Netflix (DVD Delivery Discussion Only)

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domino harvey
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Joined: Wed Jan 11, 2006 6:42 pm

Re: Netflix

#1651 Post by domino harvey »

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knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Netflix

#1652 Post by knives »

Its probably true with some interesting accounting. I remember the first one at least had the interesting habit of playing immediately after other films.
Isambard
Joined: Wed Oct 17, 2012 5:14 pm

Re: Netflix

#1653 Post by Isambard »

Could anyone offer recommendations for non-English language series on Netflix? I've only added Hotel Beau Sejour to my list because the premise sounded interesting but, beyond that, there's so little coverage that I don't know what would or wouldn't be worthwhile.
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captveg
Joined: Wed Sep 02, 2009 11:28 pm

Re: Netflix

#1654 Post by captveg »

I think Netflix has some strong positives along with its negatives, but certainly one of its strong negatives so far is theatrical and home video distribution for its more prestigious films. Perhaps The Irishman will change that for them.

One thing I know is that I've never been so glad to have supported fund-raising campaigns than for the new MST3K and The Other Side of the Wind. I'm promised blu-ray releases of both, while those who didn't support the funding may never get a home video release of either.
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Ribs
Joined: Fri Jun 13, 2014 5:14 pm

Re: Netflix

#1655 Post by Ribs »

As has weirdly been very ignored in all coverage of The Irishman, it's important to remember it's due to release in 2019. Netflix needs to get their act together well before then.
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captveg
Joined: Wed Sep 02, 2009 11:28 pm

Re: Netflix

#1656 Post by captveg »

They should really think about following Amazon's strategy when it comes to feature films.
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Drucker
Your Future our Drucker
Joined: Wed May 18, 2011 1:37 pm

Re: Netflix

#1657 Post by Drucker »

captveg wrote:They should really think about following Amazon's strategy when it comes to feature films.
I hear about acclaimed films and have no idea going into it they are Amazon productions (Manchester by the Sea, Handmaiden) and that's definitely a success as far as I'm concerned.
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ando
Bringing Out El Duende
Joined: Mon Dec 06, 2004 10:53 pm
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Re: Netflix

#1658 Post by ando »

Goody! An Orson Welles performance I've never seen - Jonathan Wilk, a defense lawyer in the infamous Leob-Leopold murder case. Wonder if the case has any relation to Hitchcock's Rope (Suppose a real cinephile would know :roll: , but a film from which I get far more thrills than Vertigo and Rear Window put together). Course, I'm always suspect of Welles' acting in other director's films as he often claimed to have loathed it (said Pasolini once asked him to play a pig.)
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domino harvey
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Re: Netflix

#1659 Post by domino harvey »

ando wrote:Goody! An Orson Welles performance I've never seen - Jonathan Wilk, a defense lawyer in the infamous Leob-Leopold murder case. Wonder if the case has any relation to Hitchcock's Rope (Suppose a real cinephile would know :roll: , but a film from which I get far more thrills than Vertigo and Rear Window put together). Course, I'm always suspect of Welles' acting in other director's films as he often claimed to have loathed it (said Pasolini once asked him to play a pig.)
I hated this one, I'd temper your expectations as far as you can!
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domino harvey
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Re: Netflix

#1660 Post by domino harvey »

Posts about streaming and cinephiles moved here-- you won't believe what happens next!
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ando
Bringing Out El Duende
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Re: Netflix

#1661 Post by ando »

Enjoying the story of Joseph Stalin from a decidedly British point of view. Pity there isn't much time spent on the Soviet involvement in World War II in American primary schools. A major part of that conflict remains misunderstood or given short shrift by Westerners, in general. Perhaps this is changing now.
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ando
Bringing Out El Duende
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Re: Netflix

#1662 Post by ando »

domino harvey wrote:
ando wrote:Goody! An Orson Welles performance I've never seen - Jonathan Wilk, a defense lawyer in the infamous Leob-Leopold murder case. Wonder if the case has any relation to Hitchcock's Rope (Suppose a real cinephile would know :roll: , but a film from which I get far more thrills than Vertigo and Rear Window put together). Course, I'm always suspect of Welles' acting in other director's films as he often claimed to have loathed it (said Pasolini once asked him to play a pig.)
I hated this one, I'd temper your expectations as far as you can!
Pretty awful. Welles was... not good. Seemed exhausted.

