Fierias wrote:I admit to not knowing the motivations for Criterion only releasing this film in on DVD; I do not know much about the logistics of the market, and they may well have near-proof that a blu would be economically insufficient, or they just couldn't work out something with rights or tranfers or whatever. But, speaking as someone who doesn't love the film (I haven't seen it), it seems to me that the only way to prevent DVD-only releases in the future for films I do love (beside impassioned emails), is by not supporting these types of releases. DVD will only stop being the 'economically more doable' option once people stop buying them as much, right?
Or the company will go out of business. #-o Seriously, despite all the hype about Blu-ray sales this past holiday season and the enthusiasm with which the format is greeted by some on forums like these, DVD buyers and renters are still the lion's share of the market. The average consumer just switched to DVD a few years ago. I believe the first year that DVD sales/rentals equaled VHS sales and rentals in the US was 2004. I think the industry is trying to make the move to Blu more user friendly economically (if not technically) and I think that transition will happen at a faster pace. But I doubt that Blu-ray aficionados have enough market clout at this point (and are hardly a unified front) to make a difference.
Fierias wrote:Laserdisc and VHS were phased out only once DVD started selling more than the former formats, and I imagine it will be the same with blu-ray.
Two words: back compatibility. Laserdisc and VHS have effectively disappeared because maintaining viewing capability meant dedicated machines for each. Every BD player will play your DVDs. Several can be made region-free for both formats. As folks like MichaelB have discussed here, the DVD isn't going away simply because there are too many films (and TV) for which a Blu release cannot be justified economically or artistically. DVDs aren't going away anytime soon.
Fierias wrote:I'm aware of the paradox that if you want a better release, you have to show that there is a market for the release by buying the inferior version, and it sucks, but why should anyone antagonize those who take a personal stand and resist buying an edition of a film on a format that is being replaced?
One more word: upscaling. Upscaling algoritms have gotten very good. I can easily see why a company may choose not to produce a BD of a given film if the available elements coupled with the projected sales don't warrant the extra effort. They know that every one of their Blu-ray customers is possessed with a player or software that upscales SD to 1080p. The result, while not quite what you get in tru Blu-ray, is still very, very good and an image that the vast majority of consumers will be happy with.
Fierias wrote:And also, MOC and Criterion are very different, of course, but also very similar in their missions and title selections; Criterion's A Christmas Tale situation, and especially MOC's Une femme mariee quick turn-around are examples of why waiting isn't such a bad thing, especially when you can rent in the meantime. Criterion hasn't been too specific about their upgrade patterns, but at this 'stage' nothing will surprise me.
I said elsewhere on the forum that I wished that Criterion would be a bit more forthcoming about their back catalogue plans for BD. But since they began releases in the format, if a film new to the catalogue is going to get Blu treatment, it's always been a dual release. The exception, as has been pointed out is
A Christmas Tale. The Godard is the only fim MoC has reached back and re-released on Blu and, as Nick said here, they agonized over it. He's also said that there are no plans to go further into the back catalogue for Blu releases.
So if you want
Everlasting Moments in Blu now, the best hope is to convince Mulvaney and the gang over the next month or so to release it concurrently with the DVD.