4K ULTRA HD LIMITED EDITION CONTENTS
4K (2160p) UHD Blu-ray™ presentation in Dolby Vision (HDR10 compatible) of the Theatrical and Extended Cuts
Original lossless DTS-HD MA 5.1 audio
Optional English subtitles for the deaf and hard of hearing
Archival audio commentary by director James Mangold
Archival audio commentary by screenwriter Michael Cooney
I Met a Man That Wasn’t There, a brand new interview with actor Pruitt Taylor Vince
Producing Identity, a brand new interview with producer Cathy Konrad
On The Set, an archival behind the scenes featurette
Deleted scenes
Storyboard comparisons
Theatrical trailer
Image gallery
Reversible sleeve featuring two choices of original artwork
Collectors’ booklet featuring new writing on the film by Andrew Cardno and original production notes
Hmm, I've long considered this movie to be the worst I've ever watched in a cinema, but oddly the Letterboxd reviews range from average to positive. Looks like I may have to revisit this at some point. If it turns out this isn't the worst, then FearDotCom may take that crown.
I'm with Swift, I wanted my money back when the twist was revealed. It's the cinematic equivalent of someone laboriously recounting last night's dream to you, an experience that only has meaning for them.
Swift wrote:Hmm, I've long considered this movie to be the worst I've ever watched in a cinema, but oddly the Letterboxd reviews range from average to positive. Looks like I may have to revisit this at some point. If it turns out this isn't the worst, then FearDotCom may take that crown.
Feardotcom is a cinematic atrocity on every level. Identity just sucks. The build up is fine, interesting even, but the twist/gimmick just ruins everything that came before.
It didn't help that Charlie Kaufman had already used the same gimmick idea to lampoon mainstream cinema's penchant for absurd psychological twists the year before in Adaptation.
