Shine a Light (Martin Scorsese, 2008)

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foggy eyes
Joined: Fri Sep 01, 2006 1:58 pm
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Shine a Light (Martin Scorsese, 2008)

#1 Post by foggy eyes »

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exte
Joined: Wed Nov 03, 2004 8:27 pm
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#2 Post by exte »

Yet another fantastic interview. Thank you so much for this, honestly...
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Jeff
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#3 Post by Jeff »

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Highway 61
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#4 Post by Highway 61 »

Looks great, especially the B&W. The nerd in me is psyched for the Mick & Marty banter.
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Antoine Doinel
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#5 Post by Antoine Doinel »

As much as I love Scorsese, and as much as I love classic-era Stones (hell, I even played in a damn cover band), it's certainly disheartening to see the likes of this once culturally influential band prancing around on stage with Christina Aguilera with Bill Clinton in the audience. Ugh.

I just wonder if they'll use subtitles whenever Keef speaks ;)
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flyonthewall2983
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#6 Post by flyonthewall2983 »

What'd you play?
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Antoine Doinel
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#7 Post by Antoine Doinel »

I played guitar and sang lead. The band only ever got to one show, but as I recall the songs we played included "Jumping Jack Flash", "Happy", "Love In Vain" and "Brown Sugar".
rs98762001
Joined: Mon Jul 25, 2005 10:04 pm

#8 Post by rs98762001 »

According to that interview, Martin Scorsese likes David Gray. Boy, that's depressing, but maybe an insight into why his narrative films over the last ten years have been so bland. Yes, I think I'll blame David Gray.
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Highway 61
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#9 Post by Highway 61 »

Antoine Doinel wrote:it's certainly disheartening to see the likes of this once culturally influential band prancing around on stage with Christina Aguilera with Bill Clinton in the audience. Ugh.

Yes, nothing has tainted this great band's reputation more than 30+ years of Mick's failed attempts to appeal to a young audience with half-assed pop. While I still love the band, I'd almost rather see a documentary about how such a hugely successful musician/businessman--whose top priority is keeping in touch with his audience--has managed to be out of touch for so long. It's amazing, really. Dylan, Springsteen, McCartney, Prince, etc. have all rejuvenated their critical and commercial standing with back-to-basics albums, yet Mick is still in a mid-life crisis.
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Jeff
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#10 Post by Jeff »

Ugh. It's been pushed to 2008.
TedW
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#11 Post by TedW »

Highway 61 wrote:
Antoine Doinel wrote:it's certainly disheartening to see the likes of this once culturally influential band prancing around on stage with Christina Aguilera with Bill Clinton in the audience. Ugh.

Yes, nothing has tainted this great band's reputation more than 30+ years of Mick's failed attempts to appeal to a young audience with half-assed pop. While I still love the band, I'd almost rather see a documentary about how such a hugely successful musician/businessman--whose top priority is keeping in touch with his audience--has managed to be out of touch for so long. It's amazing, really. Dylan, Springsteen, McCartney, Prince, etc. have all rejuvenated their critical and commercial standing with back-to-basics albums, yet Mick is still in a mid-life crisis.
I'd say he's kept in touch with his audience pretty good. The Stones are currently winding down the most successful tour in the history of rock and roll, the album for which is pretty back to basics, was well-reviewed, and is actually pretty good. Christina Aguilera I can do without, however.
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Highway 61
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#12 Post by Highway 61 »

That's all very true. But then again, The Stones have been doing all that since Steal Wheels twenty years ago. You could set your watch to it. I just wish they could pull off one last album worthy of their 60s/70s material, not another "well, it's the best since Some Girls" album. But it'll never happen.
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Antoine Doinel
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#13 Post by Antoine Doinel »

I agree. I actually wish Keith Richards would do some more solo albums, because his solo material is exceptionally strong and blows most post-70s Stones' stuff right out of the water.
TedW
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#14 Post by TedW »

Highway 61 wrote:Looks great, especially the B&W. The nerd in me is psyched for the Mick & Marty banter.
Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
BWilson
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#15 Post by BWilson »

Will this be released theatrically?
TedW
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#16 Post by TedW »

Look up five posts.
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Highway 61
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#17 Post by Highway 61 »

TedW wrote:Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
How did I miss this bit of news? That's fantastic.
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Jeff
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#18 Post by Jeff »

Trailer again: bigger, better, higher-deffer.
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miless
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#19 Post by miless »

Highway 61 wrote:
TedW wrote:Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
How did I miss this bit of news? That's fantastic.
I wonder if Lubezki is responsible for the B&W hand-held stuff (as no-one does hand-held quite like Emmanuel)
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Antoine Doinel
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#20 Post by Antoine Doinel »

Shine A Light to open 58th Berlinale.
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Antoine Doinel
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#21 Post by Antoine Doinel »

The Stones edited their more provocative lyrics for the film.
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lacritfan
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#22 Post by lacritfan »

TedW wrote:Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
Don't forget John Toll.
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exte
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#23 Post by exte »

So is the IMAX version the necessary viewing setting here? I'd really like not to trek out if I don't have to...
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Svevan
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#24 Post by Svevan »

According to Variety, Albert Maysles shot the "backstage moments." I assume that means he's responsible for the black and white stuff, which looks much more interesting than the actual concert (however beautiful).
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Saarijas
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#25 Post by Saarijas »

Svevan wrote:According to Variety, Albert Maysles shot the "backstage moments." I assume that means he's responsible for the black and white stuff, which looks much more interesting than the actual concert (however beautiful).
I am afraid your very right that the back stage stuff was much more interesting. Now if only the backstage stuff had lasted more then 20 minutes...
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