact: