Anyone? Is there a scene I can jump to to test it?denti alligator wrote:Got this for Xmas. How can I quickly check if I need to send mine in for a replacement?
407 Mala Noche
- denti alligator
- Joined: Thu Nov 04, 2004 1:36 am
- Location: "born in heaven, raised in hell"
- Lemmy Caution
- Joined: Wed Mar 29, 2006 7:26 am
- Location: East of Shanghai
Are you in too much of a panic to read through this thread? Check out the last few posts on Page 2 and the link at the top of this page to the Criterion announcement re the error.denti alligator wrote:Anyone? Is there a scene I can jump to to test it?denti alligator wrote:Got this for Xmas. How can I quickly check if I need to send mine in for a replacement?
From davidhare's post on Page 2:
Criterion blog says:At approx 21' 15" during the scene in which the boys have found a discarded movie camera and are fooling around with it, filming each other and a black labrador etc Gus includes three quick shots in color, which he doesn't return to until the final credits. The color shots are intact on the MK2 but are rendered in B&W on the Criterion.
This seems like a really minor issue to me.Mala Noche is mostly in black and white, but about twenty-three minutes in, there are three color shots that total ten seconds and twenty-two frames. In our version, they appear in black and white.
And not worth the trouble of correcting (for me, not for Criterion as a producer).
I can't imagine the quick hits of color really affecting much, or linking up with the end credits in any significant manner.
That being said, of course I would prefer to see it the way it was intended. Don't know why Criterion doesn't just load that scene on to their website or Youtube so folks could see the brief shots in color.
That would satisfy my curiosity/feeling of missing something.
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Rupert Pupkin
- Joined: Thu Oct 20, 2005 1:34 pm
I bought all mk2 releases of Gus Van Sant (Elephant 2 CD set (I was hoping that Criterion released it at that time; Last Days... I'm waiting for Paranoid Park now (btw, is there a DVD zone 1 already announced), but for Mala Noche, I wanted the Criterion version because it was approved by Gus Van Sant himself, include many extras (some of them not on the mk 2 release).Lemmy Caution wrote:Are you in too much of a panic to read through this thread? Check out the last few posts on Page 2 and the link at the top of this page to the Criterion announcement re the error.denti alligator wrote:Anyone? Is there a scene I can jump to to test it?denti alligator wrote:Got this for Xmas. How can I quickly check if I need to send mine in for a replacement?
From davidhare's post on Page 2:Criterion blog says:At approx 21' 15" during the scene in which the boys have found a discarded movie camera and are fooling around with it, filming each other and a black labrador etc Gus includes three quick shots in color, which he doesn't return to until the final credits. The color shots are intact on the MK2 but are rendered in B&W on the Criterion.This seems like a really minor issue to me.Mala Noche is mostly in black and white, but about twenty-three minutes in, there are three color shots that total ten seconds and twenty-two frames. In our version, they appear in black and white.
And not worth the trouble of correcting (for me, not for Criterion as a producer).
I can't imagine the quick hits of color really affecting much, or linking up with the end credits in any significant manner.
That being said, of course I would prefer to see it the way it was intended. Don't know why Criterion doesn't just load that scene on to their website or Youtube so folks could see the brief shots in color.
That would satisfy my curiosity/feeling of missing something.
As a Director approved transfer, it can't be considered as a minor issue.
this is Gus Van Sant's movie, and I understand that I can keep my DVD until a replacement, but a replacement is required because the transfer is not okay, altough as you said the colour diapos are only just a few seconds.
But it's like if they had put on DVD Rumble Fish all in b&w without the very short color segments...
- Morbii
- Joined: Sat Nov 27, 2004 7:38 am
Except that since it's director approved, it almost seems like he didn't care enough to actually watch it and make sure :ORupert Pupkin wrote:As a Director approved transfer, it can't be considered as a minor issue.
this is Gus Van Sant's movie, and I understand that I can keep my DVD until a replacement, but a replacement is required because the transfer is not okay, altough as you said the colour diapos are only just a few seconds.
But it's like if they had put on DVD Rumble Fish all in b&w without the very short color segments...
- Lino
- Joined: Wed Nov 03, 2004 10:18 am
- Location: Sitting End
- Contact:
Just had a chance to watch this one on the big screen last week (and for the first time ever, too) and loved every minute of it. What a breezy movie, full of good vibes and sincere feelings, it's no wonder Michael loves it.
The thing I love the most about it is how it so closely adheres to the short story format. It almost feels like you're watching a short feature and when you notice, almost an hour and a half has just flew by.
The thing I love the most about it is how it so closely adheres to the short story format. It almost feels like you're watching a short feature and when you notice, almost an hour and a half has just flew by.
- LightBulbFilm
- Joined: Wed Nov 16, 2005 9:11 pm
- Location: Florida
- Contact:
- LightBulbFilm
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- Location: Florida
- Contact:
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Triscuit
- Joined: Sun Oct 05, 2008 9:01 pm
Tim Streeter
Too bad the actor who played "Walt" never seemed to do anything later. It really was a charismatic, fearless performance.
- knives
- Joined: Sat Sep 06, 2008 10:49 pm
Re: 407 Mala Noche
Just watched this and while I think Van Sant has greatly improved as a director since I don't think his material has managed to fit him so well. The way it plays out with Walt being a douche was kind of surprising. I thought this would be like a Capra romance Van Sanitized, but instead it almost feels like a cautionary tale. Maybe cautionary is the wrong word, but I can't think of the right one. Just the character of Johnny, or was it just Juan, was pretty interesting since for most of the movie he seemed to genuinely hate Walt, antagonizing him to all hell, yet trusting him in ways maybe he shouldn't have. I also found the empty happiness Walt achieved with Pepper as a real interesting aspect. He almost seemed blissful in that wax misery he built up. All in all this is definitely a film that should be the bar for this sort. Really a worthwhile experience.
