338 Equinox
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Narshty
- Joined: Tue Nov 02, 2004 6:27 pm
- Location: London, UK
Slightly more detailed specs are now reappearing on Criterion's site.
- New, restored high-definition digital transfers
- Two audio commentaries: writer-director Jack Woods and producer Jack H. Harris on the 1970 release, and effects photographer–producer–director Dennis Muren, writer-codirector Mark Thomas McGee, and matte artist–cel animator–effects technician Jim Danforth on the 1967 version
- Video introduction by Forrest J. Ackerman
- Interviews with Muren and actors Frank Bonner, Barbara Hewitt, and James Duron
- Deleted scenes and outtakes from the 1967 version
- Archival stop-motion test footage
- The Magic Treasure, a rare animated fairy tale by David Allen
- Acclaimed “Kongâ€
- New, restored high-definition digital transfers
- Two audio commentaries: writer-director Jack Woods and producer Jack H. Harris on the 1970 release, and effects photographer–producer–director Dennis Muren, writer-codirector Mark Thomas McGee, and matte artist–cel animator–effects technician Jim Danforth on the 1967 version
- Video introduction by Forrest J. Ackerman
- Interviews with Muren and actors Frank Bonner, Barbara Hewitt, and James Duron
- Deleted scenes and outtakes from the 1967 version
- Archival stop-motion test footage
- The Magic Treasure, a rare animated fairy tale by David Allen
- Acclaimed “Kongâ€
- keeproductions
- Joined: Tue Nov 02, 2004 6:45 pm
- Location: Minneapolis, MN
- Faux Hulot
- Jack Of All Tirades
- Joined: Wed Nov 03, 2004 3:57 pm
- Location: Location, Location
"Slightly" is definitely the operative word in the "about the transfer" section:Narshty wrote:Slightly more detailed specs are now reappearing on Criterion's site.
The heart quickens!These new high-definition digital transfers were created on a XXX from a XXX struck from the XXX.
Seriously, when I first saw the cover art I figured it was from another fakery thread, and thought "Damn... wish that was a real release!" The fact this it's not a joke makes this middle-aged one-time Cinemagic reader downright giddy.
- Nihonophile
- Joined: Thu Nov 04, 2004 4:57 am
- Location: Florida
- Contact:
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Narshty
- Joined: Tue Nov 02, 2004 6:27 pm
- Location: London, UK
I've just noticed something from the original pre-revision transfer info.
So, the people responsible for the Oscars picked this movie for a full-blown restoration and preservation? Gold stars all round for those concerned!This new high-definition digital transfer of Equinox was created on a Spirit Datacine from a 35mm color negative and a 35mm optical track negative from the Academy-restored original 16mm blow-up of the film.
- keeproductions
- Joined: Tue Nov 02, 2004 6:45 pm
- Location: Minneapolis, MN
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ByMarkClark.com
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- Mr Pixies
- Joined: Sun Nov 07, 2004 2:03 am
- Location: Fla
from Video Hound's Cult Flicks and Trash Pics;
"Threadbare but surprisingly influential 16mm. feature in which young archaeologists uncover horrors in a state forest, the result of a scientist (famed author Fritz Leiber in a wordless cameo) experimenting with an ancient book of spells. Protagonists are threatened by low-budget but nicely realized visual effects, including winged beasts, simian giants, and Satan. Names behind the scenes of this amateur film have gone on to Hollywood prominence, like f/x artists Dennis Muren (who produced) and David Allen, and assistant-cameraman-turned actor Ed Begley Jr. Sitcom fans will of course notice WKRP in Cincinnati- regular Frank Bonner amidst the performers. Despite obvious flaws, it is deemed a minor classic; impressive in its way but ragged enough to tell Hollywood aspirants, "This is cool-but you can do better!" The Hound can well imagine Sam Raimi watching Equinox before embarking upon Evil Dead. Also on tape as the Beast. "
"2 1/2 out of 4"
"Threadbare but surprisingly influential 16mm. feature in which young archaeologists uncover horrors in a state forest, the result of a scientist (famed author Fritz Leiber in a wordless cameo) experimenting with an ancient book of spells. Protagonists are threatened by low-budget but nicely realized visual effects, including winged beasts, simian giants, and Satan. Names behind the scenes of this amateur film have gone on to Hollywood prominence, like f/x artists Dennis Muren (who produced) and David Allen, and assistant-cameraman-turned actor Ed Begley Jr. Sitcom fans will of course notice WKRP in Cincinnati- regular Frank Bonner amidst the performers. Despite obvious flaws, it is deemed a minor classic; impressive in its way but ragged enough to tell Hollywood aspirants, "This is cool-but you can do better!" The Hound can well imagine Sam Raimi watching Equinox before embarking upon Evil Dead. Also on tape as the Beast. "
"2 1/2 out of 4"
- Schkura
- Joined: Sat Sep 17, 2005 5:48 pm
- Location: Mississippi
Thanks to my newfound and inexplicable affinity for YouTube, I ran across this this morning. So... the evil forces of hell on earth can be held at bay by a dreamcatcher?
Skyrockets soar towards outer space, imagine yourself in an infinite place.
Skyrockets soar towards outer space, imagine yourself in an infinite place.
- cdnchris
- Site Admin
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djali999
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- Location: Florie-dah
- Fletch F. Fletch
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- Donald Trampoline
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- oldsheperd
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- Dylan
- Joined: Wed Nov 03, 2004 1:28 am
God, what a hilarious trailer. If you love that get a case of beer ready when you get around to the Harris version because there's a lot more where it came from (the Harris version is where all of the bad camp is: the dreamcatcher, the ring, everything that doesn't make any sense to whatever story is going on).
Stay sober for Muren's version though, it's better and far more comprehensible.
Stay sober for Muren's version though, it's better and far more comprehensible.
- daniel p
- Joined: Wed Nov 03, 2004 1:01 am
- Location: Melbourne, Australia
- Nihonophile
- Joined: Thu Nov 04, 2004 4:57 am
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djali999 wrote:having seen the movie, that's a pretty good sample of it. utter nonsense, but I can't wait to wallow in it utterly without regard to Misters Mizoguchi, Naruse, or even Ozu. I hope the transfer is better than I expect, even from Criterion. After Arkadin this is #1 on my hit list this year so far.
Djali you should consider redirecting your regard toward masters Mizoguchi, Naruse, and especially Ozu. Speaking as the Nihonophile, I must remind you that Ozu is more important because as old white guys often state, he is the most Japanese of all directors. More Japanese means more deserving of a Criterion. Also, lets not forget that noted scholar of all things japanese, Whim Whenders will be included on Criterion's next Ozu release. I thought I would remind you of this since you seem lost in the world of Equinox and forgetful of Japanese cinema.
- pemmican
- Joined: Fri Feb 24, 2006 12:19 am
- Location: Vancouver, BC, Canada
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Yeah, I dunno about buying this. I remember enjoying it at age 15, when I was a regular FAMOUS MONSTERS OF FILMLAND reader -- though I thought the ending was really creepy/depressing, at the time (!). My cinematic horizons have broadened a little since, tho'. I'll probably rent it -- I doubt very much that seeing it again will prompt me to want to own it.
A.
A.
- What A Disgrace
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