Accattone

Edition no. 31

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Licensor Information
Compass Film
Directed by: Pier Paolo Pasolini

The debut feature of Italian filmmaker-novelist-poet-provocateur Pier Paolo Pasolini (Salò, or: The 120 Days of SodomThe Gospel According to MatthewThe Decameron), Accattone rocked the cinema world with its depictions, at once raw and elegant, of the underside of Roman street life – and, in the process, seemed to announce a new direction for Italian films: a neo-neorealism.

On the mean streets of Rome, Accattone’s eponymous pimp (played by Franco Citti, one of a remarkable cast of local non-professionals) leads a hand-to-mouth existence on the very margins of society: prostituting, scrounging, exploiting. When his prize prostitute Maddalena is arrested and jailed, the pimp’s fortunes dwindle, and he is forced to confront his own existence.

The work of one of Italy’s foremost auteurs, Accattone combines a fascination with poverty, sexual mores, and the entrapments of society, with a sense of humanity and sanctity rarely seen in cinema. The Masters of Cinema Series is proud to present Pasolini’s debut alongside his feature-length 1965 documentary Comizi d’amore [Love Meetings] in a special Dual Format Blu-ray + DVD edition.

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Release Information:


Technical Specifications

Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
B (Blu-ray)
Aspect Ratio:
1.33:1
1.66:1
Audio Options:
Italian PCM Mono 2.0
Italian Dolby Digital Mono 2.0
Resolution:
1080p/24
576p/25
Subtitles:
English

Supplements

Types of Supplements Included: Audio Commentary, Documentary, Theatrical Trailer, Booklet
  • Pasolini’s 1965 feature-length documentary Comizi d’amore [Love Meetings], on the complementary theme of Italian attitudes towards sex, presented in its original aspect ratio of 1.66:1
  • Original Italian theatrical trailer for Accattone
  • Original Italian theatrical trailer for Love Meetings
  • Feature-length audio commentary on Accattone by critic Tony Rayns
  • 36-page booklet featuring a translation of Pasolini’s 1958 poem “To a Pope”; excerpts from a 1969 interview with Pasolini by Oswald Stack; a 1975 essay on the film by Pasolini; Pasolini’s original treatment for Comizi d’amore; and rare archival images

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