ianungstad wrote:The New York Times put up a page today on it's website crediting Janus films as the domestic distributor of Leni Riefenstahl's Triumph of the Will. Did we know that this was a Janus title? I know that Olympia had been mentioned before as being a Janus holding.
Interesting. IFA kidding aside, wasn't Synapse going to put out a special edition blu-ray? That certainly doesn't mean they have the US rights by any means - since the film is in Public Domain (see Flicker Alley-and several of their titles) and I assume that they don't have access to the original negatives/elements?
I think most of the Riefenstahl - Janus connection is explained fairly well in
David B. Hinton's book:
Since securing her 1975 copyrights, Riefenstahl contracted with Janus Films of New York for the American rights, using prints from her negatives.
I also found this bit fairly hilarious/sad:
Riefenstahl reasoned that her possession of the original negatives of the films.... constituted a greater competitive advantage in the marketplace than the constant threat of legal action against film pirates
Emphasis likely points towards why Cohen are dubiously claiming several Riefenstahl films as part of the Rohauer collection.
So, the question remains: Why hasn't Janus/Criterion done anything with these titles since the 70s/80s? Either their contract with Riefenstahl ended or they've been screwed by the constant PD bandit releases - which would be very sad, although some of their recent Hitchcock blu-rays seem to indicate Criterion's willingness to work with Public Domain titles.
In any case, the titles in question are:
Triumph of the Will,
Tiefland,
Olympia, and
The Blue Light. Hopefully these will come to disc soon/some day (from a non-PD bandit source).