Inglourious Basterds

Discuss releases from Arrow and the films on them

Moderators: MichaelB, yoloswegmaster

Post Reply
Message
Author
Grand Illusion
Joined: Wed Sep 26, 2007 11:56 am

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#176 Post by Grand Illusion »

FerdinandGriffon wrote:War crimes are war crimes. Fighting the Nazis, bringing them to trial, A-O.K. Scalping them and playing baseball with their brains? Not so much.
Absolute language is absolute. You want war to sound so clean. "Fighting the Nazis" is A-Ok? Um... why don't you define "fighting"? Seriously, give it a shot.

Surely, you don't mean to suggest that the persecuted, starved, ghettoized, and vastly outnumbered Jewish population is going to partake in a boxing match against Nazis under the Dutchess of Queensbury rules?

How is shooting a Nazi from far away okay in war, but hitting him with a bat isn't? And if shooting a Nazi from far away isn't okay, then (1) either protest all war films and/or (2) suggest a better alternative for resistance against a genocidal political majority. "War crimes" is an arbitrary distinction made by an international elite that likely never marched in a death camp.

War is a crime. It's hellish and should be avoided by all parties. To go one further, war crimes such as Abu Ghraib are mostly counterintuitive. They actually provide worse intelligence, target the wrong people, are horrible public relations once exposed, and embolden the enemy. But a movie about Jewish resistance scalping Nazis really doesn't step on this. They're not looking to obtain military intelligence. It'll be hard to target the wrong people (hint: bad guys wear swastikas). And the public image of Jewry to the Nazis couldn't get any worse.

This won't be 300 because it's being made by a better visual storyteller and much better writer. It's not looking to be The Reader, and if there is any political effect at all, it will likely be a fairly classical catharsis of the underdog getting revenge.
User avatar
Binker
Joined: Thu Jun 19, 2008 8:53 am
Location: Tucson

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#177 Post by Binker »

Grand Illusion wrote:Absolute language is absolute. You want war to sound so clean. "Fighting the Nazis" is A-Ok? Um... why don't you define "fighting"? Seriously, give it a shot.
It's been done. The people who insist on reopening the discussion bear responsibility for the consequences.
Surely, you don't mean to suggest that the persecuted, starved, ghettoized, and vastly outnumbered Jewish population is going to partake in a boxing match against Nazis under the Dutchess of Queensbury rules?
Funny. You can stop trying to conflate Holocaust victims resisting Nazi persecution with Jewish Americans serving in the United States military committing rampant acts of torture and murder at any time.
How is shooting a Nazi from far away okay in war, but hitting him with a bat isn't? And if shooting a Nazi from far away isn't okay, then (1) either protest all war films and/or (2) suggest a better alternative for resistance against a genocidal political majority.
Yes, shooting a combatant in open battle, hitting him with a bat in a kneeling position, scalping him, carving a swastika into his forehead, assassinating political leaders, murdering civilians who count themselves members of the Nazi party... it's all the same. I simply don't understand people like you. Why do you insist on setting us back one hundred years? These discussions have taken place and the international community has agreed.. Of course, nation-states have ignored this whenever convenient and politically feasible, but whatever small limits we can place on the brutality of war seem worth upholding. At the very least, it's better than declaring, "War is hell, do whatever you want."
"War crimes" is an arbitrary distinction made by an international elite that likely never marched in a death camp.
This is just foolish. No minority group was more active in the establishment of international law in the two decades following the Shoah than Jews.
War is a crime. It's hellish and should be avoided by all parties.
You're all over the place. Whose applying absolute language now? I certainly don't believe war is a crime in all cases, either legally (this is a fact) or morally. As you pointed out above, violent action is sometimes justified and necessary.
To go one further, war crimes such as Abu Ghraib are mostly counterintuitive. They actually provide worse intelligence, target the wrong people, are horrible public relations once exposed, and embolden the enemy. But a movie about Jewish resistance scalping Nazis really doesn't step on this. They're not looking to obtain military intelligence.
Ahh, so as long you torture and murder out of pure hatred, as opposed to some practical purpose, it's fine.
It'll be hard to target the wrong people (hint: bad guys wear swastikas).
Do you ever stop and consider the consequences of such simplistic moral declarations? How many atrocities has the United State's military committed? Does that justify all acts of brutality against US military personnel? What about those nonmilitary civilians who provide funding and financial support? What about those who simply provide ideological support? You've bought into a moral doctrine in which anything justifies everything against anyone. It's a doctrine that has been used by both state and nonstate actors to justify all varieties of atrocities. How many atrocities are committed in the name of a legitimate moral grievance?
User avatar
domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 6:42 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#178 Post by domino harvey »