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Ok, it'd be hard to go wrong here: Mifune.
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Aunt Peg
Joined: Fri Dec 21, 2012 9:30 am
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Re: Netflix

#1663 Post by Aunt Peg »

Does anyone know if Netflix have any plans to release their product on home media (DVD and/or Blu Ray) sometime in the future?
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MichaelB
Joined: Fri Aug 11, 2006 10:20 pm
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Re: Netflix

#1664 Post by MichaelB »

Aunt Peg wrote:Does anyone know if Netflix have any plans to release their product on home media (DVD and/or Blu Ray) sometime in the future?
From what I gather, no.
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knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Netflix

#1665 Post by knives »

Have they given a reason why? It's very annoying to have some of these films come with such a high barrier.
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movielocke
Joined: Fri Jan 18, 2008 4:44 am

Re: Netflix

#1666 Post by movielocke »

Because one makes a ton more money on all customers buy a subscription model, than on a some customers buy some things sometimes model
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MichaelB
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Re: Netflix

#1667 Post by MichaelB »

And streaming to 10,000 customers is infinitely cheaper than pressing, packaging and releasing 10,000 discs.
Perkins Cobb
Joined: Tue Apr 29, 2008 4:49 pm

Re: Netflix

#1668 Post by Perkins Cobb »

It depends on what "product" you're talking about though ... Beasts of No Nation is still conspicuously absent on any physical media more than a year and a half after Netflix "released" it, but at least their original TV shows seem to get DVD and Blu releases sometime before the next season arrives.
calculus entrophy
Joined: Sun Sep 21, 2014 3:32 pm

Re: Netflix

#1669 Post by calculus entrophy »

Its not quite a tin foil hat strategy to acquire physical media....rather, its because a work on physical media need only be purchased once....whereas streaming is the ultimate corporate expression because they get income over and over again from customers for the same exact content. It becomes a de facto tithe.

And here I sound like I'm from another century.....wait, here comes the 50th anniversary ultimate director's cut steelbook engraved limited edition from a new 4k scan. LOL
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knives
Joined: Sat Sep 06, 2008 10:49 pm

Re: Netflix

#1670 Post by knives »

That's gross. Also doesn't that break antitrust laws like the vertical integration theaters of the studio era?
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captveg
Joined: Wed Sep 02, 2009 11:28 pm

Re: Netflix

#1671 Post by captveg »

knives wrote:That's gross. Also doesn't that break antitrust laws like the vertical integration theaters of the studio era?
Nobody has cared about that once media conglomerates bought TV networks in the mid-90s.
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knives
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Re: Netflix

#1672 Post by knives »

People caring and it being legal are two very different things.
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Michael Kerpan
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Re: Netflix

#1673 Post by Michael Kerpan »

knives wrote:People caring and it being legal are two very different things.
For all practical purposes, not really. If neither Democratic nor Republican Presidents (and/or Attorneys-General) care, the law becomes essentially meaningless.
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Gregory
Joined: Tue Nov 02, 2004 8:07 pm

Re: Netflix

#1674 Post by Gregory »

But media consolidation on an unprecedented scale has been legal for two decades thanks to Bill Clinton's Telecommunications Act, an almost complete rollback of New Deal regulations, leading to the vast majority of the American media being owned by just five or six corporations, allowing Clear Channel to dominate radio, etc. Many have been tracking and responding to these long trends since years before the Clinton era and well into the FCC deregulation of the Bush years, so saying that nobody has cared about it since some time in the ’90s is really not accurate, but the media giants and their lobbyists were obviously far more influential. Virtually no one in the Senate or the House opposed the ’96 Telecommunications Act (Bernie Sanders was one of the few who did).
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ando
Bringing Out El Duende
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Re: Netflix

#1675 Post by ando »

Image Image
Bittoo Boss & Kama Sutra, two Hindi films I caught on the streaming service today were quite different experiences. I can't recommend Bittoo at all. Indian tv star, Pulkit Samrat, who plays a talented wedding video shooter, made his admirable feature film debut. But the film has a wayward script that goes south about halfway and not nearly enough dance numbers for this less-than-typical Bollywood flick. It's a shame, too, because Samrat moves well. Director, Mira Nair's Kama Sutra is in a different class altogether. A classic tale set in 16th century India, Nair captures a refreshingly authentic sensual Punjabi love story. It's one of my faves that is also available as a Netflix download (one of the few times I've bothered with this feature). The soundtracks to both films are superb.
Good Nair Interview
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