'Rediculous' Customer & Critic Reviews

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MichaelB
Joined: Fri Aug 11, 2006 10:20 pm
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#476 Post by MichaelB »

davebert wrote:I'm toying with the idea of going and hiding back in academia after I climb out from under the current loan debt. I've come to realize that writing precisely-sourced, in-depth essays on film and pop culture is just not a strength appreciated by most job tracks.
Well, if I write something contentious for Sight & Sound, it will almost certainly get flagged up by a sub and queried by one of the editors - so I'll have to give precise sources to them, if not the wider readership.

Then again, at an average of 175 to 800 words (2500 tops), they're hardly in-depth.
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davebert
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#477 Post by davebert »

I guess I should change that to be "20 page papers comparing Katrina narrative modes between Spike Lee's When the Levees Broke and Juvenile's Get Ya Hustle On" is not widely appreciated in the market. There's something about the freedom of geekery and bullshit topics, particularly in undergrad, that made the experience so much fun.
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Matt
Joined: Tue Nov 02, 2004 4:58 pm

#478 Post by Matt »

davebert wrote:Didn't we used to have a college thread somewhere? I'd be interested to hear MA/PhD program stories that don't revolve around Eddie.
There's this thread.
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davebert
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#479 Post by davebert »

Ah yes, I think I deliberately ignored that thread.
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foggy eyes
Joined: Fri Sep 01, 2006 1:58 pm
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#480 Post by foggy eyes »

There are also some other bits and pieces / horror stories here.
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Hai2u
Joined: Thu Apr 26, 2007 11:21 pm

#481 Post by Hai2u »

imdb message boards are hilarious.
Ok i have made posts before and sadly i wont be getting this movie this weekend. I can only hope i will the next week. I had heard when i asked a while ago as much as u can tell me about the end w/out really spoiling it. I heard it involves bowling balls and pins, i can only speculate that maybe the DDL uses people's limbs and such and throws balls at them. That sounds pretty messed up, can anyone tell me if i am on track. I know this sounds dumb but i didn't even know they had bowling alleys back then
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jbeall
Joined: Sat Aug 12, 2006 1:22 pm
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#482 Post by jbeall »

From Keith Phipps's review of Cloverfield:
The filmmakers have gone to great lengths to keep the nature of the threat a secret, so let's just say that it couldn't have existed without H.P. Lovecraft, H.R. Giger, or Ishirô Honda, the director who gave Japan an embodiment of its recent nuclear attacks with Godzilla. Also, it's absolutely terrifying, and it's all the more effective for the way it lets viewers spend time getting to know the terrified stars, and the emotions and regrets behind their seemingly futile efforts to survive. It puts human faces on the victims of mass destruction, faces that might easily have been yours or mine, staring down the maw of something we don't understand.

A.V. Club Rating: A-
And this doozy was one of the posted comments that follow the review:
midnight showing
by Josh from the OBC

This movie was fantastic. It was exactly as I imagined, a gripping tale of normal people struggling to live. And the monster, that thing is friggin terrifying. It's intense and it works. People die and they and you never understand the depth of what's going on, but in a world with such uncertainty, why don't more movies reflect this sentiment? Some things are never understood but one thing will forever be evident and it is that Cloverfield is a testament to the power of love, friendship, and courage.
:roll: #-o
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domino harvey
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#483 Post by domino harvey »

jbeall wrote:From Keith Phipps's review of Cloverfield:
The filmmakers have gone to great lengths to keep the nature of the threat a secret, so let's just say that it couldn't have existed without H.P. Lovecraft, H.R. Giger, or Ishirô Honda, the director who gave Japan an embodiment of its recent nuclear attacks with Godzilla. Also, it's absolutely terrifying, and it's all the more effective for the way it lets viewers spend time getting to know the terrified stars, and the emotions and regrets behind their seemingly futile efforts to survive. It puts human faces on the victims of mass destruction, faces that might easily have been yours or mine, staring down the maw of something we don't understand.

A.V. Club Rating: A-
It's silly to include this in this thread: nothing is "ridiculous" about that review other than that you don't agree with him.
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davebert
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#484 Post by davebert »

I can agree with that. The second one's a bit ridiculous, though I never expect to find the next Gene Shalit on IMDB. Or do I?
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jbeall
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#485 Post by jbeall »

domino harvey wrote:It's silly to include this in this thread: nothing is "ridiculous" about that review other than that you don't agree with him.
And other than that it's such an obvious statement that a fifth-grader reviewing the movie for his middle-school paper could have made it. Every disaster movie shows "the human faces," and it's usually the most sentimental tripe imaginable in the film. I included the second quote because it's a more obvious example of what I objected to in the first.

