A Generation | Kanal | Ashes and Diamonds
Licensor Information
Jeck Film
Directed by: Andrzej Wajda
In 1999, Polish director Andrzej Wajda received an Honorary Academy Award for his body of work: more than thirty-five feature films, beginning with A Generation in 1955. Wajda’s next film, Kanal, the first ever made about the Warsaw Uprising, won the Special Jury Prize at Cannes and launched Wajda on the path to international renown, a status secured with the release of his masterpiece, Ashes and Diamonds, in 1958. These three groundbreaking films helped usher in the Polish School movement and have often been regarded as a trilogy. But each boldly stands on its own—a testament to the resilience of the human spirit and the struggle for personal and national freedom. The Criterion Collection is proud to present this director-approved edition, with new transfers of all three films and extensive interviews with the filmmaker and his colleagues.
Details by Film
A Generation
Year: 1955
Time: 83
Aspect Ratios
1.33:1
Audio
Polish Dolby Digital Mono 1.0
Streaming Options
32919.
+27752
Stream
2
Kanal
Year: 1957
Time: 91
Aspect Ratios
1.33:1
Audio
Polish Dolby Digital Mono 1.0
Streaming Options
30506.
+23907
Stream
2
Ashes and Diamonds
Year: 1958
Time: 103
Aspect Ratios
1.66:1
Audio
Polish Dolby Digital Mono 1.0
Streaming Options
17439.
+8628
Stream
Rent
Buy
Free
Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (3 Discs)
Total: 3 Discs
Regions:
6/5/4/3/2/1 (DVD)
4/6/5/3/2/1 (DVD)
1/6/5/4/3/2 (DVD)
Aspect Ratio:
1.33:1
1.66:1
Audio Options:
Polish Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included:
- Andrzej Wajda: On Becoming a Filmmaker, an exclusive interview with the director and film critic Jerzy Plazewski
- Andrzej Wajda: On Kanal, a 27-minute exclusive new interview with the director, assistant director Janusz Morgenstern, and film critic Jerzy Plazewski
- Audio commentary by film scholar Annette Insdorf
- Ceramics from Ilza (Ceramika Ilzecka), Wajda’s 1951 film school short
- Jan Nowak-Jezioranski: Courier from Warsaw, a new 28-minute interview by Andrzej Wajda of a Warsaw Uprising insider
- Andrzej Wajda: On Ashes and Diamonds, a 35-minute exclusive new interview with the director, second director Janusz Morgenstern, and film critic Jerzy Plazewski
- Rare behind-the-scenes production photos, publicity stills, posters, and original artwork by the director
- Rare behind-the-scenes production photos, publicity stills, and posters
- Vintage newsreel footage on the making of Ashes and Diamonds
- Booklet featuring a new essay by film scholar Ewa Mazierska
- Booklet featuring a new essay by film critic John Simon
- Rare behind-the-scenes production photos, publicity stills, and posters
- Booklet featuring a new essay by film scholar Paul Coates
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A Generation
Kanal
Ashes and Diamonds
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
A Generation
A Generation is presented here in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit DataCine film scanner, with the participation of editor George Gale, from the new 35mm fine-grain print struck from the original negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
Kanal
Kanal is presented here in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit DataCine film scanner, with the participation of editor George Gale, from the new 35mm fine-grain print struck from the original negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
Ashes and Diamonds
Ashes and Diamonds is presented here in its original aspect ratio of 1.66:1. On standard televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit DataCine film scanner, with the participation of editor George Gale, from the new 35mm fine-grain print struck from the original negative. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from 35mm optical track print, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.

