André Gregory & Wallace Shawn: 3 Films

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My Dinner with Andre | Vanya on 42nd Street | A Master Builder
Licensor Information
Nouvelles Editions de Films, Sony Pictures Home Entertainment, Westward Productions
When André Gregory and Wallace Shawn—theater directors, writers, actors, and longtime friends—sat down for a stimulating meal in 1981’s My Dinner with André, they not only ended up with one of cinema’s unlikeliest iconic scenarios but launched a film collaboration that would continue to pay creative dividends for decades. The subsequent projects they made together for the screen—1994’s Vanya on 42nd Street, a passionate read-through of Anton Chekhov’s Uncle Vanya, and 2014’s striking Henrik Ibsen interpretation A Master Builder—are penetrating works that exist on the boundary between theater and film, and that both emerged out of many years of rehearsals with loyal troupes of actors. Gregory and Shawn’s unique contributions to the cinematic landscape are shape-shifting, challenging, and entertaining works about the process of creation.

Details by Film

Release Information:


Technical Specifications

Format:
Blu-ray
Discs:
BD-50 (3 Discs)
Total: 3 Discs
Regions:
A (Blu-ray)
Aspect Ratio:
1.66:1
1.78:1
Audio Options:
English PCM Mono 1.0
English DTS-HD MA Surround 2.0
English DTS-HD MA Surround 5.1
Resolution:
1080p/24
Subtitles:
English

Supplements

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My Dinner with Andre
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Vanya on 42nd Street
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A Master Builder
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Release Notes on Restoration

My Dinner with Andre
My Dinner with André is presented in its original aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. This digital transfer was created in 2K resolution on a ARRISCAN film scanner from the original 16mm A/B negative. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using DaVinci’s Revival, MTI’s DRS, and Pixel Farm’s PFClean, while Digital Vision’s DVNR was used for small dirt, grain, and noise reduction.

The original monaural soundtrack was remastered at 24-bit from the original 16mm magnetic tracks. Clicks, thumps, hiss, hum, and crackle were manually removed using Pro Tools HD, AudioCube’s integrated workstation, and iZotope RX 4.