- Michael
- Joined: Wed Nov 03, 2004 4:09 pm
Re: 407 Mala Noche
Not sure what you mean by Walt being a douche. He has no gay baggage, no coming-out struggles, no poor-me, he's completely comfortable in his own skin. And the film was made in 1985, in Reagan's America, in the middle of the AIDS paranoia. That makes Walt/Gus a hero and the film a total revelation for me.knives wrote:Just watched this and while I think Van Sant has greatly improved as a director since I don't think his material has managed to fit him so well. The way it plays out with Walt being a douche was kind of surprising. I thought this would be like a Capra romance Van Sanitized, but instead it almost feels like a cautionary tale. Maybe cautionary is the wrong word, but I can't think of the right one. Just the character of Johnny, or was it just Juan, was pretty interesting since for most of the movie he seemed to genuinely hate Walt, antagonizing him to all hell, yet trusting him in ways maybe he shouldn't have. I also found the empty happiness Walt achieved with Pepper as a real interesting aspect. He almost seemed blissful in that wax misery he built up. All in all this is definitely a film that should be the bar for this sort. Really a worthwhile experience.
Cautionary tale? What caution? Having seen Mala Noche many times, I never sensed Johnny's hatred for Walt. He genuinely loved him but not in the way Walt desired from him. In the finale Walt drifting away in his car, a shot of Johnny from the back of Walt's car, there is a very strong come-back-to-me pull coming from Johnny as he looks after the car, like a lost pup.
And I never saw the happiness Walt had with Pepper as empty even though Pepper wasn't Johnny, Walt's main crush.
Last edited by Michael on Sat Feb 28, 2009 2:24 pm, edited 1 time in total.
- knives
- Joined: Sat Sep 06, 2008 10:49 pm
Re: 407 Mala Noche
I definitely phrased things wrong. Walt being a douche was really more his anti-hero status with him being dumb racist and a jerk at times. He also had a not cluelessness, but blunt innocence with John. Like I said cautionary is the wrong word since it has certain stigma. I meant more of the lust vs. love is it worth screwing yourself or making an ass out of yourself themes, that were handled very well by the way, were done in a way you usually don't see in film. As for the Pepper thing I just see Walt as seeing their relationship how he wants a relationship. Maybe even being a tad site filled toward himself, but still happy in his own way.
The film has carried very well since last night though.
I still don't like how I phrased things, especially the Pepper stuff, but I hope you get the gist. Probably why I've never considered becoming a critic.
The film has carried very well since last night though.
I still don't like how I phrased things, especially the Pepper stuff, but I hope you get the gist. Probably why I've never considered becoming a critic.
- Dadapass
- Joined: Thu Oct 09, 2008 10:57 pm
Re: 407 Mala Noche
I just received my Mala Noche DVD from Amazon and it was a copy with the color shots in b/w. Does this mean that they have sold so few DVDs of this title that they haven't run out of the fucked up version?
- MoonlitKnight
- Joined: Fri Mar 20, 2009 2:44 am
Re: 407 Mala Noche
I think 20 minutes would've sufficed for that Plympton doc; it's rather one-note after a while. How much juvenile poetry do we need to hear? 
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tanders1
- Joined: Wed Nov 17, 2010 3:19 am
Re: 407 Mala Noche
I have just finished watching Mala Noche and noticed one very unusual thing that no one else has noticed. In the end credits, they mention that Sergeant Pepper's Lonely Hearts Club Band was in the movie. I never heard it though. Oddly enough, when Pepper puts a record onto the player, it clearly has the Beatles Apple logo in the middle yet a classical piece is played instead. Am I just going crazy or can someone help explain this?
- Roger Ryan
- Joined: Wed Apr 28, 2010 4:04 pm
- Location: A Midland town spread and darkened into a city
Re: 407 Mala Noche
It appears that the music rights were pulled for the Beatles track so the filmmakers had to substitute a different piece of music for the scene. Given that the song is listed in the credits, it's possible that the Beatles song did appear in the film during it's initial theatrical release. However, DVD or home video releases fall under different rights clearance issues which require producers to pay additional royalties for use of a song or they may be denied its use altogether. A number of films and TV shows (FREAKS AND GEEKS comes to mind) had their DVD releases held up because of difficulty clearing music rights to the same tracks heard in the initial broadcast or release. Often, producers will not bother dealing with the issue at all and simply substitute a different song for the scene in question for the home video release. The TV show JOAN OF ARCADIA used popular songs in almost every episode when originally broadcast; the DVD release replaced these songs with generic stock music. I assume the same thing happened with MALA NOCHE.tanders1 wrote:I have just finished watching Mala Noche and noticed one very unusual thing that no one else has noticed. In the end credits, they mention that Sergeant Pepper's Lonely Hearts Club Band was in the movie. I never heard it though. Oddly enough, when Pepper puts a record onto the player, it clearly has the Beatles Apple logo in the middle yet a classical piece is played instead. Am I just going crazy or can someone help explain this?
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tanders1
- Joined: Wed Nov 17, 2010 3:19 am
Re: 407 Mala Noche
I think it is interesting that Criterion does not mention this anywhere. I wonder if this is the first Criterion release to have had to alter its music?