This title is also available in the following box set: 3 Films by Louis Malle
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Licensor Information
Nouvelles Editions de Films
Directed by: Louis Malle
Featuring: Gaspard Manesse, Raphaël Fejitö, Francine Racette, Stanislas Carré de Malberg, Philippe Morier-Genoud
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss between two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie-until a secret is revealed. Based on events from writer-director Malle's own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
Streaming Options
26078.
+17926
Release Information:
Technical Specifications
Format:
DVD
Disc:
DVD-9 (1 Disc)
Total: 1 Disc
Regions:
1 (DVD)
Aspect Ratio:
1.66:1
Audio Options:
French Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included: Theatrical Trailer, Booklet
- Original theatrical trailer and teaser
- Booklet featuring new essays by film critic Philip Kemp and historian Francis J. Murphy
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Film
Picture
Audio
Supplements
Artwork
Release Credits
Producer: Kate Elmore
Artwork: Michael Boland
Release Notes on Restoration
Au revoir les enfants
Au revoir les enfants is presented here in its original aspect ratio of 1.66:1. On standard 4:3 televisions, the image will appear letterboxed. On standard and widescreen televisions, black bars may also be visible on the left and right to maintain the proper screen format. Director of photography Renato Berta supervised this new high-definition digital transfer, which was made by scanning the 35mm original camera negative on a Spirit Datacine in 2K resolution, and color corrected on a Specter Virtual Datacine with Pandora color correction. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from a 35mm magnetic track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from a 35mm magnetic track, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.