Cannes 2007

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Grimfarrow
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#26 Post by Grimfarrow »

The 60th Cannes Film Festival will open May 16 with Wong Kar-wai's first English-language project, My Blueberry Nights, which will play in competition. Singer Norah Jones makes her big-screen debut as a lovelorn woman on a soul-searching journey across America.

The other films selected for competition are:

Catherine Breillat's An Old Mistress (Une Vieille Maitresse)

Christophe Honore's The Love Songs (Les Chansons d'amour)

Julian Schnabel's The Diving Bell And The Butterfly

Fatih Akin's Auf der anderen Seite des Lebens

The Coen Brothers' No Country For Old Men

David Fincher's Zodiac

James Gray's We Own The Night

Naomi Kawase's Mogari No Mori

Emir Kusturica's Promise Me This

Lee Chang-Dong's Secret Sunshine

Cristian Mungiu's 4 Months, 3 Weeks And 2 Days

Raphael Nadjari's Tehilim

Carlos Reygadas' Silent Light

Marjane Satrapi and Vincent Paronnaud's Persepolis

Ulrich Seidl's Import/Export

Alexander Sokurov's Alexandra

Quentin Tarantino's Death Proof

Bela Tarr's The Man From London

Gus Van Sant's Paranoid Park

Andrey Zvyagintsev's The Banishment

Official selection, out of competition:

Michael Moore's Sicko

Steven Soderbergh's Oceans Thirteen

Michael Winterbottom's A Mighty Heart

Closing film, out of competition, will be Denis Arcand's The Age Of Darkness.
JabbaTheSlut
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#27 Post by JabbaTheSlut »

... Kim Ki-Duk's Breath also in competition.
Grimfarrow
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#28 Post by Grimfarrow »

Yes, sorry. Haha, maybe it was intentional? (it wasn't)
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dadaistnun
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#29 Post by dadaistnun »

I had no idea Andrey Zvyagintsev had a new film. It will be interesting to see if it lives up the promise of The Return.

I'm glad to see Schnabel has a new film, too. I thought Before Night Falls marked a great leap forward for him after a mostly unremarkable Basquiat (actually, I haven't seen the latter since it came out, so I should probably revisit it).
yoshimori
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#30 Post by yoshimori »

Harmony Korine's Mister Lonely will play - with lots of first films - in Un certain regard.
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John Cope
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#31 Post by John Cope »

Is Hou's new one not in the official competition? Surprised that Haynes isn't in there either. Whatever the case, the Tarr is the real coup here and I'm glad to see it's actually going to happen (with his stuff, any new release almost feels like a divine fiat).

Having said that, I'll be rooting for Sokurov. Here's some information on that one.
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Antoine Doinel
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#32 Post by Antoine Doinel »

Here's the complete list:

In Competition

"My Blueberry Nights," directed by Wong Kar-Wai - opening film
"Auf Der Anderen Siete," directed by Fatih Akin
"Un Veille Maitresse," directed by Catherine Breillat
"No Country For Old Men," directed by Joel & Ethan Coen
"Zodiac," directed by David Fincher
"We Own The Night," directed by James Gray
"Les Chansons D'Amour," directed by Christophe Honore
"Mogari No Mori," directed by Naomi Kawase
"Breath," directed by Kim Ki Duk
"Promise Me This," directed by Emir Kusturica
"Secret Sunshine," directed by Lee Chang-dong
"4 Luni, 3 Saptamini Si 2 Zile," directed by Christian Mungiu
"Tehilim," directed by Raphael Nadjari
"Stellet Licht," directed by Carlos Reygadas
"Persepolis," directed by Marjane Satrapi and Vincent Paronnaud
"Le Scaphandre et le Papillon," directed by Julian Schnabel
"Import Export," directed by Ulrich Seidl
"Alexandra," directed by Alexandre Sokourov
"Death Proof," directed by Quentin Tarantino
"The Man From London," directed by Bela Tarr
"Paranoid Park," directed by Gus Van Sant
"Izgnanie" (The Banishment), directed by Andrey Zvyagintsev

British director Stephen Frears will serve as the president of the Cannes competition jury and will be joined by actress Maggie Cheung from Hong Kong, actress Toni Collette from Australia, director and actress Maria de Medeiros from Portugal, director and actress Sarah Polley from Canada, director Marco Bellocchio from Italy, writer Orhan Pamuk from Turkey, director and actor Michel Piccoli from France, and director Abderramane Sissako from Mauritania.