I'm thinking of the effort to show the human faces in the recent Poseidon Adventure remake, or Independence Day, or Volcano, or even the Resident Evil movies, just to name a few. But the list goes on. They all delve into the "human" element of the disaster flick. For that matter, damn near every film does exactly that--it's called 'exposition.' In other words, according to this review, Cloverfield is to be commended for... having exposition.

Now, if Phipps had said that Cloverfield, has better exposition than most films, i.e. shows the human element in a much more effective and compelling way than most films of its genre, then I'd accept that he and I merely disagreed. Instead, Phipps makes a formulaic statement that's broadly applicable to any number of disaster movies that flat-out sucked, so his review is indeed ridiculous.

[EDIT: Given what a silly review it is, I have to wonder if he isn't being completely ironical at his readers' expense (mine included). Maybe I'm feeling generous, but I don't want to believe that he actually meant what he wrote.]
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miless
Joined: Sun Apr 02, 2006 1:45 am

#486 Post by miless »

The slowest movie ever made?

First of all. I love Tarkovskij's movies (most of them) but this one is really something different. The film has not been panned and scanned it was shot in full frame ratio which is strange and it is only like 100 minutes long but it feels more like 200 minutes. I am a filmtheory student and have a hard time understanding the greatness of this film. To me it's just a lot of random scenes and sequences that are impossible to follow. However, as a big cinema fasn you should have seen this anyway. =) One funny thing is the menus that are kind of weird in a russian way. Which I also like.

apparently this person's not that great of a 'film theorist'.
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Mr Sausage
Has Risen from the Grave
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#487 Post by Mr Sausage »

miless wrote:
The slowest movie ever made?

First of all. I love Tarkovskij's movies (most of them) but this one is really something different. The film has not been panned and scanned it was shot in full frame ratio which is strange and it is only like 100 minutes long but it feels more like 200 minutes. I am a filmtheory student and have a hard time understanding the greatness of this film. To me it's just a lot of random scenes and sequences that are impossible to follow. However, as a big cinema fasn you should have seen this anyway. =) One funny thing is the menus that are kind of weird in a russian way. Which I also like.

apparently this person's not that great of a 'film theorist'.
Unless you're the type to make really fine judgements in taste, after you've watched and liked about two Tarkovsky films it's assured that you can handle the rest of him. But this guy loves--not just likes--most of Tarkovsky's films and yet cannot get into Mirror? If you're the type who loves Stalker and Solaris and Nostalghia, how does...I mean...what..?
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M
Joined: Tue Nov 27, 2007 8:58 pm
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#488 Post by M »

miless wrote:
The slowest movie ever made?

First of all. I love Tarkovskij's movies (most of them) but this one is really something different. The film has not been panned and scanned it was shot in full frame ratio which is strange and it is only like 100 minutes long but it feels more like 200 minutes. I am a filmtheory student and have a hard time understanding the greatness of this film. To me it's just a lot of random scenes and sequences that are impossible to follow. However, as a big cinema fasn you should have seen this anyway. =) One funny thing is the menus that are kind of weird in a russian way. Which I also like.
apparently this person's not that great of a 'film theorist'.
I hate that word: random. It's the most overused term stuck in just about anywhere to indicate anything quirky and unexpected and off-beat, and well, just plain random about this crazy ol' workaday world.

Edit: wouldn't the slowest movie ever made be a photograph, or did I just blow dude's mind?
Last edited by M on Tue Jan 22, 2008 2:15 am, edited 1 time in total.
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miless
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#489 Post by miless »

and The Mirror is anything but 'random.' It has the appearance of fragmentation, but it is extremely controlled and very focused... It's just focused on a place that most people cannot understand.
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carax09
Joined: Thu Nov 04, 2004 6:22 am
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#490 Post by carax09 »

This is an excerpt from a DVDTalk review by Jamie Rich:

FINAL THOUGHTS:
2 Days in Paris is an odd movie, as its fundamental flaws are personality issues that come with trying to tell a love story about two people that have personality issues. The first-time writing and directing effort from actress Julie Delpy is generally well written, well directed, and definitely well acted. It does, however, try to show two obnoxious people trying to weather their obnoxiousness in order to stay in love while on vacation. While I ultimately found myself slightly smitten with 2 Days, it was against my better judgment. Some viewers may not be able to get past how annoying Jack and Marion are, whereas others will enjoy the fact that people are different and applaud that two of the very different ones have found each other. Rent It and see which one you are.


I keep repeating that first sentence like a koan.

