First Man Into Space | The Atomic Submarine | The Haunted Strangler | Corridors of Blood
Licensor Information
Gordon Films
Featuring: Marshall Thompson, Arthur Franz, Boris Karloff, Marla Landi, Dick Foran, Jean Kent, Christopher Lee, Robert Ayers, Brett Halsey, Elizabeth Allan, Bill Nagy, Paul Dubov, Anthony Dawson, Vera Day, Tim Turner, Diane Aubrey
Launching us from a grave past to a space-age future, these two thrilling double features, from producers Richard and Alex Gordon, spin classic tales of hair-raising homicidal mania and intrepid, death-defying exploration. Featuring Boris Karloff in two of his most horrifying roles (The Haunted Strangler and Corridors of Blood), and two classic sci-fi treats from the atomic age.
Details by Film
First Man Into Space
Year: 1959
Time: 77
Aspect Ratios
1.33:1
Audio
English Dolby Digital Mono 1.0
Streaming Options
17221.
+9157
Stream
Rent
Buy
Free
The Atomic Submarine
Year: 1960
Time: 72
Aspect Ratios
1.33:1
Audio
English Dolby Digital Mono 1.0
Streaming Options
20616.
+13056
Stream
Amazon Prime Video
Amazon Prime Video
HD
Amazon Prime Video with Ads
Amazon Prime Video with Ads
HD
AMC
AMC
HD
AMC Plus Apple TV Channel
AMC Plus Apple TV Channel
HD
AMC+
AMC+
HD
AMC+ Amazon Channel
AMC+ Amazon Channel
HD
Criterion Channel
Criterion Channel
HD
Cultpix
FlixFling
Philo
Philo
HD
YouTube TV
YouTube TV
HD
Rent
Buy
The Haunted Strangler
Year: 1958
Time: 78
Aspect Ratios
1.33:1
Audio
English Dolby Digital Mono 1.0
Streaming Options
Rent
Corridors of Blood
Year: 1958
Time: 86
Aspect Ratios
1.33:1
Audio
English Dolby Digital Mono 1.0
Streaming Options
32021.
+27682
Stream
Rent
Buy
Release Information:
Technical Specifications
Format:
DVD
Discs:
DVD-9 (4 Discs)
Total: 4 Discs
Regions:
1 (DVD)
Aspect Ratio:
1.33:1
Audio Options:
English Dolby Digital Mono 1.0
Resolution:
480p/29.97
Subtitles:
English
Supplements
Types of Supplements Included:
- Audio commentary by producer Richard Gordon and writer Tom Weaver
- Audio commentary by producer Alex Gordon and writer Tom Weaver
- Audio commentary by Richard Gordon and writer Tom Weaver, with additional comments from Alex Gordon
- Audio commentaries by Richard Gordon and writer Tom Weaver
- New video interviews with director Robert Day and costar Maria Landi
- New video interview with actor Brett Halsey
- New video interviews with director Robert Day, screenwriter Jan Read, and costars Jean Kent and Vera Day
- New video interviews with Robert Day and costars Francis Matthews and Yvonne Romain
- Original theatrical trailers
- Original theatrical trailers
- Deleted scenes
- Deleted scenes
- Radio spots
- Radio spots
- Original theatrical trailers
- Original theatrical trailers
- A booklet featuring new essays by Bruce Eder and Michael Lennick
- Stills galleries featuring production and publicity photographs
- Radio spots
- Radio spots
- A booklet featuring new essays by Bruce Eder and Michael Lennick
- Stills galleries featuring production and publicity photographs
- Stills galleries featuring production and publicity photographs
- A booklet featuring Fangoria’s 1984 interview with producer John Croydon about Karloff, and a new essay by Maitland McDonagh
- A booklet featuring Fangoria’s 1984 interview with producer John Croydon about Karloff, and a new essay by Maitland McDonagh
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First Man Into Space
The Atomic Submarine
The Haunted Strangler
Corridors of Blood
Picture
Audio
Supplements
Artwork
Release Notes on Restoration
First Man Into Space
First Man into Space is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain print. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The Atomic Submarine
The Atomic Submarine is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain print. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The Haunted Strangler
The Haunted Strangler is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain print. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
Corridors of Blood
Corridors of Blood is presented in its original aspect ratio of 1.33:1. On widescreen televisions, black bars will appear on the left and right of the image to maintain the proper screen format. This new high-definition digital transfer was created on a Spirit Datacine from a 35mm fine-grain print. Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System. To maintain optimal image quality through the compression process, the picture on this dual-layer DVD-9 has been encoded at the highest-possible bit rate for the quantity of materials included.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.
The soundtrack was mastered at 24-bit from the 35mm optical soundtrack negative, and audio restoration tools were used to reduce clicks, pops, hiss, and crackle. The Dolby Digital 1.0 signal will be directed to the center channel on 5.1-channel sound systems, but some viewers may prefer to switch to two-channel playback for a wider dispersal of the mono sound.