Out of Competition

"Sicko," directed by Michael Moore
"Ocean's Thirteen," directed by Steven Soderbergh
"A Mighty Heart," directed by Michael Winterbottom

Midnight Screenings

"Boarding Gate," directed Olivier Assayas
"Go Go Tales," directed by Abel Ferrara
"U2 3D," directed by Catherine Owens and Mark Pellington

Special Screenings

"11th Hour," directed by Leila Conners Petersen and Nadia Conners
"The War," directed by Lynn Novick and Ken Burns
"Retour en Normandie," directed by Nicolas Philibert
"He Fengming," directed by Wang Bing

Un Certain Regard
"Le Reve de la Nuit d'Avant," directed by Valeria Bruni-Tedeschi
"Calle Santa Fe," directed by Carmen Castillo (first film)
"Munyurangabo," directed by Chung Lee Isaac (first film)
"Et Toi T'Es Sur Qui?" directed by Lola Doillon (first film)
"El Bano del Papa," directed by Enrique Fernandes and Cesar Charlone (first film)
"Bikur Hatizmoret," directedd by Eran Kolirin (first film)
"Mister Lonely," directed by Harmony Korine
"Magnus," directed by Kadri Kousaar (first film)
"Mang Shan," directed by Li Yang
"Mio Fratello E Figlio Unico," directed by Daniele Luchetti
"California Dreamin' (Nesfarsit)," directed by Christian Nemescu (first film)
"La Soledad," directed by Jaime Rosales
"L'Avocat de la Terreur," directed by Barbet Schroeder
"Les Pieuvres," directed by Celine Sciamma (first film)
"Am Ende Kommen Touristen," directed by Robert Thalheim
"Kuaile Gongchang," directed by Ekachai Uekrongtham

The Un Certain Regard jury includes head Pascale Ferran, along with Jasmine Trinca, Cristi Puiu, Kent Jones and Bian Qin and the Camera d'or jury for a film by a first time director will be headed by Pavel Longuine along with Julie Bertucelli, Clotilde Courau and Renato Berta.

Short Films in Competition

"Run," directed by Mark Alston (New Zealand)
"The Oate's Valor," directed by Tim Thaddeus Cahill (United States)
"The Last 15," directed by Antonio Campos (United States)
"Ah Ma" (Grandma), directed by Anthony Chen (Singapore)
"Resistance Aux Tremblements," directed by Olivier Hems (France)
"Ark," directed by Grzegorz Jonkajtys (Poland)
"Ver Llover," directed by Elisa Miller (Mexico)
"To Onoma Tou Spourgitiou," directed by Kyros Papavassiliou (Cypress)
"Spegelbarn" (Looking Glass), directed by Erik Rosenlund (Sweden)
"Het Zusje" (My Sister), directed by Marco Van Geffen (The Netherlands)
"My Dear Rosseta," directed by Yang Hae-hoon (South Korea)

La Cinefondation

"Aditi Singh," directed by Mickael Kummer (Le Fresnoy, France)
"Ahora Todos Parecen Contentos," directed by Gonzalo Tobal (Universidad del Cine, Argentina)
"Your Younger Daughter Rachel," directed by Efrat Corem (Sapir Academic College, Israel)
"Chinese Whispers," directed by Raka Dutta (Satyajit Ray Film & Television Institute, India)
"For the Love of God," directed by Joseph Tucker (NFTS, U.K.)
"Goyta," directed by Joanna Jurewicz (NYU, U.S.)
"Hable Stunden," directed by Nicolas Wackerbarth (DFFB, Germany)
"Minus," directed by Pavle Vuckovic (Fakultet Dramskih Umetnosti, Serbia)
"Pathways," directed by Hagar Ben-Asher (Minshar School, Israel)
"Imprudence," directed by Alexander Kugel (VGIK, Russia)
"A Reunion," directed by Hong Sung-hoon (KAFA, South Korea)
"Rondo," directed by Marja Mikkonen (Finnish Academy of Fine Arts, Finland)
"Way Out," directed by Chen Tao (Beijing Film Academy, China)
"Saba," directed by Therezaa Menezes and Gregorio Graziosi (FAAP University, Brazil)
"Triple 8 Palace," directed by Alexander Ku (NYU, U.S.)
"Vita Di Giacomo," directed by Luca Governatori (La femis, France)
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miless
Joined: Sun Apr 02, 2006 1:45 am

