Shine a Light (Martin Scorsese, 2008)
- exte
- Joined: Wed Nov 03, 2004 8:27 pm
- Location: NJ
Yet another fantastic interview. Thank you so much for this, honestly...foggy eyes wrote:Guardian interview about Shine a Light.
- Jeff
- Joined: Wed Nov 03, 2004 1:49 am
- Location: Denver, CO
- Highway 61
- Joined: Mon Nov 08, 2004 8:40 pm
- Antoine Doinel
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As much as I love Scorsese, and as much as I love classic-era Stones (hell, I even played in a damn cover band), it's certainly disheartening to see the likes of this once culturally influential band prancing around on stage with Christina Aguilera with Bill Clinton in the audience. Ugh.
I just wonder if they'll use subtitles whenever Keef speaks
I just wonder if they'll use subtitles whenever Keef speaks
- flyonthewall2983
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- Antoine Doinel
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rs98762001
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- Highway 61
- Joined: Mon Nov 08, 2004 8:40 pm
Antoine Doinel wrote:it's certainly disheartening to see the likes of this once culturally influential band prancing around on stage with Christina Aguilera with Bill Clinton in the audience. Ugh.
Yes, nothing has tainted this great band's reputation more than 30+ years of Mick's failed attempts to appeal to a young audience with half-assed pop. While I still love the band, I'd almost rather see a documentary about how such a hugely successful musician/businessman--whose top priority is keeping in touch with his audience--has managed to be out of touch for so long. It's amazing, really. Dylan, Springsteen, McCartney, Prince, etc. have all rejuvenated their critical and commercial standing with back-to-basics albums, yet Mick is still in a mid-life crisis.
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TedW
- Joined: Tue Nov 02, 2004 10:57 pm
- Location: A Theatre Near You
I'd say he's kept in touch with his audience pretty good. The Stones are currently winding down the most successful tour in the history of rock and roll, the album for which is pretty back to basics, was well-reviewed, and is actually pretty good. Christina Aguilera I can do without, however.Highway 61 wrote:Antoine Doinel wrote:it's certainly disheartening to see the likes of this once culturally influential band prancing around on stage with Christina Aguilera with Bill Clinton in the audience. Ugh.
Yes, nothing has tainted this great band's reputation more than 30+ years of Mick's failed attempts to appeal to a young audience with half-assed pop. While I still love the band, I'd almost rather see a documentary about how such a hugely successful musician/businessman--whose top priority is keeping in touch with his audience--has managed to be out of touch for so long. It's amazing, really. Dylan, Springsteen, McCartney, Prince, etc. have all rejuvenated their critical and commercial standing with back-to-basics albums, yet Mick is still in a mid-life crisis.
- Highway 61
- Joined: Mon Nov 08, 2004 8:40 pm
That's all very true. But then again, The Stones have been doing all that since Steal Wheels twenty years ago. You could set your watch to it. I just wish they could pull off one last album worthy of their 60s/70s material, not another "well, it's the best since Some Girls" album. But it'll never happen.
- Antoine Doinel
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TedW
- Joined: Tue Nov 02, 2004 10:57 pm
- Location: A Theatre Near You
Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.Highway 61 wrote:Looks great, especially the B&W. The nerd in me is psyched for the Mick & Marty banter.
- Highway 61
- Joined: Mon Nov 08, 2004 8:40 pm
How did I miss this bit of news? That's fantastic.TedW wrote:Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
- miless
- Joined: Sun Apr 02, 2006 1:45 am
I wonder if Lubezki is responsible for the B&W hand-held stuff (as no-one does hand-held quite like Emmanuel)Highway 61 wrote:How did I miss this bit of news? That's fantastic.TedW wrote:Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
- Antoine Doinel
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Shine A Light to open 58th Berlinale.
- Antoine Doinel
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The Stones edited their more provocative lyrics for the film.
- lacritfan
- Life is one big kevyip
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- Location: Los Angeles
Don't forget John Toll.TedW wrote:Richardson is the cinematographer; but of note is the fact that his stature, Scorsese's stature, and the Stones' stature got a number of world-class cinematographers to agree to operate cameras for the concert. Stuart Dryburgh, Emmanuel Lubezki, Ellen Kuras, Andrew Lesnie, Robert Elswit and others actually came on for an evening of camerawork, which should be fun to watch.
- Saarijas
- Joined: Sun Sep 03, 2006 7:03 pm
- Location: CT
I am afraid your very right that the back stage stuff was much more interesting. Now if only the backstage stuff had lasted more then 20 minutes...Svevan wrote:According to Variety, Albert Maysles shot the "backstage moments." I assume that means he's responsible for the black and white stuff, which looks much more interesting than the actual concert (however beautiful).