MichaelB wrote:But who on earth is going to collect the BFI's entire output on a systematic basis?

Well, as near as dammit, anyway.
MichaelB wrote:But who on earth is going to collect the BFI's entire output on a systematic basis?

Indeed. I've yet to make the transition to Blu-Ray, because I refuse to buy a region-locked player, and region-free players (eg. importing an Oppo from the US) are beyond what I can afford at present. Yet I support MoC's decision to release City Girl on Blu-ray only. The more quality material made available in 1080P the better, even if I'm personally unable to access it right now. In the meantime, I'm quite happy to content myself with the MoC DVD of There's Always Tomorrow, at this very moment sitting expectantly beside my DVD player...zedz wrote:Even if you are - through no fault of your own - DVD-locked for the next several years, the backlog of essential titles available to view on that format (and new ones being released, by MoC and others) could keep you busy ten times as long, and City Girl will still be around when you ultimately make the change.
And who instigated that genocide, by means of a much larger genocide? The majority of Khmer Rouge victims died as result of poorly implemented agrarian reform, perhaps 100,000 were physically murdered. A heinous figure, certainly, but this must be compared to the 3-4m South-East Asian civilians murdered by the Americans and their fascist allies in the decade prior. And whilst Ieng Sary is under house arrest, Kissinger attends Wimbledon.Caged Horse wrote:Is The Killing Fields out on Blu yet? 1080p would be a fitting way of detailing the genocide Chomsky spent a shameful amount of time attempting to diminish and deny.
I for one am very happy with my region free Limit (Momitsu clone) which was on sale at hmv for £50 and last time I looked mail order for £80.Nothing wrote: Indeed. I've yet to make the transition to Blu-Ray, because I refuse to buy a region-locked player, and region-free players (eg. importing an Oppo from the US) are beyond what I can afford at present.
Other than second-hand sharks on Ebay, these seem to have completely disappeared... I believe the word is Arse.NABOB OF NOWHERE wrote:I for one am very happy with my region free Limit (Momitsu clone) which was on sale at hmv for £50 and last time I looked mail order for £80.
You can get a Tevion, region free, for about £80 from Aldi, if you are near one. It's also a Momitsu clone.Nothing wrote:Other than second-hand sharks on Ebay, these seem to have completely disappeared... I believe the word is Arse.NABOB OF NOWHERE wrote:I for one am very happy with my region free Limit (Momitsu clone) which was on sale at hmv for £50 and last time I looked mail order for £80.
£80!? Goddammit, I paid £120 for mine and thought it was the bargain of the century. It's unbelievable how quickly region free blu players have become available on the market. Far quicker than it happened with dvd players and far cheaper too.tojoed wrote:You can get a Tevion, region free, for about £80 from Aldi, if you are near one. It's also a Momitsu clone.Nothing wrote:Other than second-hand sharks on Ebay, these seem to have completely disappeared... I believe the word is Arse.NABOB OF NOWHERE wrote:I for one am very happy with my region free Limit (Momitsu clone) which was on sale at hmv for £50 and last time I looked mail order for £80.
That's the most awaited release ever for me! Limite follows closely.agnamaracs wrote:You know what would be perfect for a Blu-only release? Abel Gance's NAPOLEON.
Incredibly convoluted rights complications dating back three decades, particularly with regard to the full Kevin Brownlow restoration and the Carl Davis score. This has been performed live several times and broadcast twice on British television (in 1983 and 1989), but never released commercially.Opdef wrote:Why is it so difficult to get hold of Napoleon anywhere?
The Coppola version nearly came out in the UK, courtesy of Optimum - in fact, it got as far as the checkdisc stage before being withdrawn, presumably for legal reasons.zedz wrote:The Coppola version was released on DVD, however. I've got an Australian edition (that I believe is now OOP).
I'd have encoded the bulk of the film as non-anamorphic 4:3 (spreading it over two discs in the process), and then switched to 16:9 anamorphic for the triptychs. On some systems there might be a momentary glitch during the switchover, but that seems a very small price to pay given that the alternative is a marked loss of resolution throughout most of the film. It's also worth noting that live screenings tend to have a rather longer break while the triptychs are set up - I think the only genuinely seamless one I can recall was the one at the Royal Festival Hall in 2000 (and, presumably, 2004).Tommaso wrote:Is there any other way if you want the image to get bigger once the triptychs come in? Cramming the triptychs into a 4:3 frame would certainly run contrary to the effect that Gance had in mind. So does DVD or Blu allow for an aspect ratio switch 'on the fly', so to speak, while the film is running?