On Five: Criterion Collection Blog

News on Criterion and Janus Films
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Mr Sausage
Has Risen from the Grave
Joined: Thu Nov 04, 2004 1:02 am
Location: Canada

#126 Post by Mr Sausage »

colinr0380 wrote:
godardslave wrote:from 1st post:
Pretty interesting & informed, if often a little stuffy, group of people post there on a regular basis
A disturbingly accurate summary of our forum! :shock:
The only real problem is when people start being asshats and have to be slapped around a bit.
I agree with godardslave - they seem to know our characters quite well! :wink:
Probably because that poster Gervais is a member here.

As for the second comment, that pretty well describes the whole internet.
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Morbii
Joined: Sat Nov 27, 2004 7:38 am

#127 Post by Morbii »

godardslave wrote:
Morbii wrote:I found out about these forums from him...
i dont quite understand what you mean. from who?
From Mulvaney. I sent a suggestion for them to open some forums one day (yes, rather than just doing an internet search). He pointed me here.
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Jeff
Joined: Wed Nov 03, 2004 1:49 am
Location: Denver, CO

#128 Post by Jeff »

Criterion producer Karen Stetler reflects on her encounters with Mr. Altman in the latest blog entry.
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colinr0380
Joined: Mon Nov 08, 2004 8:30 pm
Location: Chapel-en-le-Frith, Derbyshire, UK

#129 Post by colinr0380 »

The part of Issy-les-Moulineaux we were visiting is essentially a newly refurbished commercial district on the Southwestern outskirts of the city — big buildings of glass and chrome and marble with vaulting lobbies and impressive security arrangements. At one stop we received plastic identity cards with bar codes on them just to pass through the turnstiles in the lobby -- we returned them, one hopes for recycling -- on the way out. These companies are modern media powerhouses, and lest one forget it, the architecture is there to remind you.
It sounds like they visited one of those JG Ballard-esque business parks!

I wonder if they'll get into corporate espionage with rival bidders over who gets the rights to release the films a la the Connie Nielsen/Gina Gershon punch-up from Demonlover!
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Jeff
Joined: Wed Nov 03, 2004 1:49 am
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#130 Post by Jeff »

I enjoyed this episode of Les Voyages de Pierre. I hope that in future episodes we hear about the supervision of film transfers and the creation of supplements for the films that they were there to license.
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dadaistnun
Joined: Thu Nov 04, 2004 12:31 pm

#131 Post by dadaistnun »

On Five appears to have an RSS feed now. I was able to subscribe through Bloglines using this address.
Cinesimilitude
Joined: Tue Jul 09, 2013 4:43 am

#132 Post by Cinesimilitude »

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godardslave
Joined: Tue Nov 02, 2004 8:44 pm
Location: Confusing and open ended = high art.

#133 Post by godardslave »

A possible Cleo de 5 à 7 re-issue seems to be strongly hinted at in the most recent blog entry.
A prime candidate for reissue as the current dvd is non-anamorphic and has no extras.
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Cinephrenic
Joined: Tue Nov 02, 2004 6:58 pm
Location: Paris, Texas

#134 Post by Cinephrenic »

Don't forget Le bonheur.
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magicmarker
Joined: Sun Oct 15, 2006 2:21 am

#135 Post by magicmarker »

Maybe we'll see some Chris Marker as well. Films du Jeudi released Marker's Chats Perches (hence the grinning cat reference?). Any Marker would be welcome, though I'd really like to see something that is otherwise unavailable on DVD in any market (Level Five or Lettre de Siberie).

Perhaps I can be overly hopeful and imagine a boxset of Rive Gauche filmmakers, like Varda, Resnais and Marker, in the future. Or many a couple of releases in the same month.
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godardslave
Joined: Tue Nov 02, 2004 8:44 pm
Location: Confusing and open ended = high art.

#136 Post by godardslave »

magicmarker wrote:Maybe we'll see some Chris Marker as well. Films du Jeudi released Marker's Chats Perches (hence the grinning cat reference?). Any Marker would be welcome, though I'd really like to see something that is otherwise unavailable on DVD in any market (Level Five or Lettre de Siberie).

Perhaps I can be overly hopeful and imagine a boxset of Rive Gauche filmmakers, like Varda, Resnais and Marker, in the future. Or many a couple of releases in the same month.
I like your avatar. where's it from?
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davebert
Joined: Fri May 05, 2006 8:00 pm
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#137 Post by davebert »

A new print of Cleo from 5 to 7 is also currently playing at the IFC Center, so that suggests some restoration work was done, or maybe just that the interest is floating out there... I don't remember it needing restoration per-se when I saw the DVD last year.
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magicmarker
Joined: Sun Oct 15, 2006 2:21 am

#138 Post by magicmarker »

godardslave wrote:I like your avatar. where's it from?
Thanks. It is of M.Chat from Marker's Chats Perches. For those who haven't seen it, it's a really great essay film/documentary about political activism in France between 2000 and 2003 and its connection to the graphitti image of M.Chat that began to appear all over Paris around the same time. You can get the Arte Video/Film du Jeudi DVD from amazon.fr (region 2 of course).
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Jeff
Joined: Wed Nov 03, 2004 1:49 am
Location: Denver, CO

#139 Post by Jeff »

godardslave wrote:A possible Cleo de 5 à 7 re-issue seems to be strongly hinted at in the most recent blog entry.

