Mr. Ned wrote:Is this the first month where Blu releases outnumbered regular DVDs? Rereleases also outnumber new releases too, 3-2 (well, 2 1/2-2 but still....).
Well, now that I'm a proud owner of an all region Blu player I suddenly don't have as much animosity to the format as I used to...funny how that works! Having said that, while all of the releases are fantastic (the extras on Stagecoach sound excellent though the second part of the Lindsay Anderson documentary is still somewhere around and suggesting potentially another Ford release. Walkabout has been crying out for a reissue but it was nice to see the additional effort put into the extras. Of course I have to get M on Blu, though this is going to mean I will then have
four copies of the darn film, plus the Redemption VHS tape hanging around!), the Oshimas and Brakhage V2 are by far the most interesting and exciting of all the announcements for me.
Stagecoach art is a little lacking, and I don't understand the Walkabout border either. Good month, but I wanted Red Desert.
Stagecoach seems like one of those covers that might look better when seen for real rather than on a computer screen - I think it would be perfect for a rough textured Furies-style digipak (though after mfunk's post I'll make sure to keep my own cat away from the boxes!)
The Walkabout cover on the other hand is the first in a while that I really don't like (at least the first I've had such a negative reaction to since Fanfan!) It is far,
far too busy with stuff and in addition the compositing of the elements might cause unintentional hilarity - so you have the aborigine boy perched on top of the burning car which seems to unintentionally denigrate the way both of those powerful separate images were used in the film itself by turning them into a visual pun (though perhaps the association of the boy and the children's suicidal father, as representatives of the doomed 'old world' could be quite interesting). Nowhere near as iconic as the original Criterion cover:
The brick border is another example of the cover being too busy. I can only assume that it is a call back to the magnificent opening sequence of the film, with the sideways movement revealing either the 'modern' urban world or the outback. Though the brickworks are completely different styles if that was meant to be the case.