Grand Illusion wrote: (hint: bad guys wear swastikas).
Keep away from Indian Reservations
Grand Illusion
Joined: Wed Sep 26, 2007 11:56 am

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#179 Post by Grand Illusion »

Binker wrote:It's been done. The people who insist on reopening the discussion bear responsibility for the consequences.
Nice dodge. Please keep in mind that I am speaking IN TERMS OF THIS FILM. Please define how "fighting Nazis" is A-OK and then define "fighting".
Funny. You can stop trying to conflate Holocaust victims resisting Nazi persecution with Jewish Americans serving in the United States military committing rampant acts of torture and murder at any time.
This is the slippery slope. Nazis persecuted all Jews, no matter nationality, class, wealth, status, whatever. The leader of the Nazi party declared war on the United States. There are pragmatic reasons not to disobey the orders of their US superiors, but Jews killing Nazis on the battlegrounds of WWII is resistance. If your opinion (which is what morals are) is different, fine, I respect your opinion.

If Jewish American soldiers are sent to Germany to kill Nazi soldiers and they scalp a couple for fun, I have no moral qualms about it. They might, later down the line, but that's not my judgment. At least not in the days pre-You-Tube and negative P.R.

If Jewish soldiers were kidnapped or, worse, if the Nazis had won, would the Jewish soldiers be given respectful POW status? Or do you think they'd be thrown in with the rest of the Jews, "mischlinge," Gypsies, homosexuals, and other undesirables? The answer is why I consider any Jewish assault against Nazi soldiers as resistance.
Yes, shooting a combatant in open battle, hitting him with a bat in a kneeling position, scalping him, carving a swastika into his forehead, assassinating political leaders, murdering civilians who count themselves members of the Nazi party... it's all the same.
I never said it was all the same. I'm against the kind of absolute moralistic label that you are assigning to "war crimes." Each thing you mentioned has a practical and pragmatic reason why you wouldn't want to do each one, in addition to a moralistic reason shared by some not by others.

Again, IN THE CONTEXT OF THIS FILM, I don't even know what the Basterds do. All I know is Brad Pitt's character said is that he wants to kill Nazis. I don't know if this is shorthand for Nazi soldiers or any member of the Nazi party. I do know if I was a Jew in Eastern Europe during WWII, to speak to Pitt's character motivation, it probably wouldn't be of much concern to me. But of course, we should ignore character motivation for fear of making a "fascist" film. And even if I did have a problem with it, or if you have a problem with it, you don't have to agree with every decision the protagonist makes.
I simply don't understand people like you. Why do you insist on setting us back one hundred years? These discussions have taken place and the international community has agreed.. Of course, nation-states have ignored this whenever convenient and politically feasible, but whatever small limits we can place on the brutality of war seem worth upholding. At the very least, it's better than declaring, "War is hell, do whatever you want."
Certainly, the brutality of war should be limited, so long as we are speaking of innocents and externalities. When Brad Pitt speaks to "killing Nazis," I don't really consider that a group of innocents. Perhaps, I'll change my mind if Brad Pitt runs up and beats to death a poor German family whose best friends are the Rosenbergs next door and they all have a swastika on their door since they thought that new politician, the good orator, could've helped the economy. Of course, there are films regarding German societal guilt, but this isn't really that film. Thus, not getting worked into a frenzy over the politics.
This is just foolish. No minority group was more active in the establishment of international law in the two decades following the Shoah than Jews.
Fair enough. But again, if you're speaking of the Jewish population in the Shoah, you're speaking of civilians. Not Nazis, which was a political group that carried out a genocide.
You're all over the place. Whose applying absolute language now? I certainly don't believe war is a crime in all cases, either legally (this is a fact) or morally. As you pointed out above, violent action is sometimes justified and necessary.
Keep in mind whenever using "crime" that it's entirely arbitrary. Lots of things are declared illegal, a label only made legitimate by the force of the majority or, in some cases, the minority. And moral crimes are subjective from person to person.

