Same thing. La Kermesse Heroique translates approximately to "The Heroic Carnival." I just prefer the French title because the English title is a bit blander, and misses the point of the original title.Cinephrenic wrote:Or Carnival of Flanders.
Criterion Random Speculation Vol.3
- jbeall
- Joined: Sat Aug 12, 2006 1:22 pm
- Location: Atlanta-ish
- justeleblanc
- Joined: Wed Nov 03, 2004 10:05 pm
- Location: Connecticut
I asked about any Feyder, and then said "specifically THE GREAT GAME" then I asked if a print of it still existed. And their response was no plans for GREAT GAME.jbeall wrote:Are there any Feyder titles they might release, or was that the only one you inquired about? I'd love to see a criterion edition of Kermesse Heroique...justeleblanc wrote:For what it's worth, Criterion has no plans to release Feyder's THE GREAT GAME.
Which is a shame, because I've been reading about Feyder in this French Film history book I got, and this films seems truly awesome.
- jbeall
- Joined: Sat Aug 12, 2006 1:22 pm
- Location: Atlanta-ish
My girlfriend took a class in French cinema this semester, and we watched La Kermesse Heroique (or Carnival in Flanders, if you prefer!) and I thought it was fantastic!! The acting performances were terrific, and I thought it was a very sophisticated comedy. The disc I watched had been recorded off TCM (I think), and the print was okay, but the subtitles were new. I wonder if that print was the same one the BFI used.justeleblanc wrote:I asked about any Feyder, and then said "specifically THE GREAT GAME" then I asked if a print of it still existed. And their response was no plans for GREAT GAME.jbeall wrote:Are there any Feyder titles they might release, or was that the only one you inquired about? I'd love to see a criterion edition of Kermesse Heroique...justeleblanc wrote:For what it's worth, Criterion has no plans to release Feyder's THE GREAT GAME.
Which is a shame, because I've been reading about Feyder in this French Film history book I got, and this films seems truly awesome.
Anyway, I hope their negative answer regarding The Great Game doesn't mean they aren't planning on releasing anything else by Feyder.
- Buttery Jeb
- Just in it for the game.
- Joined: Wed Nov 03, 2004 2:55 am
According to the Janus site, they're now handling distribution to Gus Van Sant's "Mala Noche." A new print will be playing at the IFC Center in New York starting on June 1st.
Well, now we know what happened to the Plexifilm release way back when.
-BJ
Well, now we know what happened to the Plexifilm release way back when.
-BJ
- backstreetsbackalright
- Joined: Fri Dec 17, 2004 10:49 pm
- Location: 313
- justeleblanc
- Joined: Wed Nov 03, 2004 10:05 pm
- Location: Connecticut
- domino harvey
- Dot Com Dom
- Joined: Wed Jan 11, 2006 6:42 pm
- miless
- Joined: Sun Apr 02, 2006 1:45 am
Well I sure won't be "waiting... There's something to rob my bank account every month... but I can never get mad (because I love it so... I guess it's sort of like a mentally, or Fiscally, abusive relationship)domino harvey wrote:I think it just means we're getting an uber-September like last year, and that my friend is worth waiting for.justeleblanc wrote:No complaints about only three titles this month? If this was 2006 this forum would but up in arms.
- Tommaso
- Joined: Fri May 19, 2006 2:09 pm
I think everyone is still exhausted (or their credit card is) from the Jodorowsky and Renoir sets, not to mention all the other much-wanted films ("Sawdust and Tinsel", "Vampyr", Svankmeyer, the restored "Potemkin", Pasolini Vol.2) released by other companies around the world. Good to see that Criterion is no longer the only provider of classy releases, not even when you consider R1 only. But of the three August releases, at least the Bunuel is a major event. And the Saura sounds interesting at least, though I dearly wished that they had done the missing Erice films instead.justeleblanc wrote:No complaints about only three titles this month? If this was 2006 this forum would but up in arms.
- Floyd
- Joined: Sat Nov 06, 2004 2:25 am
I never check this thread but now I see that was a mistake. Stranger Than Paradise is a film that to me is probably one of the most important films in my 22 years on earth and how it changed so much for me regarding the cinema. I am thrilled by it coming from Criterion.
Also, it is upsetting to see some bad comments of Hartley as he is one of my favorite filmmakers, if not my favorite. I certainly can see why Hartley is different strokes but Trust is my favorite film of all time without me thinking twice about it and I find what he does to be wonderful. I don't expect everyone to share the same feelings but I would love to see a Criterion of it even though I paid over $30 for the R4. Trust for me is some peoples Breathless I suppose.
Also, it is upsetting to see some bad comments of Hartley as he is one of my favorite filmmakers, if not my favorite. I certainly can see why Hartley is different strokes but Trust is my favorite film of all time without me thinking twice about it and I find what he does to be wonderful. I don't expect everyone to share the same feelings but I would love to see a Criterion of it even though I paid over $30 for the R4. Trust for me is some peoples Breathless I suppose.
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Rupert Pupkin
- Joined: Thu Oct 20, 2005 1:34 pm
Well... I have the z2 fr Trust Me/Unbelievable Truth... I would have liked a Criterion "treatment" far better than the Linklater series... (although the only one I would have liked on Criterion is not possible (Before Sunset/Sunrise)
I would have liked so much some Abel Ferrara's movies such as the uncut version of "Ms.45" or "Bat Lieutenant" with the original soundtrack...
I think that Ferrara (at least one of his first movies) could be in the Criterion catalog as a good figure of American cinema... at least he is as "legit" and "admissible" as Linklater...