I think that it is more likely that they were visiting with Varda to discuss work on future Demy titles (am I imagining that Lola and Bay of Angels were posited as Criterion releases at one time?). Of course, Varda has already created a potential supplement for a future Cléo disc, and Le Bonheur would be more than welcome. Only good things can come of this encounter.

Am I the only one completely taken by Peter Becker's prose style? I could spend a day reading about noodling through Parisian streets to visit the neighborhood filmmaker, nestled in amongst the shops. Becker should write a book about the history of Janus and Criterion, the triumphant rescue of Grand Illusion and Rules of the Game, and his adventures traveling the world with Jon Turell, Lee Kline, and Fumiko Takagi, meeting with great filmmakers and restoring their films.
Cinesimilitude
Joined: Tue Jul 09, 2013 4:43 am

#140 Post by Cinesimilitude »

Jeff wrote:Becker should write a book about the history of Janus and Criterion, the triumphant rescue of Grand Illusion and Rules of the Game, and his adventures traveling the world with Jon Turell, Lee Kline, and Fumiko Takagi, meeting with great filmmakers and restoring their films.
A bit pretentious maybe, but what if they made a documentary about all that stuff and released it under the criterion banner sans spine number? I'd pay a 100$ for something like that without hesitation. Mr. Becker, are you listening?
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Tribe
The Bastard Spawn of Hank Williams
Joined: Tue Nov 02, 2004 11:59 pm
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#141 Post by Tribe »

SncDthMnky wrote:A bit pretentious maybe, but what if they made a documentary about all that stuff and released it under the criterion banner sans spine number? I'd pay a 100$ for something like that without hesitation. Mr. Becker, are you listening?
Christ, don't give him ideas about $100 dollar discs....

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Narshty
Joined: Tue Nov 02, 2004 6:27 pm
Location: London, UK

#142 Post by Narshty »

Jeff wrote:Am I the only one completely taken by Peter Becker's prose style? I could spend a day reading about noodling through Parisian streets to visit the neighborhood filmmaker, nestled in amongst the shops.
I find it a touch florid, but it's still the cutest blog I've read in a long time and the best PR stunt Criterion have ever pulled.
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jbeall
Joined: Sat Aug 12, 2006 1:22 pm
Location: Atlanta-ish

#143 Post by jbeall »

Agreed--the blogs from Paris were a bit florid. On the other hand, I'm grading a stack of undergrad term papers right now and wish my students could be half as florid... ugh.

But he's not a writer by profession. He works for a company that makes the best dvds in this country by far. I'll forgive him for not being Don Delillo.
fred
Joined: Wed Mar 16, 2005 2:28 am

#144 Post by fred »

jbeall wrote:I'll forgive him for not being Don Delillo.
And I'll thank him for not being Don Delillo, though I agree about the defects of his prose. :lol:
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godardslave
Joined: Tue Nov 02, 2004 8:44 pm
Location: Confusing and open ended = high art.

#145 Post by godardslave »

its a great blog and a good idea, thanks Criterion.

Another post (i can not find it now) raised an interesting point about how much control/editorial power you have over audio commentaries, maybe someone from Criterion could address this question in a future blog entry?
And what is criterion's definition of a good audio commentary?

thanks.
Last edited by godardslave on Wed Dec 06, 2006 1:41 am, edited 2 times in total.
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justeleblanc
Joined: Wed Nov 03, 2004 10:05 pm
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#146 Post by justeleblanc »

Does the new blog entry mean we'll be seeing De Palma's film soon?
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zedz
Joined: Sun Nov 07, 2004 11:24 pm

#147 Post by zedz »

No, but it sounds like a rerelease of The Lady Vanishes is in the pipeline.

By the way, am I missing something, or is there some obvious reason why this extract from the previous blog shouldn't be considered a big hint?
Peter Becker wrote:The conversation ranged from DVD supplements and restoration to the difficulty of color-correcting a scene in Peau d'Âne
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toiletduck!
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#148 Post by toiletduck! »

What, that's not small talk at the zedz dinner table?

-Toilet Dcuk
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zedz
Joined: Sun Nov 07, 2004 11:24 pm

#149 Post by zedz »

toiletduck! wrote:What, that's not small talk at the zedz dinner table?
If it were, I'd be wearing the dinner.
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pianocrash
Joined: Wed Nov 03, 2004 3:02 pm
Location: Over & Out

#150 Post by pianocrash »

By the way, am I missing something, or is there some obvious reason why this extract from the previous blog shouldn't be considered a big hint?
Peter Becker wrote:The conversation ranged from DVD supplements and restoration to the difficulty of color-correcting a scene in Peau d'Âne.
Because it's already available in a nice transfer?
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