So if you want to say that war is not a crime in all cases, sure, I'll agree with you. But then I'll also say that torturing and killing a person is also not a crime in all cases. If one Jewish soldier tortures and kills a Nazi soldier who's fighting for his Aryan country, I see no crime. Let's wait and see how the film paints those on the receiving end of the "crimes" before painting it as "fascist."
Ahh, so as long you torture and murder out of pure hatred, as opposed to some practical purpose, it's fine.
You don't see a practical purpose for Jews killing Nazis? Really?
Do you ever stop and consider the consequences of such simplistic moral declarations? How many atrocities has the United State's military committed? Does that justify all acts of brutality against US military personnel? What about those nonmilitary civilians who provide funding and financial support? What about those who simply provide ideological support? You've bought into a moral doctrine in which anything justifies everything against anyone. It's a doctrine that has been used by both state and nonstate actors to justify all varieties of atrocities. How many atrocities are committed in the name of a legitimate moral grievance?
Okay. I'm going to give you that last one since it was mainly IN THE CONTEXT OF THE FILM. I figured that'd be obvious by use of the term "bad guy". I don't actually believe that every civilian wearing a swastika is the same level of guilt as a member of the political elite as a soldier as a camp guard as Dr. Mengele. Nor do I actually believe that Indians with their backwards (or is it the right way) swastikas are Nazis.

Has the US military had atrocities? Of course. And we're beginning the infinite regress of revenge, which is one of the reasons I initially said that war is the crime, especially insofar as it places people into groups as opposed to saying "Did THIS PERSON commit an atrocity?"

But speaking on an individual level, in the context of the film, which I've been trying to do this whole time, do I see a moral disturbance by Jewish American soldiers skinning Nazi soldiers? No. I don't. Morals are only defensible on a gut level. And I see nothing wrong with it. If you want to talk pragmatism, sure, there might be some problems with soldiers abandoning their mission for a revenge tale.

If the "Nazis" that the Basterds start bashing up are civilians that don't know what a Jew is and are just trying to get to the soup kitchen, I reserve the right to change my opinion. I see no reason to believe that's the case, though. Nor do I believe that the sole fact of Jewish soldiers scalping Nazis makes this some kind of neo-fascist movie, but, then again, culture politicians have been diluting the term fascist for years now.
Last edited by Grand Illusion on Sun Feb 22, 2009 9:12 pm, edited 1 time in total.
User avatar
knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#180 Post by knives »

I'd like to point out early reports are that The bastards are closer to a subplot and the action sequences outside of them are played a bit more real.
skweeker
Joined: Fri Jan 30, 2009 8:26 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#181 Post by skweeker »

Violent revenge fantasies are not my idea of entertainment. I hope this film crashes and burns.

Antoine Doinel: Yes, I think of the children of the Gaza Strip. or of lebanon....
Two Cent James
Joined: Mon Jul 21, 2008 11:38 pm
Location: New York City

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#182 Post by Two Cent James »

Seriously? I'm astounded by the level of discourse over a basic vengeance film, which has been done an innumerable times before, and will be done again.

To the people that object to "violent revenge fantasies," where was the outrage over Kill Bill, for one? Did I miss it? Is it because Inglourious Basterds takes place in a historical context? Does it matter that this context (I'm assuming) will barely approximate historical reality?

I think if you take away vengeance as a thematic plot device, you can kiss 75% of action movies goodbye.

Reading this forum you'd think every third film that is released is an allegory praising fascism/the Bush administration. It's really tiring.
User avatar
Antoine Doinel
Joined: Sat Mar 04, 2006 5:22 pm
Location: Montreal, Quebec
Contact:

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#183 Post by Antoine Doinel »

^^^I completely agree. This thread has gone off the deep end. It's like no one in the thread has ever seen or heard of an exploitation flick.
User avatar
domino harvey
Dot Com Dom
Joined: Wed Jan 11, 2006 6:42 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#184 Post by domino harvey »

Antoine Doinel wrote:^^^I completely agree. This thread has gone off the deep end. It's like no one in the thread has ever seen or heard of an exploitation flick.
Classic commentary on the Bush doctrine by Antoine =D>
User avatar
Binker
Joined: Thu Jun 19, 2008 8:53 am
Location: Tucson

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#185 Post by Binker »

Two Cent James wrote:It's really tiring.
I was halfway through a response before coming to the exact same conclusion.
Greg Shantz
Joined: Thu Jul 31, 2008 10:09 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#186 Post by Greg Shantz »

Grand Illusion wrote:Morals are only defensible on a gut level.
Not really. The origin of morality is in logic (A=A). Only by accepting the conclusions of logic is morality achieved.
User avatar
colinr0380
Joined: Mon Nov 08, 2004 8:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#187 Post by colinr0380 »

I would agree that the film is 'just' an exploitation film -a twist on the Italian nazisploitation flicks where this time the Nazis are the ones being exploited! In that sense I don't think there is much to worry about in terms of a message that was intended (I guess it could be considered bad timing but on the other hand doesn't seemed to have harmed Defiance too much). However I would suggest that taking a grungy bad taste exploitation premise and making it into a million dollar wide release with big stars might make any message more likely to be noticed, and therefore be more likely to cause debate about what its intentions are in a wider societal context. I would argue that even 'pure entertainment' films do not exist in a vacuum and it would be interesting to ask ourselves questions of why certain films are made at certain times (though I'd be open to the argument that Tarantino doesn't understand or have much interest in the world beyond his films to be affected by current events one way or the other!)

