52-59 / BD 36-37, 71-72 Late Mizoguchi: Eight Films, 1951-56
- What A Disgrace
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- Jun-Dai
- 監督
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One thing that amazes me is the lack of Japanese scholarship on Japanese films available in English. I don't recall hearing about a commentary by a Japanese scholar on a Japanese film, and precious few books are translated into English. Unfortunately my Japanese is far too weak to even imagine undertaking the task of reading something like this or this.
Have you considered looking into getting a Japanese Mizoguchi scholar to do a commentary track or two, either in English (if they speak it) or with subtitles?
It's interesting that we love international films so much but seem to have such a strong preference on things written/spoken/filmed in English when it comes to the scholarship. Is it because the market for materials about films is such a small percentage of the market for the films themselves that the cost of translation (and of exploring the available options) starts to become a deciding factor?
Have you considered looking into getting a Japanese Mizoguchi scholar to do a commentary track or two, either in English (if they speak it) or with subtitles?
It's interesting that we love international films so much but seem to have such a strong preference on things written/spoken/filmed in English when it comes to the scholarship. Is it because the market for materials about films is such a small percentage of the market for the films themselves that the cost of translation (and of exploring the available options) starts to become a deciding factor?
- ellipsis7
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Not about Mizoguchi but Ozu, I would recommend highly OZU'S ANTI CINEMA by Yoshida Kiju, translated from the Japanese and published by the Center for Japanese Studies, University of Michigan... Gives very interesting perspective, information and insights from a Japanese filmmaker who knew Ozu, but is from a different younger generation...One thing that amazes me is the lack of Japanese scholarship on Japanese films available in English. I don't recall hearing about a commentary by a Japanese scholar on a Japanese film, and precious few books are translated into English.
- Michael Kerpan
- Spelling Bee Champeen
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Also on Ozu -- Hasumi's book on Ozu (published by Cahiers du cinema -- in a French translation, with Hasumi's participation).
Also in French -- and pretty indispensable -- Narboni's book on Naruse (also published by CdC).
Not sure whether there is any similarly important material on Mizoguchi available in French (and not English).
The best material in English on Mizoguchi is probably Kirihara's book on the earlier films (Patterns of Time) -- and Bordwell's chapter of "Figures Traced in Light". I don't know whether Kirihara has ever worked on the 50s films.
Also in French -- and pretty indispensable -- Narboni's book on Naruse (also published by CdC).
Not sure whether there is any similarly important material on Mizoguchi available in French (and not English).
The best material in English on Mizoguchi is probably Kirihara's book on the earlier films (Patterns of Time) -- and Bordwell's chapter of "Figures Traced in Light". I don't know whether Kirihara has ever worked on the 50s films.
- ltfontaine
- Joined: Mon Nov 08, 2004 7:34 pm
I agree that this is a serious handicap to understanding in the West of Japanese film. Donald Richie has consistently claimed that there is almost no such serious critical activity taking place in Japan, which seems hard to believe.Jun-Dai wrote:One thing that amazes me is the lack of Japanese scholarship on Japanese films available in English.
The best of the few books by Japanese writers that I've found is Yoshimoto Mitsuhiro's Kurosawa: Film Studies and Japanese Cinema, which provides much insight into the film art and industry of Japan, as well as into Kurosawa's career.
I also second the recommendation by ellipsis7 of Ozu's Anti-Cinema, which is highly idiosyncratic, but fascinating.
Now to track down that Kirihara book.
- daniel p
- Joined: Wed Nov 03, 2004 1:01 am
- Location: Melbourne, Australia
personally, i'm still waiting to hear more about this box, to persuade me against grabbing the criterion release of sansho... can you give anything else away to help my cause nick?addz wrote:I'm new to Mizoguchi (for shame, i know) but just seeing that one shot convinced me that I need to own this set when it's released. Beautiful.
- Michael Kerpan
- Spelling Bee Champeen
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All of Mizoguchi;s late films are pretty-much in the "must have" category (except maybe "Taira Clan"). If you already know you are going to need LOTS of Mizoguchi-- and fast, going with MOC is an easy choice. If you are willing to wait several years (who knows how long) -- Criterion is a viable alternative.
- jt
- Joined: Thu Nov 30, 2006 1:47 pm
- Location: zurich
Yeah, Nick, is there any chance of giving us a clue as to when these sets will be out, which films will be in which box and what the extras will be? Pretty please??daniel p wrote:personally, i'm still waiting to hear more about this box, to persuade me against grabbing the criterion release of sansho... can you give anything else away to help my cause nick?addz wrote:I'm new to Mizoguchi (for shame, i know) but just seeing that one shot convinced me that I need to own this set when it's released. Beautiful.
