Apur Sansar

Edition no. 785

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Licensor Information
NFDC
Directed by: Satyajit Ray

By the time Apur Sansar was released, Satyajit Ray had directed not only the first two Apu films but also the masterpiece The Music Room, and was well on his way to becoming a legend. This extraordinary final chapter brings our protagonist’s journey full circle. Apu is now in his early twenties, out of college, and hoping to live as a writer. Alongside his professional ambitions, the film charts his romantic awakening, which occurs as the result of a most unlikely turn of events, and his eventual, fraught fatherhood. Featuring soon-to-be Ray regulars Soumitra Chatterjee and Sharmila Tagore in star-making performances, and demonstrating Ray’s ever more impressive skills as a crafter of pure cinematic imagery, Apur Sansar is a moving conclusion to this monumental trilogy.

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Release Information:


Technical Specifications

Format:
4K UHD
Blu-ray
Discs:
UHD-66 (1 Disc)
BD-50 (1 Disc)
Total: 2 Discs
Regions:
None (4K UHD)
A (Blu-ray)
Aspect Ratio:
1.37:1
Audio Options:
Bengali PCM Mono 1.0
Resolution:
2160p/24
1080p/24
Subtitles:
English
HDR:
None

Supplements

Types of Supplements Included: Interview, Video Essay, Archival Footage, Restoration Demonstration, Booklet

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Restoration Information

Apur Sansar
Restoration by:
The Criterion Collection
The Academy Film Archive
Year: 2014
Scanned at: 4K Digital
Restored at: 4K Digital
Sources:
35mm Fine-grain master positive
35mm Safety negative

Release Notes on Restoration

Pather Panchali, Aparajito, and Apur Sansar are presented in their original aspect ratios of 1.37:1. For Pather Panchali and Aparajito, 4K digital masters were created on an ARRISCAN film scanner with wet-gate technology from the Academy Film Archive's original negatives. Addition film elements used for Pather Panchali included a 35 mm duplicate negative from the Academy Film Archive and a 35 mm fine-grain from the BFI National Archive; additional film elements used for Aparajito included two 35 mm duplicate negatives, one from the Academy Film Archive and one from the Harvard Film Archive. For Apur Sansar, a 4K digital master was created on an ARRISCAN film scanner from a 35 mm fine-grain positive from the British Film Institute and a 35 mm safety duplicate negative from the Academy Film Archive.

The original monaural soundtracks were remastered from the following elements: for Pather Panchali, a 35 mm safety magnetic track from the Academy Film Archive; for Aparajito, a 35 mm print from the Venice Film Festival and a 35 mm fine-grain from the Academy Film Archive; and for Apur Sansar, two 35 mm prints and a 35 mm magnetic track from the BFI National Archive.