But the real problem that I sense with this film, and found from Kill Bill and Grindhouse in particular, is that it seems to fundamentally misunderstand the nature of the material to try and introduce 'cult' material to the mainstream, immediately robbing the material of its cult, underground appeal - but then Tarantino's been doing that his whole career. I think the budget is what kills any sense of contexutal awareness for the subject matter in these projects. The filmmakers seem either pretentious or condescending in the way material is appropriated from films that the audience is assumed to have never seen or the way film footage is scuffed up using expensive CG effects to create the illusion of 'grindhouse'. It also seems more pernicious when you've got a Hollywood studio backing your exploitation project than when true low budget exploitation films were transgressing boundaries just to grab a jaded audience's attention and a quick buck.

That is similar to an issue I have with the recent wave of 70s and 80s horror remakes by the way. The oppressive, grungy atmospheres that were conjured and normal looking (because they were cheap and exploitable 'struggling actors') characters have been replaced by music video stylistics and buffed hunks and babes adding a hip horror film to their resume, and therefore any sense of tension is lost through the process of updating in different production circumstances. No matter how much the gore quotient is ramped up.
JonathanM
Joined: Fri Feb 13, 2009 3:18 pm
Location: London, UK
Contact:

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#188 Post by JonathanM »

Two Cent James wrote:you can kiss 75% of action movies goodbye.
Fine by me. I agree that it's not particularly original to protest at how right-wing action movies are but that's because they are right wing. QT's new film is remarkable only in so far as it seems to take pride in its chest-thumping militarism and the gore-flecked brutality of its self-righteous revenge fantasies. Going by the trailer, it is a film that has no truck with subtlety or understanding, it is brutality as fetish object.

As time goes by, I find that I have more and more of a problem with action films as a form. It started with Kung fu, which struck me as so surreal and absurd that it was like watching ballet and now I simply can't sit through an action film anymore. When I try to, I just switch it off or walk out of the cinema. Not only do I find the images of fighting dull and the plots that justify said fighting unbelievable, I simply can't stand the politics of films that accept murder as a sensible way of resolving one's problems. In the context of this film, I genuinely fail to grasp what would be gained by brutally murdering a thousand nazis. If there were only 10,000 Nazis then killing off one in ten of them would be an achievement but here the violence seems to be entirely self-indulgent. Like parachuting into Germany in order to gob in Hitler's salad.

I have a great love of the nazisploitation genre but most of those films were about muddying the moral waters. From the Night Porter to Salon Kitty and so on, all of those films had a point to be made, if only the childishly transgressive one that Nazis were sexy. But this film seems not so much an exploitation film as a reactionary attempt to recapture the moral certainties of old war films like the Dirty Dozen.
skweeker
Joined: Fri Jan 30, 2009 8:26 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#189 Post by skweeker »

What's wrong with you people? All of Tarantino's movies always stunk of blood. And he's never gotten a dime out of me. He's an exemplar of American decadence.
JonathanM
Joined: Fri Feb 13, 2009 3:18 pm
Location: London, UK
Contact:

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#190 Post by JonathanM »

Yeah, but his previous films tended not to be ABOUT blood. That's the difference between something like Eden Lake (excellent) and Hostel (cock).

That and there's no such thing as cultural decadence. It's just a fancy-seeming concept cooked up by reactionary Roman historians as a means of saying "the old gray mare she ain't what she used to be".
User avatar
aox
Joined: Fri Jun 20, 2008 4:02 pm
Location: nYc

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#191 Post by aox »

wow. Some of you must be an absolute joy to talk to at parties. This film hasn't even been released yet.
User avatar
Dr. Snaut
Joined: Mon Dec 01, 2008 7:53 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#192 Post by Dr. Snaut »

I don't understand how so many of you can judge the film based on a trailer, a teaser trailer at that. The film hasn't even been released yet, and so many of you have written it off based on a 30 second teaser. Has anybody considered that maybe the studio put together the trailer and Tarantino had nothing to do with it? This is what I thought upon viewing the trailer.

