#1 at 0.00:00 (hrs, mins, secs); duration 57 seconds
Eureka logo, Dino de Laurentis production credits and a montage sequence just before the pan down the Pirelli-building begins.
#2 at 1.13:00; approximately 20 seconds
Moreau at the telephone. When she hangs up, the camera stays on her 20 seconds longer on the MoC edition.
#3 at 1.16:40; approx 9 seconds
Mastroianni with Vittis father. The two men leave but the camera stays with Vitti and some other characters for further 9 seconds on the MoC release. Some lines of dialogue are delivered.
#4 at 1.19:50; approx 5 seconds
Moreau is sitting at a table talking with Mastroianni (standing). He leaves the frame but she's in the frame 5 seconds longer on the MoC before there's a cut.
#5 at 1.33:14; approx 8 seconds
When Vitti says "Yes. Everything" the scene continues for 8 seconds until the servant enters with candlelights.
#6 at 1.49:08; approx 8 seconds
After Moreau says "Isn't that true?" we see Mastroianni in the frame approx 8 seconds longer on the MoC-edition.
#7 at 1.56:18; approx 3 seconds(?)
Just before the end - immediatly before the last pan - a few seconds seems to be cut.
#8 at the end; a few seonds
The end title is different on the two editions - a bit longer on the MoC-release.
I like the extended scenes; very Antonioniesque. Like #2 when Moreau hangs up, and she's held in the frame for a painstakingly long time afterwards.
These scenes add up to just under two minutes. There's no doubt therefore that the Fox Lorber is from a PAL master.