I asked Mulv... but got a "no yes no no" answer... So I don't know...
The very first George A.Romero such as "Night Of The Living Dead" (or "Martin" in its original length) would have been great; especially since the release of "Carnival of Souls"; and since "Night..." is free of (c) and the Anchor Bay release of "Martin" in its original ratio is now out of print...
I mean why not such movies by Romero when we got some monsters movie last year ?
I would have liked so much some Abel Ferrara's movies such as the uncut version of "Ms.45" or "Bat Lieutenant" with the original soundtrack...
I think that Ferrara (at least one of his first movies) could be in the Criterion catalog as a good figure of American cinema... at least he is as "legit" and "admissible" as Linklater...
I asked Mulv... but got a "no yes no no" answer... So I don't know...
The very first George A.Romero such as "Night Of The Living Dead" (or "Martin" in its original length) would have been great; especially since the release of "Carnival of Souls"; and since "Night..." is free of (c) and the Anchor Bay release of "Martin" in its original ratio is now out of print...
I mean why not such movies by Romero when we got some monsters movie last year ?
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mpippia
- More like Greatfellas amirite
- Joined: Tue Apr 11, 2006 10:01 am
- Location: Australia
I was looking through the list of public domain films on Wikipedia and I was wondering what the likelihood of getting releases of some of those films, considering the excellent releases of other public domain films such as My Man Godfrey. If poor source material is an issue then perhaps they could release some of them in an Eclipse boxset rather than separate Criterion releases, which I imagine would be both popular and profitable.
I would be most interested in His Girl Friday and Zulu.
I would be most interested in His Girl Friday and Zulu.
- tryavna
- Joined: Wed Mar 30, 2005 8:38 pm
- Location: North Carolina
An interesting question, though I'm not sure that either His Girl Friday or Zulu are PD any more. I thought Columbia finally renewed the rights for HGF and MGM/UA did the same for Zulu...? Besides, the version of HGF that Sony released in their Cary Grant boxset is perfectly acceptable, and the R2 special edition of Zulu doesn't really need to be bettered (though that's one title I know so well that the PAL speed-up of the soundtrack actually bothers me slightly).mpippia wrote:I was looking through the list of public domain films on Wikipedia and I was wondering what the likelihood of getting releases of some of those films, considering the excellent releases of other public domain films such as My Man Godfrey. If poor source material is an issue then perhaps they could release some of them in an Eclipse boxset rather than separate Criterion releases, which I imagine would be both popular and profitable.
I would be most interested in His Girl Friday and Zulu.
But there are other PD films that need somebody's attention. Renoir's The Southerner, for example, deserves much better than VCI was able to give it.
- thechallenger
- Joined: Mon Apr 23, 2007 4:56 pm
- Location: New York
Even though Horror Hotel (also know was The City of the Dead) was released by VCI in 2001 and you can get it for under $10 at Amazon, I can't help but hope that Criterion somehow released it with a boatload of extras and a wonderful new transfer.
Here's a Plot Plot Synopsis by Robert Firsching:
George Baxt scripted this extraordinarily good chiller from a story by Milton Subotsky, who also co-produced. A college student (Venetia Stevenson) with an interest in witchcraft goes to the Massachusetts town of Whitewood. It's a foggy, spooky town which gets even scarier when Stevenson discovers that the owner of the Raven's Inn, Mrs. Newlis (Patricia Jessel) is in fact a 268-year old witch. Jessel sold her soul to the Devil to regain her life after being burned at the stake. The whole town is her coven, including Stevenson's kindly history professor (Christopher Lee). Stevenson's boyfriend and brother arrive to look for her and discover human sacrifices and all sorts of evil goings-on. One of the few horror films of the period which still has the power to frighten, Horror Hotel is required viewing for genre fans.
Here's a Plot Plot Synopsis by Robert Firsching:
George Baxt scripted this extraordinarily good chiller from a story by Milton Subotsky, who also co-produced. A college student (Venetia Stevenson) with an interest in witchcraft goes to the Massachusetts town of Whitewood. It's a foggy, spooky town which gets even scarier when Stevenson discovers that the owner of the Raven's Inn, Mrs. Newlis (Patricia Jessel) is in fact a 268-year old witch. Jessel sold her soul to the Devil to regain her life after being burned at the stake. The whole town is her coven, including Stevenson's kindly history professor (Christopher Lee). Stevenson's boyfriend and brother arrive to look for her and discover human sacrifices and all sorts of evil goings-on. One of the few horror films of the period which still has the power to frighten, Horror Hotel is required viewing for genre fans.
- denti alligator
- Joined: Thu Nov 04, 2004 1:36 am
- Location: "born in heaven, raised in hell"
- thechallenger
- Joined: Mon Apr 23, 2007 4:56 pm
- Location: New York
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Rich Malloy
- Joined: Tue Jun 13, 2006 4:29 pm
- Location: Boston MA
- Cinephrenic
- Joined: Tue Nov 02, 2004 6:58 pm
- Location: Paris, Texas
- arsonfilms
- Joined: Wed Nov 02, 2005 4:53 pm
- Location: Philadelphia, PA
- justeleblanc
- Joined: Wed Nov 03, 2004 10:05 pm
- Location: Connecticut
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BrightEyes23
- Joined: Tue Dec 28, 2004 1:46 pm
i've got this nagging suspicion that we might see either an eclipse or a CC boxed set of Rivette's work. there's a nice long write up on Rivette in the most recent cinema-scope and while they don't give any indication these are coming from criterion something about it, perhaps its just the touring prints, makes me think that Out 1 and more are coming in the not too distant future.