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Licensor Information
Shochiku
Directed by: Masaki Kobayashi
Featuring: Tatsuya Nakadai, Rentaro Mikuni, Akira Ishihama, Shima Iwashita, Tetsuro Tanba, Masao Mishima, Ichiro Nakaya, Kei Sato, Yoshio Inaba, Yoshiro Aoki
Following the collapse of his clan, an unemployed samurai (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to be allowed to commit ritual suicide on the property. Iyi’s clansmen, believing the desperate ronin is merely angling for a new position, try to force his hand and get him to eviscerate himself—but they have underestimated his beliefs and his personal brand of honor. Winner of the Cannes Film Festival’s Special Jury Prize, Harakiri, directed by Masaki Kobayashi is a fierce evocation of individual agency in the face of a corrupt and hypocritical system.
Streaming Options
3456.
+1478
Release Information:
Technical Specifications
Format:
Blu-ray
Disc:
BD-50 (1 Disc)
Total: 1 Disc
Regions:
A (Blu-ray)
Aspect Ratio:
2.35:1
Audio Options:
Japanese PCM Mono 1.0
Resolution:
1080p/24
Subtitles:
English
Supplements
Types of Supplements Included: Introduction, Interview, Theatrical Trailer, Booklet
- Video introduction by Japanese-film historian Donald Richie
- Excerpt from a rare Directors Guild of Japan video interview with director Masaki Kobayashi, moderated by filmmaker Masahiro Shinoda
- Video interviews with star Tatsuya Nakadai and screenwriter Shinobu Hashimoto
- Original theatrical trailer
- A booklet featuring a new essay by film scholar Joan Mellen and a reprint of Mellen’s 1972 interview with Masaki Kobayashi
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Supplements
Artwork
Release Credits
Producer: Curtis Tsui
Release Notes on Restoration
Harakiri
Harakiri is presented in its original aspect ratio of 2.35:1. Black bars at the top and bottom of the screen are normal for this format. This high-definition digital transfer was created on a Spirit Datacine from a 35mm composite fine-grain master positive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were removed using the MTI’s DRS and system and Pixel Farm’s PFClean system, while Digital Vision’s DVNR system was used for small dirt, grain, and noise reduction.
The soundtrack was mastered at 24-bit from a 35mm optical print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.
The soundtrack was mastered at 24-bit from a 35mm optical print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube’s integrated workstation.