Minkin wrote:mfunk9786 wrote:Does Facebook even count as actual discourse? Everyone whines at Criterion about everything on there. What is it you're looking to get out of it that you'll now get out of it since The Royal Tenenbaums was announced?
That said, there are some titles that people (facebook and bluray.com) just won't shut up about... The Game, Following, Badlands, any Wes Andersons, etc etc. I'm sure they'll move on to Fight Club or something now that Tenenbaums has been replaced, but wow, that crowd can be annoying/predictable.
I think we can all agree that the people who regularly post on Criterion's facebook page are cringe-inducing individuals, and that regularly visiting said page would spoil your enjoyment not just of facebook but of cinema itself.
On the subject of Royal Tanenbaums, coming on the heals of the two Stillman announced blus last month, I feel like there's a pattern developing that I don't feel great about. What I like most about Criterion is that they give you films that come from a place or time other than your own, and provide context that allows you to understand those films as much as you would films that come more from the world you live in and whose context you can provide from your life and memories. I'm American and born in the '70s, and I'm kind of disappointed
whenever they release or upgrade an American film made after 1980 or so.
Admittedly, I'm not a fan of Stillman or Anderson, but I like Jim Jarmusch a lot, and I still think the Down By Law upgrade was sort of a bummer. I don't feel like I want or need help interpreting that film the way I do with foreign or classic films, and since CC nominally only distributes to North America I'm not sure why other people are so eager. It's not where the criterion treatment is most needed, and it's not what they're best at.
I'm trying not to whine here - or at least not just whine - but to ask a serious question. Is CC actually moving in this direction - releasing and upgrading more American films made within its buyers' living memory - or is it just my imagination? If this is actually something they're doing more and more of, is this the best use of their resources? It seems like the last two months at least have been determined mostly by the demands of those facebook people, who as far as I can tell want for Criterion not to teach them anything, but just to validate their tastes.