Slightly smitten,
carax09
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MichaelB
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#491 Post by MichaelB »

miless wrote:and The Mirror is anything but 'random.' It has the appearance of fragmentation, but it is extremely controlled and very focused... It's just focused on a place that most people cannot understand.
...and shooting in "full frame ratio" (by which I assume he means 1.33:1) isn't strange at all - it was overwhelmingly the standard aspect ratio in the USSR at the time. Even Sergei Bondarchuk's big-budget They Fought For Their Motherland, released the same year, was in 1.33:1.
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skuhn8
Joined: Tue Dec 14, 2004 8:46 pm
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#492 Post by skuhn8 »

This from the criterionforum.com:
1. "Cries & Whispers"

Because I've read it was a very emotionally draining depressing movie, so I decided to watch it while high so it won't affect me that much. But watching it stoned only ENHANCED Bergman's movie to it's fullest. Especially during the fade outs where it's all RED and you see the closeups of the faces while whispering and bells are just invading your auditory senses. After the credits rolled I was like, "Holy fuckin shit.......that movie was crazy".
Now, MichaelB, don't go cribbing from this guy for your Sight & Sound reviews.
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Cabiria21
Joined: Wed Jul 18, 2007 4:10 pm

#493 Post by Cabiria21 »

A netflix review of The Mystery of Picasso:
I am the single largest collector of R. Crumb art in Colorado. I say this so you will take note that I am indeed an art lover to the extreme, I've spent everything on art. I love it. This movie shows Picasso drawing NO ONE IS SPEAKING THERE AREN'T EVEN ANY NUDE WOMEN TO LOOK AT. Sigh. It's boring to the EXTREME. I tried valiantly to make it thru but kept falling asleep in the early summer afternoon. I was bored to death. I love Picasso his work but would anyone like to sit and watch Steven King write a book from the oppostie side of the typewriter??
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domino harvey
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#494 Post by domino harvey »

Cabiria21 wrote:A netflix review of The Mystery of Picasso:
I am the single largest collector of R. Crumb art in Colorado. I say this so you will take note that I am indeed an art lover to the extreme, I've spent everything on art. I love it. This movie shows Picasso drawing NO ONE IS SPEAKING THERE AREN'T EVEN ANY NUDE WOMEN TO LOOK AT. Sigh. It's boring to the EXTREME. I tried valiantly to make it thru but kept falling asleep in the early summer afternoon. I was bored to death. I love Picasso his work but would anyone like to sit and watch Steven King write a book from the oppostie side of the typewriter??
He may be an art-lover, but does he have to be a proofreading-hater too?
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Kinsayder
Joined: Mon Oct 10, 2005 10:22 pm
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#495 Post by Kinsayder »

I am the single largest collector of R. Crumb art in Colorado.
If that's not a cry for help I don't know what is.
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domino harvey
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#496 Post by domino harvey »

Since we don't have a "Great Review Quotes" thread, I'm going to post these here. Thoughts on Meet the Spartans:
Canwest wrote:Friedberg and Seltzer continue to contract the envelope of film parody.

On top of that, it’s only about an hour and a quarter long, although a closing dance number stretches it out another few minutes. Brevity, it turns out, is also the soul of stupidity.
Eye Weekly wrote:Friedberg and Seltzer are parasitical hacks, but they’re merely symptoms of an enfeebled movie culture. Until the mainstream produces some films undeserving of idiot violation, the idiot violation represented by Meet the Spartans — a Xerox of absolute zero — will be par for the course.
eFilmCritic wrote:The filmmakers obviously know this, but they insist on aiming as low as they can: pointing out every single reference like total clods and dodging genuine wit as though they owed it money
Newsday wrote:Tell you what. It's the middle of winter. Just stare at Carmen Electra, call it a night and find something good to read.
Orange County Weekly wrote:Alas, they somehow hooked up with the Wayans brothers and became two of the six writers of Scary Movie, a spoof that was genuinely funny, in large part because it imposed a raunchy black perspective on the traditionally white-bread slasher genre. Just a guess here, but it seems that was mostly the doing of Wayans Shawn and Marlon.
Another eFilmCritic critic wrote:It is so bad–and I swear that I am not making this up–that at the theater that I saw it at (since Fox refused to screen it in advance for reasons that will eventually become painfully clear), they were handing out refunds to ticket buyers even before the movie started.
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tavernier
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#497 Post by tavernier »

Thank you, Domino, for digging these up so we don't have to! (I'm just beginning a Berlin Alexanderplatz weekend so I need all the help I can get when it comes to cherry-picking idiotic reviews of stupid movies I'll never see.)
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domino harvey
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#498 Post by domino harvey »

To enjoy Berlin Alexanderplatz properly, the .com forum recommends a bong hit every time someone assaults a woman
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tavernier
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#499 Post by tavernier »

I was stoned before the end of episode 1.
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domino harvey
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#500 Post by domino harvey »

If you have thirty minutes to kill, this thread is amazing.
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