If the MoC Sansho is crammed with extras and out soon, we can hold off the CC, but if yours isn't on the way for six months and will be light on extras, I don't mind picking up the CC in the mean time to tide me over till your set arrives.
- Awesome Welles
- Joined: Fri Apr 27, 2007 10:02 am
- Location: London
I imagine that they will be released in two sets chronologicallyjt wrote:Yeah, Nick, is there any chance of giving us a clue as to when these sets will be out, which films will be in which box and what the extras will be? Pretty please??
If the MoC Sansho is crammed with extras and out soon, we can hold off the CC, but if yours isn't on the way for six months and will be light on extras, I don't mind picking up the CC in the mean time to tide me over till your set arrives.
Set one:
Miss Oyu
Ugetsu Monogatari
Goin Festival Music
Sansho Dayu
Set two:
The Woman of Rumour
Chikamatsu Monogatari
The Empress Yang Kwei Fei
Street of Shame
I'll definitely be buying both. I loved Ugetsu and have been waiting to see Sansho for ages, I think that the MoC set will be much greater value than the CC in my opinion. The only questions which remain are features and release dates, my guess for releases is September at least for the first set and features I have no idea but disappointment doesn't seem plausible.
- Michael Kerpan
- Spelling Bee Champeen
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-
peerpee
- not perpee
- Joined: Tue Nov 02, 2004 7:41 pm
We have a solid plan -- and we're working on everything now. We want to make a detailed announcement much nearer release time (which is looking like October-December).
All I can say is that Tony Rayns will be helping, there will be commentary tracks.... and that this Mizoguchi thread will have to be renamed/rejigged.
All I can say is that Tony Rayns will be helping, there will be commentary tracks.... and that this Mizoguchi thread will have to be renamed/rejigged.
Last edited by peerpee on Mon May 14, 2007 4:59 pm, edited 1 time in total.
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Tomas
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I didn't have the possibility to see The Woman of Rumour yet.
Miss Oyu, The Empress Yang Kwei Fei and Tales of the Taira Clan are all above average films, but are not among my favorites Mizoguchi films.
I agree with M.Kerpan about those "crown jewels" films, but Sansho for me is something different, maybe because it was one of the first Mizoguchi films I ever saw. I was glued to the TV screen from beginning till the end, and then "that" last scene is something I'll never forget. After the fade out - my hands were shaking and I couldn't remain still for about 10 minutes after the end. Something like that I never experienced again with another film.
I'll get the CC version of Sansho and I'll be picking these box-sets when they come out.
Miss Oyu, The Empress Yang Kwei Fei and Tales of the Taira Clan are all above average films, but are not among my favorites Mizoguchi films.
I agree with M.Kerpan about those "crown jewels" films, but Sansho for me is something different, maybe because it was one of the first Mizoguchi films I ever saw. I was glued to the TV screen from beginning till the end, and then "that" last scene is something I'll never forget. After the fade out - my hands were shaking and I couldn't remain still for about 10 minutes after the end. Something like that I never experienced again with another film.
I'll get the CC version of Sansho and I'll be picking these box-sets when they come out.
Last edited by Tomas on Mon May 14, 2007 8:02 pm, edited 1 time in total.
- Michael Kerpan
- Spelling Bee Champeen
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This belongs to the same line of films as "Gion Festival Music" and "Street of Shame". My sense is that it is related (rather loosely) to Shaw's "Mrs. Warren's Profession" (not sure how this might have come about). Rather atypically for Mizoguchi, this is centered about a mother (Kinuyo Tanaka) and daughter (Yoshiko Kuga). It demands a lot more work from Tanaka than the other Mizoguchi films of this decade. Not one of Mizoguchi's very greatest works --- but interesting and well worth seeing.Tomas wrote:I didn't have the possibility to see The Woman of Rumour yet.
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Tomas
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- Michael Kerpan
- Spelling Bee Champeen
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Mizoguchi came late to historical films -- only starting to do these during WW2. (He did make some Meiji era films prior to this, but that was a very different genre from typical historical films) -- more like contemporary home dramas, but a bit more more melodramatic. Of his surviving films....
1920s -- Meiji or contemporary - 2; historical - 0
1930s -- Meiji or contemporary - 8; historical - 0
1940s -- Meiji or contemporary - 4; historical - 4
1950s -- Meiji or contemporary - 6; historical - 6
1920s -- Meiji or contemporary - 2; historical - 0
1930s -- Meiji or contemporary - 8; historical - 0
1940s -- Meiji or contemporary - 4; historical - 4
1950s -- Meiji or contemporary - 6; historical - 6
- TheGodfather
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- Awesome Welles
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- Michael Kerpan
- Spelling Bee Champeen
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