This was a really beautiful, powerful film. There's a lot of nuance and dimension to the characters, without anything feeling overly emphasized. Between Indicator's release of this and
Blue Collar, it's really great to see Keitel in these really unsure of himself and insecure positions (I guess he does that a lot, such as with
Who's That Knocking at My Door.)
I was especially drawn into the subplot of his uneasy marriage and his complete inability to face or address it, which seems to set the stage for a lot of the decisions being made in this film.
The film does a superb job of not centering the financial gains of the criminal conspiracy. It almost feels like it's just 'something to do' for some people living a somewhat boring and repetitive life. Nicholson quickly realizes that the monotony of California is just as present in El Paso. The scene with him 'drawing the line' ends up having a greater meaning, as Nicholson is determined to have meaning in his life, whereas Keitel doesn't seem to.
Lots of great performances, and a superb finale which definitely has you on the edge of your seat.