#33 Post by miless »

John Cope wrote:Is Hou's new one not in the official competition? Surprised that Haynes isn't in there either. Whatever the case, the Tarr is the real coup here and I'm glad to see it's actually going to happen (with his stuff, any new release almost feels like a divine fiat).

Having said that, I'll be rooting for Sokurov.
I'm rooting for Bela Tarr and Andrey Zvyagintsev (as The Return was, IMO, brilliant)...
I've always found Sokurov a bit stiff (same with Carlos Reygadas)
JabbaTheSlut
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#34 Post by JabbaTheSlut »

miless wrote:I'm rooting for Bela Tarr and Andrey Zvyagintsev (as The Return was, IMO, brilliant)...
I've always found Sokurov a bit stiff (same with Carlos Reygadas)
Yeah, Reygadas is stiff. I think his films feel as they were carefully calculated and targeted and created as film festival films, containing almost a laughable collection of the best-of auteur mannerisms (the usual shock tactics to get the crowd buzzing: ultraviolence and strange sex plus ambiguous religious and political symbolism, dead animals, 360 degree pans plus stillness, slowness, blandness etc.). I hope his third film will prove me wrong. I doubt it.

But I'm very interested to see Zvyagintsev's The Banishment, I liked his first film a lot.
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exte
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#35 Post by exte »

Antoine Doinel wrote:La Cinefondation

"Aditi Singh," directed by Mickael Kummer (Le Fresnoy, France)
"Ahora Todos Parecen Contentos," directed by Gonzalo Tobal (Universidad del Cine, Argentina)
"Your Younger Daughter Rachel," directed by Efrat Corem (Sapir Academic College, Israel)
"Chinese Whispers," directed by Raka Dutta (Satyajit Ray Film & Television Institute, India)
"For the Love of God," directed by Joseph Tucker (NFTS, U.K.)
"Goyta," directed by Joanna Jurewicz (NYU, U.S.)
"Hable Stunden," directed by Nicolas Wackerbarth (DFFB, Germany)
"Minus," directed by Pavle Vuckovic (Fakultet Dramskih Umetnosti, Serbia)
"Pathways," directed by Hagar Ben-Asher (Minshar School, Israel)
"Imprudence," directed by Alexander Kugel (VGIK, Russia)
"A Reunion," directed by Hong Sung-hoon (KAFA, South Korea)
"Rondo," directed by Marja Mikkonen (Finnish Academy of Fine Arts, Finland)
"Way Out," directed by Chen Tao (Beijing Film Academy, China)
"Saba," directed by Therezaa Menezes and Gregorio Graziosi (FAAP University, Brazil)
"Triple 8 Palace," directed by Alexander Ku (NYU, U.S.)
"Vita Di Giacomo," directed by Luca Governatori (La femis, France)
What's all this? They have a student film competition?
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The Fanciful Norwegian
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#36 Post by The Fanciful Norwegian »

Since 1998.
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sidehacker
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#37 Post by sidehacker »

Macintosh wrote:I'm pretty sure Harmony Korine's Mister Lonely will be playing in competition this year.
Is this true? Can anyone confirm it? I was worried this project would be lost forever.

Edit: Nevermind, I realized an earlier post addressed this. Man, I am pumped!
marty

#38 Post by marty »

Why the fuck is Death Proof selected in competition????