90% of the films I love have god-awful trailers that are very inaccurate in depicting the plot, themes, and style of the film itself. If I based how good a film was by simply viewing the trailer, my film preferences would be extremely different.
User avatar
Napier
Joined: Wed Nov 03, 2004 1:48 pm
Location: The Shire

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#193 Post by Napier »

Dr. Snaut wrote:I don't understand how so many of you can judge the film based on a trailer, a teaser trailer at that. The film hasn't even been released yet, and so many of you have written it off based on a 30 second teaser. Has anybody considered that maybe the studio put together the trailer and Tarantino had nothing to do with it? This is what I thought upon viewing the trailer.

90% of the films I love have god-awful trailers that are very inaccurate in depicting the plot, themes, and style of the film itself. If I based how good a film was by simply viewing the trailer, my film preferences would be extremely different.
My sentiments exactly, I'm sure it's gonna be a blast. I think Tarantino's films are always fun. I can't think of more fun I've had in a theater than when the Kill Bill films came out. I thoroughly enjoyed them.
User avatar
DrBroel
Joined: Wed Feb 25, 2009 5:55 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#194 Post by DrBroel »

maybe the movie will be good. perhaps the violence will end up subverting mainstream audience expectations like a Cronenberg film. Maybe. people are right that you cant be certain how the movie will be from the trailer.

But cant everyone admit that this is an impressively terrible trailer. i mean wow. im just in shock how bad the trailer is and how anyone could think releasing it was a good idea.
User avatar
Dr. Snaut
Joined: Mon Dec 01, 2008 7:53 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#195 Post by Dr. Snaut »

What are you talking about...

Violence + Brad Pitt = Movie magic!!!
Two Cent James
Joined: Mon Jul 21, 2008 11:38 pm
Location: New York City

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#196 Post by Two Cent James »

It looks terrible to me, but I've never been a big fan of Tarantino films.

It just irks me when people complain when the utility of violence is demonstrated in an action movie. That seems to be the point of action movies. Resolving conflict with violence (action) and frequently homicide. (I'm refraining from using the word "murder" because of its legal connotations). The audience, myself included, enjoys the spectacle of violence and goes home satisfied. The reason why decent, peaceful people enjoy watching violence may cause concern, but thats another issue. I don't agree with the argument that if you enjoy violence glorified as a means to an end on screen it means you are buying into a film's supposedly fascist politics.

Of course everyone doesn't have to enjoy action films. By all means don't watch. But complaining about "right wing" violence in a Tarantino, Bruckheimer, McTiernan, etc. film is like complaining about songs being in a musical.

It reminds me of the Dark Knight thread where people were getting upset that Batman beat people up as a means to an end (torture!!). Ummm... he's Batman. If I ever see a Batman movie where he doesn't beat people up I'm asking for my money back.
Grand Illusion
Joined: Wed Sep 26, 2007 11:56 am

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#197 Post by Grand Illusion »

Two Cent James wrote: is like complaining about songs being in a musical.
"Fascist agenda!" for action films is the left-wing equivalent of "Homosexual agenda!" for musicals.
User avatar
DrBroel
Joined: Wed Feb 25, 2009 5:55 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#198 Post by DrBroel »

the violence in the trailer seems more perverse and politically charged than a normal mindless action movie like lets say the first "Die Hard".

there's a reason why there is the cliche where the good guy wont kill the defenseless bad guy, but ends up doing so when the villain magically pulls a weapon out of somewhere and is killed in self defense.

ideally you get something like "A History of Violence" which deconstructs the violence in an action movie (its an action movie that in no way you could call facist). At its worst you get something like "Man on Fire" which turns into a montage of nihilistic blood lust.
User avatar
Barmy
Joined: Mon May 16, 2005 7:59 pm

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#199 Post by Barmy »

That trailer is incredibly bad. It may be true that many trailers are "bad" artistically, but they generally are something you can sit through at least once without checking your watch. This trailer is BORING. If that is the best they can do it doesn't bode well.
User avatar
kaujot
Joined: Mon May 08, 2006 10:28 pm
Location: Austin
Contact:

Re: Inglourious Basterds (Quentin Tarantino, 2009)

#200 Post by kaujot »

Barmy, EVERYTHING bores you. Your opinion on what bores you really is sort of moot. Is there a movie that you haven't slept during in the past year?
Post Reply