What a complete waste of an entry for a film that is a half of another feature film and that has already been released in the US and is probably on pirate DVDs in Europe. Why don't the selectors just give Tarantino a blowjob rather than throwing a vital entro slot just so that he can attend the festival!
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The Fanciful Norwegian
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#39 Post by The Fanciful Norwegian »

John Cope wrote:Is Hou's new one not in the official competition? Surprised that Haynes isn't in there either.
Supposedly I'm Not There still has a ways to go. But I'm wondering what happened to Ballon Rouge, too -- that seems like it was tailor-made for this festival.
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Antoine Doinel
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#40 Post by Antoine Doinel »

marty wrote:Why the fuck is Death Proof selected in competition????

What a complete waste of an entry for a film that is a half of another feature film and that has already been released in the US
It's an extended version running at 110 minutes, so I'm sure it's quite different than whatever shitty bootleg is flying around.
marty

#41 Post by marty »

Antoine Doinel wrote:It's an extended version running at 110 minutes, so I'm sure it's quite different than whatever shitty bootleg is flying around.
An extra 10-15 minutes! Big WHOOPY-DOO!!

And some extra bonus footage lying around on the edit floor is worthy of taking the place of an original film from someone like Hou Hsiao-hsien in competition. It's a fucking disgrace!
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Via_Chicago
Joined: Fri Aug 11, 2006 4:03 pm

#42 Post by Via_Chicago »

marty wrote:An extra 10-15 minutes! Big WHOOPY-DOO!!

And some extra bonus footage lying around on the edit floor is worthy of taking the place of an original film from someone like Hou Hsiao-hsien in competition. It's a fucking disgrace!
Do you even know that's true?
marty

#43 Post by marty »

Via_Chicago wrote:
marty wrote:An extra 10-15 minutes! Big WHOOPY-DOO!!

And some extra bonus footage lying around on the edit floor is worthy of taking the place of an original film from someone like Hou Hsiao-hsien in competition. It's a fucking disgrace!
Do you even know that's true?
What I am saying is that there are so many great films out there who deserve (and need!) a spot in the Official Selection over Tarantino's film which is really half a feature film. So they are going to pad the film out with some extra footage. Big deal! Save it for the DVD, pal. :evil:
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exte
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#44 Post by exte »

Have you even seen the film yet?
JabbaTheSlut
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#45 Post by JabbaTheSlut »

In my opinion every film by Tarantino has been something else, something different in the American mainstream, in positive way. I wouldn't give him so much shit. I think he is one of the rare good guys (despite the PR oversaturation, artistic borrowing, stealing and other postmodernist symptoms) in The Business.
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Barmy
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#46 Post by Barmy »

The thought that QT cut out the boring bits of Death Proof for the US release (I'm referring to the resulting trailer of course), and is now restoring them, troubles me.
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Antoine Doinel
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#47 Post by Antoine Doinel »

JabbaTheSlut wrote:I think he is one of the rare good guys (despite the PR oversaturation, artistic borrowing, stealing and other postmodernist symptoms) in The Business.
That's quite the caveat.
JabbaTheSlut
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#48 Post by JabbaTheSlut »

I tried my best.
marty

#49 Post by marty »

JabbaTheSlut wrote:In my opinion every film by Tarantino has been something else, something different in the American mainstream, in positive way. I wouldn't give him so much shit. I think he is one of the rare good guys (despite the PR oversaturation, artistic borrowing, stealing and other postmodernist symptoms) in The Business.
That's fine but selecting Death Proof in actual competition is a travesty. It should have been screening Out of Competition at least. They may as well have selected 300 and Spiderman 3 in Official Selection.
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Antoine Doinel
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#50 Post by Antoine Doinel »

marty wrote:
JabbaTheSlut wrote:In my opinion every film by Tarantino has been something else, something different in the American mainstream, in positive way. I wouldn't give him so much shit. I think he is one of the rare good guys (despite the PR oversaturation, artistic borrowing, stealing and other postmodernist symptoms) in The Business.
That's fine but selecting Death Proof in actual competition is a travesty. It should have been screening Out of Competition at least. They may as well have selected 300 and Spiderman 3 in Official Selection.
To ask the question again, "Have you seen the film?".
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